Maternal Dementia

It didn’t help that I was horizontal, trapped in bed by a gastro that’s been going around. De-facto and Short-pants were out on the last of the Christmas-eve day errands: buying bread for the foie gras, tabasco for the Christmas Day Bloody Marys and paper for the last few unwrapped boxes. Drifting in and out of sleep, I heard Buddy-roo occupying herself around the apartment, singing to her Pet-Shop animals (those Fisher Price toys have, maddeningly, still not yet arrived), pushing the baby-doll stroller around the kitchen island, or shaking the presents already placed under the tree.

I was on the mend, but I still couldn’t sit or stand upright for too long. She’d come in every fifteen minutes or so, climbing up on the bed to check on me. She’d brush my hair away from my forehead, give me an I’m-sorry-you’re-sick look; she was caressing me, I imagine, exactly as I have tended her maladies. I was grateful for her quiet company, until she broke the silence.

“Does Santa Claus really come, or is it you who gets up in the night to put his presents under the tree?”

Were I standing in the kitchen, attending to any household task, I could have looked the other way and made a light-hearted of-course-it’s Santa kind of comment to brush it away. But I was pinned like a wrestler beneath her, and she was looking me square in the eye.

“What do you think?” I said.

I’ve been conflicted about the continuation of the Santa Claus myth. The excitement he conjures up is charming, but it’s fatiguing to keep the charade going: wrapping his presents in special paper and making sure no trace is left, remembering which presents are from Santa and which are from us, the required oblique responses to questions about him, his elves and his reindeer. I’m eager for a time when the girls are non-believers and we can exchange the dozens of parcels under the tree for a family trip to somewhere warm with sand, surf and spa. Here it was, the moment to start turning this Christmas train around, and I was chicken.

“I don’t know,” she said, “that’s why I’m asking you.”

Up until now, they’ve both appeared to be believers. Short-pants diligently wrote her letter to Santa and warned her younger sister about the spying elves. When we baked and decorated my mother’s Christmas cut-out cookies, she worried out loud about which one to leave for Santa on Christmas eve. Buddy-roo seemed less devout. It was harder to get her to scribe anything to Santa; she even seemed a bit aloof. But then she told De-facto that “the best thing about Christmas is you can ask for whatever you want and it doesn’t cost anything.” She compared this with her birthday, when you didn’t know what you were going to get and somebody had to pay for the presents. So, it seemed, she still believed, too.

“Santa is the spirit of Christmas,” I told her, “he represents the magic of giving gifts without thinking about what you get back.”

I was stalling. I wanted her to find out from someone other than me, like a classmate or a cousin. Perhaps that’s what had happened and now she was coming to me for the ultimate truth.

“But who puts the presents from Santa under the tree?”

Her question was too direct. It was time to answer. Besides, I justified, this might lay the foundation for the dialogue between us in the years to come; how I handled this could be a precedent for future honest answers from her.

I told her. The truth. Then I braced myself for her response: a backlash of angry betrayal or tears of disappointment that all this magic was just a myth.

“Really?” Her eyes widened. “It’s you?

“And Papa, too.” I had to give him some credit.

She inched herself up closer to me, her smile widening. She threw her arms around my shoulders.

I wanted to say: You’re not mad at us? Instead I said: “It doesn’t mean that Santa doesn’t exist. He’s in all of us, at anytime of the year. He just comes out more generously at Christmas.”

“Who eats the cookie we leave out?” she asked.
“I do.”
“And the carrot, for the reindeer, who eats that?”
“Papa.”
“How come you get the cookie?”
“That’s how we roll.”

Now I wondered about Short-pants. She’d been doing such a fine job of believing – almost too good a job for her age – that I’d started to think maybe she was playing along to humor us. I did this: for three years I was well aware who was really putting those big-ticket gifts under the tree, but I didn’t fess up. The booty Santa brings is always more interesting. How do you think I got so many of those Fisher Price toys?

I asked her if Short-pants still believed.
“Yes,” she answered without hesitation. “She still believes.”

“Will you give me a present, then?” I asked. She nodded solemnly, to match the tone of my request.

“Please. Don’t. Tell. Her.”

I remembered how crushed she’d been, running to her room in tears when she learned that the Bastille Day fireworks weren’t really in honor of her birthday, something De-facto and I had perpetuated as a charming story – we thought – as the fireworks in Neuilly-sur-Seine, where she was born, started just a few moments after she was born.

“At least not until after this Christmas.”

Buddy-roo promised, and it was a promise she kept. In fact, she played along so well with the entire ruse that I realized that I’ve set no precedent whatsoever for any honest answers in the coming years. But we had peace at Christmas, in a festive kind of way, which is what I needed, and what I wish for all of you for the remainder of the holiday season.

It happened the day before my first junior high school dance. I’d been to the orthodontist several times, enduring that mouthpiece filled with the cold, white, plaster of Paris concoction – both before and after getting those extra, unwanted teeth pulled – leaning forward and breathing, barely, through my nose while the imprint of my teeth and gums hardened. My casts would join a hundred other sets of jaws displayed in glass cases along every wall of the office, in Dr. Zappler’s museum of overbites. Still, I was surprised when an army of razor edged silver bands were cemented on each and every tooth, connected by a single wire that joined me, unwittingly, to the club of children with braces.

The monstrous dental chair faced a picture window looking out over a lake, a calming view before the tempest of tears that would follow when I got home and went directly to the mirror over the bathroom sink. My mouth was overtaken with metal, a silver smile behind swollen lips unaccustomed to the foreign objects in my mouth. My inside of my cheeks were sore. My heart dropped.

Because there was a boy, sort of a bad boy – or he soon enough would become one – and my crush on him was fierce. Just thinking about him conjured up a stirring in my 12-year-old body, a tickle that was a bit confusing and a bit intriguing. I guessed that if he would ask me to dance or possibly steal a first kiss, it could only get better. It was rumored that he might, friends had reported that he’d been glancing over at me frequently in the cafeteria.

Staring in the mirror, all hopes of his attention darkened. My first seventh grade dance would be the one where I sat alone on the wooden bleachers while my friends rocked back and forth with their boyfriends in that arduous circle otherwise known as a “slow dance.” My life was ruined.

Contrast this with Short-pants, who was thrilled about the acquisition of her braces. She marched home from the orthodontist triumphant with a blinding silver smile. She showed them off, beaming wide and proud to everyone she met, “Notice anything different?”

A few things have improved in the world of orthodontia. Instead of the wide bands wrapped around each tooth, she has but a tiny button cemented on the center of each one. You can barely see the wire that connects the teeth, there’s not as much metal in her mouth. Most important, Short-pants thinks it looks like she has diamonds on her teeth. Her smile is bejeweled.

I told Short-pants about my memory of getting braces, and the timing, and how different my response was from hers. (I left out the “stirring” part.) She listened thoughtfully.

“Did he dance with you?”
“No.”
“Mama,” she fell into her Mother Teresa voice, “if that boy didn’t dance with you just because you got braces, he wasn’t worth liking.”

Then she flashed me a beautiful, blinding grin.

He was wearing seersucker Bermuda shorts. He’d already kicked off his white boat shoes, they were laying on the floor in front of my seat. He wore a light charcoal colored T-shirt betrayed (or enhanced) by the stains of a long backpacker tour. His Justin Bieber hairdo was greasy, like the shirt. His muscled thighs were thick and he sat low in his seat so his knees fanned out to the sides, encroaching on the woman next to him, his young girlfriend who didn’t seem to mind, and on me on the other side, not so thrilled about sharing my airspace with him. He never once looked at me nor spoke to me; he only grunted when I asked if he might move his shoes, and his knee, to make a bit of legroom for me.

This is just the guy that keeps me up at night. I see him, when I’m walking Short-pants and Buddy-roo home from school. We pass by a lycée, its clumps of teenagers spilling out into the middle of the street. The girls look ridiculous, awkwardly pinching their cigarettes between superficial puffs. The boys shout vulgarities at each other across the street, the mating-call of the adolescent male. They shake their haircuts into place and wave their arms in the air, revealing five inches of black boxer shorts above the waistband of their jeans. I realize this is the current fashion – as a teenager I was slave to such timely styles, too – but still I constantly fight the urge to go grab their belt-loops on each side and hike those low-rider pants up until they fall correctly on the hips. Either that or give them the full wedgie they appear to be begging for.

This was that guy. He had the look, the bad-boy cool, which is really just a mask for his lack of confidence. Adolescent girls are easily blinded to this fact, which is why they always fall for him, with disappointing results. Even that I can take: teenage heartbreak is a part of growing up. But he’s the one that messes, purposely, with your daughter’s self-esteem. He kisses and tells, doesn’t-kiss-but-tells-he-did-anyway, callously adds her to his list of cavalier conquests. I knew this guy in high school, and in college. That’s why I can smell him a mile away.

At least I was on the aisle seat, so I leaned left and studied my Sudoku puzzle while the airplane taxied down the runway. Except on the other side of me there were two young American women, maybe just 20-years-old, swapping stories about their travels. Their conversation was loud, one of them in particular insisted upon broadcasting to a wide radius around her seat. I’d already turned on my noise-reducing earphones but I could still hear her clear as a bell. I was impressed with her capacity to incorporate the word like a minimum of three times in every sentence. Plus, you couldn’t help notice that rather than sharing her thoughtful insights about traveling, she was, like, showing-off, how, like, in-the-know she’d become.

I knew this girl, too. I was once her. Over-inflated, full of myself because finally I was out in the world, doing all the grown-up on-your-own things I’d dreamed of doing. I’m sure I spoke with the same overzealous disclosure, a would-be reflection on my experiences that was really just a chance to boast. But hopefully, at least, I did it with a little less volume, so only my immediate seat-mates were compelled to roll their eyes, not the entire cabin of the plane.

What saved me was that my in-flight entertainment screen wouldn’t work, even after two re-boots, so I was moved to another aisle seat further back, amongst sleeping, movie-viewing people who had no desire to impose or impress.

Sitting in the dark, in the rear of the plane, I wondered what it was that summoned my harsh judgments against these two young people. I worry about that type of guy preying on my daughters, that despite all the seeds I’ve already planted and all the prescient mother-daughter conversations yet to come, that they won’t recognize and steer clear of him. And I’m afraid that despite all the reminders about using their inside voice or any tips on art of conversation that I would hope to impart along the way, they will become that girl, that nearly intolerable it’s-all-about-me airplane conversationalist.

But there’s nothing I can do about it. They will meet that guy. They will encounter that girl, too, whether it’s in their circle of friends or in the mirror in front of them. They’ll meet bullies who torment them, friends who flip on them, humorless teachers who squelch their spirit. I can’t protect them. Even if I could, I shouldn’t. So much of life is what you figure out on your own.

When they’re little babies, there are compelling reasons to protect them. Now, as they grow, too much protection is helicoptering. I don’t want to do that. I want them to grow up fully, with the benefit of their own realizations and experiences. I want to help them to be free-range kids. I want to let them fail, at least a little, and figure out, on their own, how to recover. That’s how I learned to smell danger a mile away, that’s how they will, too.

Still, the urge is there. To warn them. To make them wiser. To help them skip the awkward phases of maturing and get through it faster, easier, better than I did. I know I can’t control what they choose to do in their lives, but I hope I can at least teach them how to make good choices. But how much longer do I have? They’re growing up fast.

On my way home from New Zealand, I stopped midway, in Los Angeles, to visit some friends. They have two teenaged children who look you in the eye, ask if they can help, share interesting, relevant facts about themselves when asked, and possess a sense of humor that is intelligent and thoughtful. This gives me much hope that when Short-pants and Buddy-roo are teens that they could be palatable individuals. I suppose part of that comes from steering them the right direction, and the other part, maybe, from holding your breath, crossing your fingers and just getting out of their way.

Shout Quietly Please is a painting by Dan Walker.

At dinner that night I glanced down at my watch to see that it was nearly half-eight. That’s 8:30 in the morning home in Paris. I’d meant to call the girls during their breakfast, to catch up in general but especially to wish Short-pants well for her viola recital that evening. I leapt up from the dinner table and rushed to the meeting room, where I’d left my computer. I punched the phone number into Skype, counting each hollow ring, one after the other, until our message machine picked up. I tried the babysitter’s number, too, her phone providing the same lonely sound with no answer either. She was probably already walking them to school.

So many times had I said out loud to my colleagues I must call the girls tonight so I reach them at breakfast. How hard can it be to remember one simple promise to myself? Pretty hard, apparently, as the dinner conversation with colleagues and clients – accompanied by a glass of wine – distracted me enough to miss the thin window of opportunity to talk with them. Another example in my list of failed parenting moments.

Except it was about to be Thursday for me, Wednesday for them, the day they get out of school at noon. So I figured I had still had a chance to wish Short-pants luck before her recital if I could just stay up until half-past midnight to call and reach them at lunchtime in Paris. But my eyes were drooping shut by eleven o’clock, I surrendered to sleep fast and heavy – as one does within the wake of jet-lag – but at least I’d set my alarm, which went off shortly before 1 am.

“Mama!” Buddy-roo’s enthusiasm at hearing my voice, instant reassurance that they hadn’t forgotten me.

“Hey,” I said, yawning and groggy. “How are you sweetie?”

“Mama, when are the Fisher Price toys going to get here?”

These old toys of mine were sent with the other things from my mother’s house, a shipment that left the states in October and has not yet cleared European customs. I assured her that I’d filled out all the paperwork and I was just waiting to be given a delivery date.

Her enthusiasm disappeared for the rest of the conversation: How are you doing? Fine. How was school? Good. Did you have fun at the birthday party last weekend? Yes. I opted not to ask about homework, as much of a chore this year as last. We dog her enough about it, that there’s nothing I can do from so far away to move things along. Best not to touch upon a sore subject.

“Can I talk to your sister?”

I heard the phone clunk down on the counter and the footsteps the followed as she ran off to get her sister. I desperately wanted to speak to Short-pants before her concert to let her know I was thinking about her, so that she’d tune her viola knowing that, even from far away, I was rooting for her. Mostly that she’d know she wasn’t forgotten. It’s hard enough, I think, to have an event like this that your parents cannot attend. Worse if it goes by without a crystal clear message that being absent doesn’t mean uninterested.

Short-pants came on the phone.

“Are you ready?”

“Yes, Mama,” she said, “I’ve practiced every night. I know it by heart.”

This conversation an echo of so many exchanges from my childhood. Within it I heard my father’s carefully chosen words to acknowledge preparedness over perfection. And her response, like mine probably was, couched with the intent to please. Add this moment to all the rest – good and bad – where you catch yourself parenting as you were parented.

As a young violist, just about Shortpants’ age, I remember my father once complimented me after an orchestra concert and I told him, with some embarrassment, that I’d actually lost my place during one of the pieces.

“What did you do?” he’d asked.

I told him how I’d faked it until I could find my place in the music and rejoin the rest of the orchestra. I remember his long fingers, pushing his glasses up on the bridge of his nose to adjust them as he summoned his thoughtful response.

“It’s not the fall,” he said, nodding, “it’s the recovery.”

This advice I’ve passed on to others, but I seem to forget to apply to myself.

Despite all the self-talk about how the kids are fine, they’re better adjusted because we’re not hovering over them all the time, how seeing us go away and return is good for their self-esteem, how they’ll be more independent as a result, the truth is I feel like shit about missing this recital. It was her first one ever, and I wasn’t there. I wish I could have beamed myself home, and that it wasn’t the babysitter and her family who’d be there clapping in the audience, but me and De-facto amongst the other proud parents.

I could hear Buddy-roo crying in the background, asking to have the phone back. I reminded Short-pants how much I love her and told her to break a leg, an odd turn of phrase to use, given that her broken leg at age four had its own complications. But she knew what I meant.

“Why do you have to be gone so long?” Buddy-roo asked, through tears. I told her it was because I had to go so far away. It was hard to console her, knowing I had still another full week before I could even say I’ll be home soon.

“When you get back home,” she said, “then will the Fisher Price toys come?”

I assured her they would.

“Okay,” she said, composing herself. I may have fallen from her good graces for being gone so long, but I think I know just how to make a full recovery.

It wasn’t as bad as usual, this time. I even spent a few hours, the day before leaving, no less, wandering through the brocante on the rue de Bretagne with De-facto and the girls. We combed through the stalls of faux-antiques, furniture and junk in search of bookshelves and a dresser for the girls’ bedrooms, stopping midway for a chocolate chaud before hunting some more and heading home without a bookshelf or a chest-of-drawers, but instead with a desk for Buddy-roo that we hope will inspire her to do her homework.

Such a leisurely, familial break could have set me back, but it didn’t. I managed, somehow, to be packed and in bed with the (most of) the list checked-off by midnight. This is highly unusual. There were also fewer incidents of dragging my hands through my hair with the exasperated how will I ever get it all done? that too often accompanies my preparations for a journey. I’m a chronic sufferer of departure stress, but for this trip it was less torturous than usual.

Not that there was a total absence of angst. I lamented out loud, more than once, what was I thinking? I must have lost my sanity to agree to these projects that would take me away from Paris for such an extended period of time, and just before Christmas. I’ve been traveling too much, I moaned to De-facto, I can’t do it like this anymore.

Which is a load of crap, because I love to travel, it’s my drug of choice. I like to be on the road. I am most invigorated standing on a train platform with my valise beside me, or dragging my suitcase through a long airport corridor. Standing in a long queue at passport control can indeed be frustrating, but it can also breed a fierce anticipation of the adventures ahead. It’s all how you look at it. This trait I inherited from my mother, who in turn learned it from hers.

The problem is my obsession to put things doubly in order (also inherited). There’s the preparation to go away: packing, assembling supplies and the fairly mindless yet remarkably time-consuming task of booking tickets and checking-in on line. Then there’s the preparation to be gone for such a long time: paying bills, leaving notes and cash for the cleaner, anticipating babysitter coverage for the complicated moments in the girls’ schedules. It doesn’t help that De-facto has his own week-long trip during my three week absence, so a detailed calendar is required for the two babysitters who manage the girls days and nights when we’re both gone, including pick-up from two different birthday parties and dropping Buddy-roo with one of her friends while Short-pants goes to her music lesson. This is not just organization; it’s choreography.

I catch myself whinging about it and I think of the longing moments I spent on my back porch, growing up, dreaming of traveling in the manner that I do now, and I want to slap myself across the face and shout snap out of it! Because once I’m on the plane – or even before, once I’ve cleared security and I’m in duty-free land – and there’s nothing else to attend to and only the voyage ahead, I’m in a state of bliss. Two long-haul flights to get to New Zealand? No problem. That’s a full day of absolutely uninterruptable time, which can also be described as several movies, two New Yorkers, a novel and still plenty of sleep. I’ll wake up as the plane landed in a far-away place with the familiar tickle: who knows what adventures are ahead?

Guilt is part of it. Even though De-facto is super about taking on the kids and never once complained (to me) about the duration of this trip, I know what it’s like to be the sole parent at home – I do it for him when he travels. The girls don’t like it when I’m gone; their sweet pleading voices tug at me. Worse, I’m missing several important events-of-the-season: the school marché de Noël, the Christmas carol concert and Short-pants’ first viola recital. I know how it meant so much to me that my parents sat through all my orchestra and chorus performances. I feel a bit guilty to be missing theirs.

But guilt is part of parenting. A constant stream of media and societal messages harp on us about how to parent; it’s easy to get caught up in it. I’m always unwinding myself from this tangle, remembering that I don’t have to be the perfect parent, I just have to be a good one. Being true to myself is part of that recipe; mothering by example.

Now I am halfway around the world after 24 tranquil flight-hours of travel that followed 24 hours of frenzied preparation. I do miss my family, but without drama. I also know that this is an important part of me: to be on a trip with a grip, and I can’t deny it. Traveling may seem like a hassle when managing a life around kids, but if I didn’t get to do it at all, I’d shrivel up.

So I endure the pain of preparing to go away, and I find a reasonably sized receptacle in which to place my guilt about being gone. I focus not on the morning cuddles that I’m missing, but on those that will be all the more succulent when I return. And I hope that when it’s time for Short-pants and Buddy-roo to go out and grab the world, they’ll know just how to do it: without stress, without guilt, instead with a wide-angle view on the horizon, and all it has to offer.

It’s not like you can just walk into any grocery store and select a Butterball from the shelf. If you want to do Thanksgiving in France, you have to order a turkey in advance. Not that it is obligatory to celebrate. We could easily sneak by the holiday without any mention. It’s business as usual here on what is the quietest Thursday in America; quiet but for the sound of pots and pans in the kitchen, cutlery and crystal at the table and the blaring of the football games on televisions across the entire country.

Except that it’s a ritual that reminds us, pleasantly, of our childhoods, and we like the gratitude part. The idea of having a designated dinner party to express our thanks, deliberately, seems like a good thing to pass along to Short-pants and Buddy-roo, so each year we fashion some facsimile of a Thanksgiving feast, hobbled together with fine French products and a little American ingenuity (and nostalgia).

Just down the street from where my tailor used to work there is a brightly lit boucherie that I pass whenever I’m walking the girls to or from school. Its floor is covered with saw-dust. Red slabs of meat hang on hooks from the ceiling above the glass refrigerator cases that display even more raw meat and poultry. Two hefty men in long white aprons stand behind the counter, shouting and smiling at the same time, bantering with each other like talk-show hosts, entertaining themselves as much as their customers.

“Bonjour,” I said, entering the shop. This is a required salutation in France. Too many Americans walk into Parisian shops without any kind of a greeting, so their first utterance to the shop-keeper is “how much is this?” The French, rightly, take this is an insult. We’ve tried it in that states, too; it’s amazing how just saying hello to someone before asking them for help can pave the way for a more productive encounter.

“Bonjour!” The butchers, one of them with a thick mop of gray hair, the other with fine white hair that hangs over the top of his wire glasses, answered in unison.

I asked if I could order a turkey.

“En entier?” The gray haired one was surprised that I wanted a whole turkey.

“Oui,” I shrugged, “Je vais faire le Thanksgiving Americain.”

“Mais, non,” said the white haired one, “C’est en Decembre!”

I politely informed him that Thanksgiving always falls on the last Thursday in November. He continued to disagree with me, defiantly sure of the wrong month. I explained that just as (some of) the French celebrate the Beaujoulais Nouveau on the third Thursday of November, we Americans have our special fête on the last Thursday in November.

“Je n’y crois pas,” he said. He still didn’t believe me.

“Monsieur, pardonnez-moi,” and then I switched to English, “I know it’s in November. I’m an American. I’m sure of it.”

The two of them looked at each other, in disbelief.

“Would you like to see my passport?”

“Okay, she wants a turkey, she’ll have it,” one said to the other in heavily accented English. Now I really did feel like a guest on their talk show. They interrupted and corrected each other, comically, as we went back and forth about my order. Pinning them down on an exact weight or price was impossible. Even the delivery date was sketchy. But this isn’t unique to this shop. De-facto used to schlep over to a butcher on rue Montorgeuil that had been recommended to us for turkeys at this time of year; he went through the same song and dance. He’d come home cursing with a bird 2 kilos and 20 euros more than we’d hoped for.

Those of you in the homeland are already digesting yesterday’s big feast, you’ve already gobbled the rogue turkey sandwich late last night – maybe you’re already sick of the leftovers. But since French businesses and schools stop for no American holiday, we opted to postpone our Thanksgiving a day. So this morning I stuck my head in the butcher shop to pick up the bird that I’d reserved.

“We sold it to someone else,” the white-haired butcher said. “Anyway, your Thanksgiving was yesterday. It’s too late.”

“That’s okay,” I told him. “I ordered a turkey down the street, just in case.”

“Touché,” said the other one, pulling the enormous bird out of the chrome refrigerator.

I braced myself for the weighing part. The turkey barely fit on the scale, and it registered 7.6 kilos (nearly 17 lbs). At the cash register, I feigned a Fred Sanford heart attack while handing over my carte bleu. Sure enough, 2 kilos and 20 euros more than I ordered. But it was butchered especially for me, and it’s even kosher.

Plus it’s cooking right now, smelling up the whole place like dozens of November Thursday afternoons embedded in my memory, that savory roasting aroma, the comforting smell of gratitude, everything that turkey is to me. Happy Thanksgiving everyone…

I called first. Yes, the store was open all day, until six. Yes, they had archet d’alto. The woman on the phone – I learned later that her name was Odile – asked me a question that would save us both time: what was I willing to spend? We agreed on a range, which was even a bit less than I had expected to pay. I was glad to know I could get a good viola bow without breaking the bank. I am an amateur musician, so I do not need top-of-the-line. But I was once a decent violist, and mine is a fine enough instrument to merit a bow that will make it sing.

There is a feeling that accompanies you when you carry an instrument, a kind of musical legitimacy that is not only broadcast but that is confirmed within. Walking down the street with viola case in hand, I had a kind of visceral nostalgia – not just a memory, but a replay of the feelings of that long ago time, fierce and full-bodied; I could feel exactly what it was like to be at a rehearsal. The faces of all my orchestra friends right beside me, looking up at the conductor as he scratched his beard just before raising his arms and snapping the baton. Those boys I had a crush on, the ones in the horn section, I could see them all, under that one forever-flickering fluorescent light in the back of the rehearsal hall. I was right there again, with all the harmonies and hormones of my youth orchestra experience, all this just from holding the handle of my instrument case.

It’s been almost two years since my bow broke, ironically only a few months after taking my viola in to be totally refurbished after years of not playing it. Short-pants would practice for her lesson and I’d wish I could pull out my instrument and play, too. Sometimes the pieces she’s assigned have two parts and she’d beg me to play along with her. But without a bow, I could not draw any sound from my fiddle, so I would answer to myself that I must absolutely carve out a few hours the next week to go to a luthier and remedy the situation.

Weeks and months and much more than a year went by.

Last week, Short-pants was practicing a piece for her lesson, a simplified excerpt from the 2nd movement of Beethoven’s 7th Symphony. She was having a hard time staying in tune, partially, I determined, because she didn’t know the tune. I found a recording on YouTube, and sat her down to listen to it. This particular movement is one that almost always draws tears from me, which perplexed her.

“Mama, why are you crying?”

“Because it’s too beautiful,” I told her. I didn’t know what else to say. How do you explain the way music can move things around inside you?

~ ~ ~

Rue de Rome is lined with stores featuring cellos cases and hanging violins and other stringed instruments in their windows. I’m not sure how I would have known which store to go to had I not a specific recommendation from a friend who’s a violinist. One finds this often in Paris: an entire street dedicated to the same industry, be it stringed instruments or textiles or handbags. How one purveyor differentiates himself from another amongst so many is beyond me.

Odile had laid out six bows for me to try. She vigorously rosined each one while I tuned my instrument. I was worried about playing in front of her. I hadn’t played in a long time. Not only would the instrument be cold and closed, my fingers were rusty. I’d even forgotten to cut my nails. I knew this was silly. I shouldn’t care what this woman thinks of my playing, I told myself. It didn’t help, I was still self-conscious.

I picked up the first bow and positioned my fingers around the frog. I drew the bow across the open strings, just letting them ring. Then I started an old standard, Telemann’s Concerto in G, a piece that every violist has played at more than one recital. I lacked the nimbleness I once possessed; I stumbled through the sequences of eighth notes. No matter, I told myself, just listen to the sound.

“They are all somehow different,” she said, “and you can never explain why or how. You just feel it.”

How true. One bow seemed to make a sound more metallic, and another slid too swiftly across the strings. Another harbored some invisible inertia, even with more rosin it felt heavy, sluggish. The next one was good, okay, but it still didn’t feel like it fit me. And so on. I tried each bow, pushing aside the thought of anyone in earshot, immersing myself in the technical details of each bowing experience, analyzing it – but also feeling it – until I narrowed it down to two favorites.

Odile took my instrument and played for me with each bow to give me the experience of hearing them in use, not from beneath my chin but from a distance. Then she regarded my viola and asked if I liked those strings. And did I feel that the bridge was too high? I shrugged.

“Will you permit me?” I consented to new strings and the shaving-off of my bridge and watched her carry my viola up the stairs to the mezzanine where some artisan performed a magic fix. Fifteen minutes later, she handed my instrument back, and nodded at me to try the bows again.

There is a passage in the JC Bach’s Concerto in C Minor that uses all four strings in a cascading rhythm. With this in mind, I selected one of the bows, and let it fall back and forth on all the strings in long, heavy strokes.

“Push with your finger,” she coached me. I dug the bow into the string and used its entire length. The sound bellowed and danced around me, rich, voluptuous.

“Now try the same thing with the other bow.” I did as she commanded. I forgot that anyone else might be listening, but pressed myself into the notes, bonding with them, breathing them to life. So quickly was I lost in the music, even with my scruffy, out-of-practice sound. I was playing my viola again.

It was clear that the second bow was mine. Like Harry Potter’s wand had chosen him, I too had been selected. I ran my fingers along the polished wooden stick, pressed the taught horsehair up against my nose.

“Hello,” I whispered to it.

~ ~ ~

That night, Short-pants opened her music case and I opened mine, too.

“You got your bow!” she squealed in full delight.

I suggested we play the Beethoven piece; she could play the first part and I’d play the third, so our harmonies would be distinct. We rosined our bows in tandem, and sat side-by-side with bows poised upon the D-string. I looked over at her, prepared to start, except she raised her instrument and dipped it down, the way an accomplished musician knows to lead off an ensemble. We plunged in, stalled and restarted a few times, but soon found our way to be in sync. After only a few tries, we played the half-page of music together start to finish. De-facto and Buddy-roo applauded wildly. Short-pants beamed. And for all the reasons you can surely imagine, I smiled too, keenly aware of just how music can move things around inside you.

I want to be in the cloud. Not the up-there-in-the-ether-all-safe-and-stored-and-accessible-from-any-device cloud, I mean the creative cloud, the cloud of that fuzzy, I-don’t-know-but-something-might-be-emerging cloud, both thrilling and unnerving at once, the cloud of my imagination. I want to go there and stay there and live there, mindfully navigating life in a writerly way, a painterly way – even thought I don’t paint – or a musical way, any way that might be an artistic way.

Once upon a time I had my fingers in glue stick and construction paper, cutting out magazines and making and pasting creative little things. I wrote daily in my journal, I did multiple free-writes on the same prompt. I remember feeling perfectly capable of taking time, without the gnawing sense that I might be wasting it, time being that precious commodity that we all have exactly the same amount of but some people seem to use more industriously than others. Not that industry is the truest measure of contentment. I would like to do less.

I would like to tether myself to this cloud and move deliberately, through the potentially artistic moments of my day. Spooning a mountain of frothy milk into the coffee in my favorite mug with just the right swirl and then doing nothing but sitting and drinking it; handwriting funky postcards to far flung but not forgotten friends before opening email and RSS feeds to respond to the “urgent” news of the day. Drawing a flower on the steamed-up mirror after a unhurried hot shower – better yet a drawn-out bath – and taking the time to add detail to each of its pedals; sitting pensively on the barstool, imagining the life of the Asian woman with gray squared-off bangs sitting across from me at the café; stopping off at a bookstore on the way home to browse the stacks randomly, pulling titles off the shelves and reading paragraphs, just short snacks in a feast of enticing literature.

I want to mount those family pictures on the bathroom wall in that funky frame I found, produce that little film of my mother walking through the rooms of our old house, finish that scrapbook of Buddy-roo’s blessing before she realizes her sister’s is completed but hers – though its pieces are ready to go – has never been assembled. I want to read without being interrupted or without collapsing the book on my chest in utter exhaustion. I want to, when I’m feeling haunted by a passage in Shostakovich’s 5th symphony, sit down in that moment to listen to it with the Bose headphones I bought (an indulgence) to block out noise on long-haul flights when the real reason to own them is that they make everything seem alive and present and close around you.

I just want to live in a more artistic way.

I’ve decided to stop talking about being too busy. It’s a boring line of conversation, and frankly, everybody’s busy. It can’t be denied that I juggle a fair amount between work and children and De-facto and friends and the administration of our household. The latter being the most tedious, but I have not yet achieved the zensibility of regarding piles of paper-needing-attention and unwashed laundry and children’s toys and books strewn as anything but an aesthetic assault. I think back to when I lived alone – I’ve never been an everything-at-right-angles person, but it was easy to sustain some amount of sloppy kind of order in my surroundings, which permitted me to vault into the messy cloud of my own creativity without stopping at the toll booth to get there.

There is nobody standing over me insisting that I attend so diligently to the administrative details of my life (and my family’s). I had a dream that I simply stopped caring: No need to remember to stuff the little morning snack packs in their school cartables, no hounding them to straighten their rooms or finish their homework, no longer picking up the random empty glasses left on the floor behind by the couch. I let them leave all the drawers pulled out and cupboards wide open, the wet laundry festered in the machine because I couldn’t be troubled to hang it out or run it in the dryer, the furniture was no longer visible as every surface had been covered with blankets, princess costumes, doll clothes, train tracks, little bits of paper and plastic, and books left open face down to mark the page. In the dream I regarded it all with amusement, and simply joined them, unbothered by shoulds and oughts, basking single-mindedly in my unfettered imagination, up there, in the cloud.

“Is this the marriage part?” Buddy-roo asked. We were congregated on the beach, greenish hills in front of us, the Pacific ocean at our backs. A few white folding chairs created a half moon, upon these chairs sat the elder family and friends while the rest of us stood behind them, making a tight circle in the sand before the couple. The vows were completely customized, except for an occasional dearly beloved and by the power vested in me, inserted for charm and humor rather than tradition. The barefoot bride, my sister-in-love, wore a dark pumpkin orange dress, her groom sported a similarly orange tie with a black suit, the trousers of which would later be folded up as he trampled around the surf with their two little boys, tow-headed like their uncles had been, tow-headed like my daughters once were, still young enough to have no clear idea about the meaning of the ceremony their parents had just constructed, more interested in the piles of sand than the people assembled.

The weekend was filled with wedding party and extended wedding party activities, dinners and picnic lunches, family football challenges on the beach, informal gatherings of cousins and friends of the bride and groom. Each occasion prompted the question from Buddy-roo, who was eager to witness the marriage part and didn’t quite understand all of the other moments of revelry leading up to it.

These are always a bit sticky, these wedding moments, as the nature of our non-wedded status becomes a topic of conversation that has its tender touch points. I brace myself for the inevitable and impertinent question, “so when will the two of you tie the knot?” It’s posed by loving and curious family or friends who aren’t privy to the quiet discussions that De-facto and I have had about the subject. We have morphed in and out of agreement and disagreement on our status, a negotiation which is moot given the inextricable intertwining that results naturally from having children while engaged in pre-marital coitus.

There’s an argument in favor of maintaining this unmarried position, railing against the conspiracy of marriage. Allegedly we are not lulled into the convenient malaise that comes with the “security” of a legal union. When there is no official agreement to rely upon to hold you together, there is no relaxing of the vigilance to the relationship. No lazy couples survive; we’re here facing each other every day, on purpose.

Still, some days I ache because we have not crossed a threshold of ritualizing our feelings for each other. It’s not the big wedding or the formal doo-dah, I know the headaches that accompany the planning and production of such an affair. It’s about stating deliberately to each other: I am here, on purpose, and I mean it, and doing so with a few family and friends not only to witness such proclamations, but to celebrate them, too.

Standing in the sand with the sun upon my back I recalled my failed marriage and the mild embarrassment I carry for having entered into such a public contract only to break it four years later. I take some pride in the amicability of that parting, not that there weren’t arguments and angry words launched between us during the height of its unraveling, but that ultimately, once the threads of our couple were untangled, my ex-husband and I were civil and caring toward each other. Elegant is how I’ve often described my divorce but I’m probably framing it with an aura of revisionist history. But okay, if that makes it easier, so be it: elegant.

There are a number of reasons De-facto and I aren’t married, most of them a defense against some fear that each of us harbors. Me, perhaps, that I will fail again and be twice divorced. Him, that such a traditional label of wife will push me away rather than draw me to him, that the formalization of our commitment would serve only to eat way at the commitment which has organically taken shape as our initial attraction and affection led to a couple in residence, which created one child and then another. Not by accident, the children part: we deliberately pulled the goalie for Short-pants and though Buddy-roo was a surprise, it was only the timing of her arrival and not the fact of it. We knew we wanted to parent together, although I can not for the life of me imagine why he would want me to mother his children as I surely exhibited no maternal finesse whatsoever while we were courting.

What cycles we have been through: one of us resisting, both of us inclined, then more resistance, or apathy. It should not be taken as a sign of rejection that we are not united in holy matrimony, but more an ambivalence about the institution itself and by whom we are given permission to be official. Having said that, the disappointment of having not chosen that path seems to rise out of its invisible resting place from time to time, usually when there is somebody else’s wedding to attend, and it falls upon me like an soft, worn blanket, that old throw that ought to be given away to the good will but for some reason it stays draped on the armchair. Why do we keep that old ratty thing around? Familiarity, perhaps. It wraps around me as I stand there in the sand, with all the others who celebrate the beautiful union of these two awesomely lovely, in-love-with-each-other people face to face before us, poignantly itemizing their life promises to each other. The tears that tip-toe down my cheeks are tears of joy for their happiness, and also tears of disappointment at my own, that I have everything they have – indeed – except the marriage part.

(The last image in this post is artwork by RubySpam.)

“It’s my busy day,” she said, “I have too many things to do.” Short-pants was referring to Thursdays, a long day for her. She gets out of school earlier than usual, but after a short break for a snack and homework, she has to run off to the conservatory for her viola lesson at 6:00 pm, followed by a music theory class from 6:30 to 8:00 pm. It’s not ideal, being schooled in the evening. But it’s the only class that fits with the rest of her schedule, unless we want to succumb to a Saturday obligation. And if she wants to continue with her viola at the conservatory, the theory class is obligatory.

Is this the curse of our time? To be always busy? To feel the burden of constant busy-ness, even at the tender age of ten? When I was her age I had only a little homework and all my extra-curricular activities were somehow incorporated into the school day, a factor of being enrolled in an American primary school during the ’70s. I don’t think I felt fatigued by my schedule. I remember having ample time to play, to read for pleasure, to watch television with my family in the evenings. Sure I had outside commitments; I took private piano lessons from a very young age. But even in high school, when I added several after-school activities, I wasn’t busy.

Does she get it from me? Is her awareness of the weight of her schedule a reflection of her own experience, or is she parroting what she hears me mumbling about to De-facto when my day gets hijacked by little errands and tasks that pop up and scream at me for immediate attention, thrusting me into the urgent but not important quadrant of time management. Some of this is my doing: trips to the beauty nurse are an interruption that I could eliminate, but for the consequences. But too often I feel utterly out of control of my daily itinerary, racing to do things I didn’t arrange for myself. I left the more structured, corporate job scene to get off the hamster wheel, but now I’m on another one, of my own making. Call it the hamster wheel of motherhood.

It seems to be my story, the busy one. And it’s dull. Yes, my days are packed with busy little things. Short-pants is out of cartridges for her stylo plume, or I have to organize her second attestation d’assurance. The girls’ ID cards must be procured at the prefecture, an ill-timed administrative errand that interrupts time I’d set aside to work, but was urgent enough – an upcoming voyage where they are required – to displace my schedule and requiring two trips to the prefecture. Buddy-roo needs a present for an upcoming birthday party, or there’s a note in her cahier that she needs something new for school, by tomorrow. There are a dozen tiny things like this on the list, none of them on their own particularly time consuming, but their accumulation and interruptive quality stun me. That long chunk of hours I’d set aside to work or write squeezes in on me like the narrowing walls of a horror movie, and then, just as I get in the groove of concentration, it’s time to go wait outside the school and bring the girls home.

I’m so tired of being busy. I’m tired of squeezing too much into too few hours. I’m tired of rushing through my life and feeling too busy to stop and linger or else feeling guilty when I do, for instance, linger after school drop-off for coffee with the other parents, or when I go to meet a friend for a drink instead of using those last child-free hours to finish my work, which is never finished.

I need to change something, because what I’m doing isn’t working. But what? What to remove (or possibly add) that will put me back in a more productive, efficient mode? Or in a stress-free mode? Or else this: what might inspire me to care less about the fact that it’s never all done, I’ll never be caught up, this unfinished head-just-above-water, life-in-constant-progress feeling will accompany me, probably, until my life is finished. One could even hope for that.

Buddy-roo’s angst about homework is somewhat diminished from last year. As she matures, her capacity to address the hefty assignment list improves. She’s even starting to understand the concept of working ahead on the weekend, so her after-school workload isn’t quite as crushing. But still, there’s always homework for her to do. The girls also have their chores around the house, the seeds of community service which we acknowledge with a modest allowance. But when we have to remind Buddy-roo to empty the silverware tray from dishwasher or to pull the empty toilet paper rolls from the bathroom and put them in the recycling, or to move her toys upstairs, she sighs with exasperation, “Everybody keeps telling me all these things I have to do, like homework and chores. I never have enough time to play.”

I know where this comes from. It’s her experience, and she’s repeating what she hears too often from me. I’m turning them – or letting them be turned – into human doings instead of human beings. We’re all running on our own little hamster-wheels, and I’m wondering – a lot – about how can we get off and just have some time to play.