Oct 20 2010

Looking Away

“Tell me again about the day Grammy died.” Buddy-roo had crawled into bed and was curled against me like a spoon. I was just falling back to sleep. Her words startled me out of that barely-there-light-doze.

What was it that prompted her, in that instant, to think about my mother? The picture I’ve been meaning to hang on the wall by my bed, the one of mom with a suitcase in hand on her way toward airport security – an iconic pose for her – is still tucked away on the jewelry shelf in my closet, waiting for the perfect frame to be procured. There’s nothing near my bed that would have conjured up her question. I wondered, but opted not to ask. Buddy-roo has the right to think of my mother whenever she pleases.

I repeated the story of that Sunday morning. How my mother was in a bed in her study, barely conscious for days; how her breathing had been irregular but then calmed; how I don’t remember saying this but my siblings tell me I told her the plan for the day is to let go (she was an organized woman who liked a good plan) and how we three sat with her, watching her, holding her hands, comforting her. And how during that one 45-second interval, for whatever reason – to use the bathroom, to fetch a sweater upstairs, to get some more coffee – we’d all left her unattended and she chose that blink-of-an-eye moment to stop breathing. My sister returned, discovered her and called to us.

(I think we are guilt-free about the fact that we weren’t right there at her side when she took her very last breath. We’d been there with her all weekend, in the way we were so often together as a family, in proximity but doing our own thing. None of us were surprised that she stole away while we’d been simultaneously distracted. I’d wager she was waiting for us to leave her alone so she could die in private.)

“But when did they come to get her?” Buddy-roo asked.
“Well, then we called the funeral director and he drove his big station wagon right up on the front lawn and came in to take her body away.”
“But when did they come to get her?”
“It was about an hour after she died.”
“No. When did she go?”
“Well, when she stopped breathing. I suppose that’s when she left.”

Buddy-roo deftly changed the subject, apparently satisfied enough with what she’d gleaned from my explanation. Then, as she does, she moved casually on to the next topic – a movie she wanted to watch, a breakfast request, a story from school. Conversation over.

Today my feet up in the air, against the wall, the cool-down position after a pilates session, breathing in and out as my trainer ran through a relaxation sequence. After whale-kicks with ankle-weights, ab-crunching contortions and dozens of humiliating lunge-squats, it doesn’t take much to enter a light meditation. The scene that came to me, in that state, is one that I see often in dreams about my mother. She is standing on the back porch in her summer robe as I walk from the driveway toward the house. Her body tilts slightly to one side, just like her mother’s did – just like mine will someday – and she is smiling, unconditionally happy to see me.

Then the tears came. They were good and I let them flow and my trainer understood. Later at home I told De-facto who held me while I sobbed against his chest, and he understood. Now in the quiet of my writing studio, I understand what I knew but pretended not to, how impossibly hard it is to grieve when you are busy. The recent respite from travel and work brings relief and rest, but panic as well; grief no longer compartmentalized into 10-minute cubbyholes grows heavy and damp around me.

I don’t know why it’s taken me so long to frame that photograph of my mother with her suitcase, the one I intend to hang by my bed. It is so her, she is on the move. I guess I learned this from her.

In my studio, on a low table just beside my desk, there is a collection of silver-framed photographs of my family: a portrait of my brother and his wife and children; my sister, sitting in front of the temple of Angkor Wat; my aunt dressed in a stunning red suit. They all smiled for the camera, which means that now they are smiling at me.

Two more photographs that stand on that table. In one, my father is barefoot at the beach. He’d been to a conference on the west coast, his first visit to the Pacific, evidently its call so enticing that he removed his socks and shoes and rolled up his suit-pants to feel the other ocean on his toes.

The other photograph is of my mother, with me. We are walking down the street with our arms around each other. It was taken during the first summer I lived in Paris, fifteen years ago when unbelievably I actually wore short baby-doll dresses with black paratrooper boots. I remember that evening, walking beside her, headed toward a favored restaurant, mother and daughter together. I was sharing my Paris with her.

Why, I wonder, have I chosen to keep and display pictures of my parents in which they are turned away from me? In both photographs, I noticed just today, they are facing the other direction, the back of their heads and their bodies the only reminder I have of them in this room otherwise filled with photographs of De-facto and my children and my family and friends – everyone else gazing straight at me.

Is it easier for me to look at them if they’re looking away?

My father, who’s been gone for over two decades, still appears in my dreams. I wake up happy, delighted for even a brief chance to visit with him in the dreamtime. My mother figures prominently in dreams these days, too, but I wake up sad, wanting more, feeling her absence. I am no stranger to grieving, I know that with time – our old friend time – the heaviness of losing her will dissipate and I’ll think of her without such a sorry weight. Someday I’ll wake up happy just to have seen her in a dream. But how long will that take?

Maybe that’s what Buddy-roo means. Maybe they haven’t come to get her yet – whoever they are, the ubiquitous they, the ones who work in tandem with time and help you let go of the people you love and hold near. When did she go, Buddy-roo? She hasn’t yet. Not until I let her go.


Oct 15 2010

The Love Note

She handed me the small sheet of paper, torn out of a notebook. It was creased from being folded and unfolded. I tried to make out what was written, the paper was ripped in such a way that none of the phrases were complete. Was it a code of some sort? It looked like it could be a practice test or part of someone’s homework, scratched in the deliberate fashion of a schoolchild working with the obligatory stylo-plume fountain pen.

“No mama,” Short-pants instructed, “turn it over.” On the other side, more words from (apparently) the same stylo-plume, but this message was clear: proclamations of her beauty and expressions of affection. Tu est super belle and bisous d’amour. The signature, from a boy in her class – call him Jean-luc – was written in the middle of a big heart.

I remember the thrill of all my schoolgirl crushes. What’s-his-name loved me, which meant we wrote notes back and forth and maybe talked on the phone. But at the age of nine that was enough to be an official couple, even if we never saw each other outside of the confines of the school building or schedule. These torrid pre-teen relationships were mercurial, lasting sometimes only a few days before I.D. bracelets were returned and another boy was the objective of, if not my affection, at least my attention.

“It’s a love note from Jean-luc,” she preened. “Olivier, who sits at the desk next to mine, passed it over. He told me that if I asked Jean-luc about the note, he’ll deny it because he’s so shy.”

I know Jean-luc. Last year he was one of the four classmates with whom Short-pants was teamed to produce an exposé. He’s very smart, very quick, rather precocious. Shy is not a word I’d use to describe him. He is the class boy-geek, and Short-pants could be classified as the girl-geek. They do make a nice pair, if you think in stereotypes.

“Well anyway, I didn’t do anything because Melanie Martin says that you don’t tell a boy how you feel because it will embarrass him. You just have to show him.”

You gotta love Melanie Martin. She’s the heroine of With Love From Spain, a book about a family’s spring-break trip during which the mother visits old haunts from her college year abroad. This entails introducing her husband and children to an old flame, which goes over (mostly) well, especially for Melanie who develops a crush on the son of her mother’s old boyfriend. I love this book because it introduces ever-so-gently the nuances and complexities of old relationships-turned-friendships and how it all works when the past meets the present. The book, which Short-pants has read no less than a dozen times, was a gift from none other than the Fiesta Nazi, a woman who wants everyone to love Spain as much as she does. Aside from Melanie’s wisdom about show, don’t tell, it contains a number of valuable nuggets about life in another culture. Like this one: Spaniards don’t believe in bedtime; they believe in nighttime.

The next morning Short-pants brought up the love note again. “Do you think I should tell Jean-luc that I like him, too?” I gave her the standard answer-a-question-with-a-question response, “What do you think?” She paced around the kitchen island, mulling this over in an active meditation. “I could ask Olivier to tell him that I like him.”

Now I knew I was in tricky territory, I didn’t want to burst her love-bubble, but here was a chance to prepare her for one possibility: that just maybe the note wasn’t for real, that the note was a joke. On her.

“Why don’t you think it’s for real?” De-facto had asked me the night before. I explained my theory about a note on pink paper and how maybe some girls in the class don’t quite get Short-pants and this kind of a joke would be a typical response. “Yeah,” he said, after considering it, “much too crafty to be perpetuated by a male.”

Short-pants is a prime target for teasing. She’s a bit of a loner. At school, during the récré, she often rejects invitations to play with her peers. She’d rather wander around the courtyard and talk to herself. She is über-sweet, kind, empathetic, angelic. The fact that she’s so nice, to everyone, could work in her favor – so far I think it has – but I’m waiting for the day when the girls in her class are old enough to get mean, the way pre-adolescent girls can be so mean. Short-pants will be an easy one to bully.

The recent incident at Rutger’s University is an extreme case, but it’s served to raise awareness about how bullying is a real problem in our schools. Back in the day (my day) you didn’t talk about it, you certainly didn’t tell your parents, you just suffered. But I think the bullying is more severe now, and as parent, I feel compelled to watch for clues, even if it’s just the seeds of something that turns out to be a harmless prank. I don’t want to be a helicopter parent. But I believe there’s an important distinction between being overprotective and preparing our children so they can fend for themselves.

“I think Melanie Martin had you headed down the right track,” I told her. Bolstering my argument with her favorite literary character couldn’t hurt. Deep breath. Then I said it: “Do you think Jean-luc really wrote the note?”

“I don’t know,” she said, pondering the possibility that he hadn’t, “it looks like his writing.”

I brought up the pink paper. She admitted this was a bit of a stretch.

“You never know, though,” I softened my blow, “maybe it was some scrap paper he found.”

She studied me, taking this all in.

“Maybe it is a real love note, maybe it’s not. But if I were you, I’d wait and see before playing your hand. If you start asking around, you’re giving away too much. If it’s not real, you save face. If it is real, then Jean-luc will have to work a bit harder to get you to swoon for him.”

“Melanie Martin is right!” She marched out of the kitchen, turning back to offer a quick but heartfelt, “thanks mama.”

I grabbed the edge of the butcher-block centerpiece of our kitchen, as if to steady myself for any and all victories and heartbreaks ahead. This is just a small love story. Or if it is couple of girls having fun at her expense, it’s only a mild teasing. The thing is, I do want her to know romance and to be open to its magic. I also hope she’ll learn to be discriminating and solid on her own two feet.

Short-pants came back into the kitchen. “What does swoon mean?”

“Look it up,” I said. This one, she can figure out on her own.


Oct 9 2010

The Appointment

The fluorescent light flickered on and off in the dingy stairwell. I climbed five flights to the top floor, pushed open the heavy metal door and walked down the narrow corridor. I could see into the classroom at the end of the hallway, its rows of tiny school desks with equally scaled chairs lined up in order, like prisoners tied together in a chain gang.

Earlier that morning – I had to rally the girls to get out the door to be on time for my 8:30 am meeting with the maitresseBuddy-roo stopped on the landing just outside our apartment door and looked out the window. From the top floors of our building, you can see the courtyard and into the classrooms of her old school, a place that represents the oasis of songs, crayons, painting and games that are the first years of l’école maternelle. “Mama, look,” she said, the longing palpable in her voice, “those kids – that’s my old class!” She called out the names of her old classmates, shouting to them even though they could not hear her. She heeded reluctantly when I called her to follow me down the stairs.

I stuck my head in the classroom door, peeked around to see the teacher, a young woman in her late twenties or early thirties whom I’ve viewed only from a distance each afternoon as she escorts the children through the school doors at the end of the day. Madame Deville sat motionless behind her desk. She raised her eyebrows, coolly, and twisted her lips into a smug smirk.

Asseyez-vous madame.” She pointed to a small chair, one suitable for one of her 7-year-old students, facing the desk. My footsteps awkwardly audible in the tomb-like silence of the room, I approached the chair. Slowly I lowered myself into a crouch. The chair was still lower than I expected; I fought to keep my balance as I dropped into the tiny seat. Already, the status had been established.

Je vous attends,” she said, a cruel way of saying and I’m waiting for you to start. I began to make my case as Buddy-roo’s defender and protector. She smiled and her teeth gleamed. Her short brown hair lengthened in an instant and turned into curly writhing serpents. A deep and diabolical laugh welled up from the back of her throat.

Okay, that’s not what really happened.

The day before, I had an appointment with my dermatologist for an annual look-over. It is humiliating to strip and stand exposed as she examines every mole and freckle on my body, making comparisons with the photographs she took on my first visit years ago. But after too much teenaged basking-in-the-sun-with-baby-oil, and subsequent sunning habits that I didn’t cease until the last decade, it’s a necessary medical precaution for me.

The doctor found nothing pre-cancerous but furled her brow at my hairline, which is red and flaky, a mild kind of eczema that flares up from time to time. “Stress?” she asked. I nodded. “C’est la rentrée,” she answered for me. I wonder how long can we blame the rentrée? In France, you’re allowed to say “Happy New Year” only until the end of January. Does the post-summer-start-of-school-and-work transition get to bleed into October?

I made a joke about how we’ve been terrorized by my youngest daughter’s teacher. The doctor started spewing advice, whole story about how a teacher refused to recommend her daughter for a medical-school track, a daughter who is now an accomplished doctor. “You know what’s right for your child. Change classes.” I made the mistake of trying to explain how this is easier said than done. All the Anglo-bilingual kids are in one class with a rather complex schedule to accommodate the hours of English instruction; if she changed classes, she couldn’t take English. “But why does she need to learn English at school? You speak it at home, don’t you?”

What I wanted to say was, “Hey, you’re my dermatologist, not my psychologist. Go back back to my moles.” Instead, I let her blather on, her voice morphing into the muted-horn sounds of Charlie Brown’s teacher while I stared out the window. But then it all became crystal clear: I’ve been trying to buffer Buddy-roo from the angst created by Madame Deville – the false enthusiasm and remaining upbeat despite my own discouragement and frustration, trying to keep my bias in check so as not to make things even heavier for my daughter – I’ve taken it on myself. I’m absorbing the stress, and this isn’t good for anyone.

No matter what comes out of this meeting, I told myself, the most important thing I can do is to be more lighthearted about it all. Buddy-roo will pick up on that, and maybe that’s the key to helping her relax and find her stride at school. (sigh)

Leaving the dermatologist’s opinion aside, I was otherwise well-consulted as I prepared for the meeting with Madame Deville. Readers made suggestions in the comments and in private emails. Friends talked about it with their friends, and phoned with me with advice. Other mothers – some who’ve already met with the teacher and some who haven’t – empathized and advised. I realized, once again, the absolute necessity of a support network. Especially when you’re in foreign territory, it’s crucial. (Thanks everyone!)

My strategy, in the end, was to go in with an open mind and an open heart, armed with questions and ultimately to ask for her help about how I could best support Buddy-roo. I was counseled by natives not to let her bully me; if the asking questions routine didn’t produce results, they said, I should put my foot down and be firm about my concerns. For this I was prepared, too.

When I entered the classroom, Madame Deville jumped up to greet me and escorted me to a desk where we both sat together, equally uncomfortable in two child-size chairs. It was not a contentious encounter; she was warm and friendly.

I was able to convey to her our philosophy at home: how we see mistakes as opportunities to learn; how when Buddy-roo gets an answer wrong we’ll say, “Hmm, I didn’t get the same answer, let’s both try it again” rather than issuing a harsh rebuke; how we’ve tried to reinforce a growth mindset, which means we praise our children not for being smart or having talent, but for working at something and taking on a challenge. But that even though we are encouraging Buddy-roo to keep at it, she’s overwhelmed by the challenge of all this homework. I wondered if other children in the class were suffering the same way and if so would it be possible to slow down even a wee bit and give us a chance to get used to it and develop some study habits before piling on more?

Non, because there’s a big fat test, mandated by the state, at the end of the year, and already it’s a stretch to get the class prepared for it. There’s a tremendous amount of pressure on the teachers to make sure the kids will perform. Hmm. Now I understand the demands on her.

But you shouldn’t worry, she said. All the children at this level have a hard time adjusting. It just takes time. And they all come around. (At what price, I wonder?)

Madame Deville went on to describe Buddy-roo as an absolute delight in the classroom: jovial, enthusiastic and among the most participative students in the class. The big challenge: she’s too easily distracted by the friends around her. She’s a bavardeuse, a chatterbox, only unlike other children who can bavarder and still pay attention, Buddy-roo is entirely distracted by her secondary conversations.

She’s not telling me anything I don’t know.

At home, Buddy-roo moans and gripes about going to school, how hard it is, how she wishes she didn’t have to go. At school, she is – allegedly – jovial and participative, one of the happiest students, according to her teacher. Am I getting played here? And by whom?

When the bell rang, we put on our coats and walked down the stairway together, making our way through the wave of students coming up to their classrooms. I thought about what it must have been like for Buddy-roo and Short-pants on their very first day of school, climbing up this dimly-lit, dystopian stairway surrounded by throngs of strange children. How much we ask of them, at this young age, and how little control they have.

My last point to the teacher when we reached the bottom of the stairs: Buddy-roo has started to say things like “I’m not good at French.” I don’t want this belief to be embedded in her brain. Not that this calls for disingenuous praise (and everybody gets a medal), but I don’t want her to get discouraged. Madame Deville seemed to understand my concern. I’m just not sure if the system that supports her will allow her to give Buddy-roo the support I’m asking for.

At least I know she’s not an evil Medusa, and she’s not a witch. (She does, oddly, bear a slight physical resemblance to Christine O’Donnell, but let’s not go there.) She’s a nice lady. She seems to like my daughter very much, and wants her to do well in school. As for the posturing I heard about at the class meeting, this was not apparent during our conversation. Maybe she’s more comfortable one-on-one. Or it could be that she’s had a number of individual parent meetings in the last two weeks and little by little our appeals have softened her.

In front of the school, we shook hands and I watched her walk toward the courtyard to pick up her class. Nothing was really resolved, but I felt better. Not because of anything she said, but because at least she seemed human; she was warmer and more reasonable than I’d expected. I lingered in front of the school, talking to other parents, filling them in on the meeting. “Maman!” I heard Buddy-roo call out. She was walking in line behind her teacher, holding hands with one of her classmates. She waved at me vigorously, beaming ear-to-ear like the happiest student in the world, and disappeared into the school.


Oct 5 2010

Yeah, baby.

Buddy-roo pressed her pinky finger against her lip, “Preparation H!”

She and Short-pants doubled over laughing. They didn’t really understand the joke; you can’t find this product in France, neither of their tender bottoms have ever required treatment for hemorrhoids. But they giggled out loud because they know that it’s supposed to be funny; no doubt when they watched Goldmember with their father, this joke must have cracked him up.

What to do? Laugh at loud or react in a way that would hopefully discourage them from repeating this and any other lines they’ve learned from watching the film. I turned sharply toward De-facto and gave him the look. “What?” he said, “It’s a funny movie.” I guess there are worse films for them to see, but Goldmember is not first among the DVDs I would have selected for family viewing pleasure.

But what is a suitable video? A Disney film in which the mother deer (or bear) dies in the first scene? A film in which an elephant, who’s mother is also killed in the first scene, returns to the jungle to civilize the wild animals so that they live like humans? Barbie and her princesses, or Snow White, Sleeping Beauty or any of those films where the female character waits helplessly for a strong, handsome man to save her from peril and make things right? (Shrek attempts to dispel this stereotype, but it has to go up against an entire library of princesses waiting to be rescued.)

A greater concern – to me – is the violence that is has become an habitual part of Hollywood films. At least the relatively small amount of violence in the Austin Powers‘ films is so campy that it couldn’t possibly be a shock to a generation of movie-viewers accustomed to life-like murders, realistic Hollywood shoot-outs and car chases with miles of carnage left behind. Except that we don’t watch those gun-toting crash-bang films with our kids; Short-pants and Buddy-roo are plunked in front of the feminist-irritating Disney favorites, or more often, they watch the real classics. Last Saturday, De-facto and I got to sleep in while the girls watched Barbara Streisand and Walter Matthau in Hello Dolly. Or the favorite electronic babysitter option: The Electric Company.

As much as we try to protect our children from violence, our world is violent and they manage see its violent images. If we happen to watch the television news while they’re in the room, it’s in front of them. If they look through the news magazines that end up in the bathroom, there are photographs of war and brutality. We try to filter the media that they take in, but we can’t control it every inch of it.

Anyway, Austin Powers is a comedy.

Except there’s a lot of sexual innuendo. It’s all silly slapstick and sophomoric humor. Is it still too much mojo for them? If I have to choose between letting my girls watch a film that was violent or sexual, I’ll choose the latter. Sexual content I can explain. I can put it in context. I can address their questions. But violence? How do you ever make that acceptable?

Which begs the question how do I want my daughters to learn about sex? Do I want it to be a clinical discussion? Should there be dramatic overtones of true love and finding the one? Will it come from Lady Gaga? Is Austin Powers such a horrible introduction to the world of sex? Sure, the woman are objectified (especially the Japanese twins), but then, so are the men. Everyone is having a good laugh. There are no sexual victims. All the main characters in the film think that sex is good and pleasurable. If anything, it’s the Holy Grail.

For now, I think it’s it all going over their heads anyway. It appears that the 20 back-to-back euphemisms for male genitalia haven’t registered with them (yet).

Yesterday, Buddy-roo did not want to leave the park after school. Then she complained all the way home. Her life is too hard. She misses her old school. Why does she have so much homework? Why does she have to go to school at all? Why can’t she stay at home? Why don’t I home-school her? Unhappy with each of my responses, she stormed ahead of us; I found her pouting in front of the front door to our building. She cried all the way up the four flights of stairs. Once in the apartment, things did not improve. I could see the evening spiraling down, something much harder to manage when I’m flying solo, which is the case this week because De-facto is out of town on business. In fact, he’s in Holland, where they speak freaky deaky Dutch (not far from Belgium, the home of Goldmember himself).

“Any and all kids who eat their dinner and do their homework without complaining, whining or dilly-dallying get to watch a movie before bedtime,” I pronounced. And then, don’t ask me why, I added, “the movie of your choice.”

Goldmember?” both of them, in unison.

I backed myself into this one. There was nowhere to go. “No whining? No fussing? None of this, wait let me do something else first?”

Heads nodded solemnly. Then, in tandem, their elbows folded in order to place their pinkies on their bottom lips. How could I say no?

The mood changed instantly. Dinner was executed without a hitch. It took over an hour for Buddy-roo to do homework, but she stayed at the table and slogged through it. It wasn’t easy-peazy, lemon-squeazy, though she smugly used this phrase, borrowed from the film, after writing out a few of her lesser-challenging spelling words.

Homework completed. Jams on and teeth brushed. We three curled up on the couch with Austin and his cast of characters. I can’t say I wasn’t cringing, I kept the remote in hand to mute the sound and distract the girls with a question about the plot when I couldn’t stand the puns any longer. Then at nine o’clock, about halfway through the film, we pressed pause (as agreed) and they ran upstairs without prompting (as agreed) and slipped into bed without any fuss.

And all I can say is Yeah, baby.


Oct 2 2010

La Maîtresse

My children go to Hogwarts. You wouldn’t think so just looking at the primary school building, a fairly nondescript 20th century construction. But just across the street, adjacent to the courtyard where children clamor uncontrollably during the récré, there’s an imposing, majestic building that houses the school’s cantine and the classrooms for the older students. Classified as historic by the city of Paris, it screams of Hogwarts. Standing before it at dusk on a blustery autumn evening, its façade is severe and intimidating; Harry Potter could easily be sweeping by you in his invisibility cloak, escaping the punitive snarl of Professor Snape.

France’s education system is known for its severe and intimidating structure, one that places academic performance above things extracurricular or social. Short-pants and Buddy-roo’s school feels particularly rigorous; they have homework every night, the book-bags that they carry home each day weigh as much as they do, they are tested often and their class ranking is public.
I have the sinking feeling that the girls have learned far too early to see mistakes as something to fear rather than to learn from. At the same time, they are getting a solid education. I’ve heard too many troubling stories about US schools passing students just to move them along. That won’t be happening here, at least not at our beloved Hogwarts.

This stern ambiance is palliated somewhat by their participation in the English section, led by two creative and ambitious teachers who also care about the learning climate and the community. They invite feedback, they ask us to help plan a Halloween party or a holiday celebration so that the kids get a feeling about the culture, not just the structure of their parents’ language. The English teachers are accessible and willing to engage easily with parents. They even use email. How modern.

This is a stark contrast to many of the French teachers in the school, in particular the new teacher assigned to Buddy-roo’s class, whom I’m call Madame Deville. She’s replacing a teacher who was a bit of a cold fish, so when we first saw that there was a new, younger teacher, many parents rejoiced. Not for long. The homework assignments those first days were barely cloaked barbs at the adults for not assembling the full complement of school supplies or turning in the paperwork in a timely fashion. The homework the next week was daunting, with explicit and rather complicated instructions about which cahier and in what order to learn twenty random words that appeared to have little in common, plus the “house of 10” multiplication table and also this week’s poem to illustrate and memorize so that it can be recited in front of the class. To a second grade child who’s all of a sudden terrified of making a mistake, this is overwhelming.

Just getting Buddy-roo to sit down and concentrate has always been a bit tricky, but now there is a particular angoisse to her procrastination. She constantly has a reason to interrupt her work; to sharpen and re-sharpen her pencil or get the right pen or re-arrange her papers or to double check the cahier for the length of the assignment or get a drink of water. I know nagging will not help and I don’t want to add to her stress, but my best efforts to remain cheerful and encouraging have already been stretched to the max. Make it fun, I keep telling myself, inventing a game to inspire her to put those words in alphabetical order. But who am I kidding? That’s not her idea of fun. Not for hours every night.

(The other night at a neighborhood bar, a friend of ours who’s son is also in Buddy-roo’s class performed an hysterical monologue demonstrating how he’s ready to hang himself after helping his 7-year-old son do homework for two hours one night. We’re not the only ones who are suffering.)

I don’t expect Buddy-roo to display a seamless scholastic-competence at the young age of seven. But I do want to help her avoid getting stereotyped in an education system where your reputation gets cemented rather early, where teachers are inclined to point out your weaknesses and hold you to them. It makes me wonder if this school is right for her, for both of them. But if not here, where? Where can they get this rich bilingual, bicultural experience and strong academics plus the social and emotional support?
Does any school offer all that? Any school we can afford, that is?

At the class meeting, Madame Deville counseled the assembled parents complaining about the homework to set their worries aside, citing a French law that states it is illegal to force school children of this age do written homework. The children won’t be graded on their homework, she assured them. But if they don’t do the homework, will they be able to keep up in class? She shrugged.

Unfortunately I couldn’t make that meeting – I was away on business – but I feel as if I was there because it has become the talk of the school, especially this particular moment: “Veuillez avoir de la bienveillance,” Madame Deville scolded, warning that when notes in the cahier de correspondance don’t use the formal French politesse, our “aggressive words” put her in a bad mood and she’ll it take out on our children. Stunned parents are still hashing this over as they cluster together at morning coffee klatches and the afternoon sortie d’école. One father asked me if I thought this meant that if he wasn’t polite enough it would cause the teacher to be more punitive to his son in particular, or to the class in general? In general, one hopes. But no-one is sure. Everyone is reeling from this.

De-facto, bless his soul, steps empathetically into her shoes and reminds me how much we dreaded hosting a dozen kids for not even three hours at Short-pants’ birthday party. It’s not an easy job to spend the entire day, every day, with 31 young children. If she receives a scribbled, annoyed note from even a handful of the parents on any given day, that would certainly put her in a bad mood and impact her ability to tolerate the antics of the children. He has a point, I suppose, but I don’t think it calls for a pronouncement to the parents in such a finger-wagging way.

I should go on record: not all the French teachers at Hogwarts are so persnickety. Buddy-roo’s teacher last year was absolutely lovely. At a meeting this week, Short-pants’ teacher praised the class and told us she wouldn’t test the children on their reading assignments because she wanted them to experience reading as something one does for pleasure. So they’re not all prickly.

I am attempting, against the tide of tirades about Madame Deville, to keep my mind open. I cautiously address her each time I write a note in the cahier de correspondance (she mandated the parents, at the aforementioned meeting, to use her surname; the salutation of “Madame,” without her last name was insufficient). I use all the little flowery phrases from my book about how to write French letters. It’s already a challenge for Buddy-roo to like school. She doesn’t need an overzealous schoolmarm bearing down on her because her mother is too proud to play along.

Last week I politely requested a private meeting with the Madame Deville; I have been granted a ½-hour appointment with her next Thursday morning before school starts. I’m eager to see her close up. Is she the wicked witch of Hogwarts-Paris as everyone has begun to believe? Or is she just trying to get her “I-may-be-young-but-I’m-strict” stake in the ground so she doesn’t get pushed around? That’s what I hope to find out.

Any tips on a good strategy for this meeting?


Sep 22 2010

In Between

Listening to the French passengers waiting to board the airplane, I feel a kinship with them. They are leaving the land of large portions and loud talkers to return to the subtler world of degrees of humor and real cheese. It sounds like they’ve all had a pleasant holiday, but most of them look relieved to be returning to more familiar soil.

I love the lyrical sound of the banter between them. French is a language I can understand, but only if I am listening deliberately. If I choose to zone out, conversations can swirl around me without penetrating my consciousness. This is impossible in my mother tongue of American English; I am too easily distracted by peripheral conversations which, in French, are more like background music.

Each time I visit the United States, I am initially assaulted by this capacity to understand everything I hear. I become an unwilling eavesdropper. I don’t want to hear how much that guy had to drink last night or how much she spent on her Manolo Blahniks but I am obliged, not only because of the volume of these not-necessarily-nearby discussions but due to the fact that I understand them instantly: it’s all in my mother tongue.

Yet back in France, surrounded by the less optimistic language of French with its more subtle nuances and accompanying gestures of skepticism – the French shrug for one – I tire of never-quite-fully understanding everything, or on the other hand, the need of certain French speakers to explain things to me so thoroughly without noticing that I got the point a whole paragraph ago. In France, I feel other and yet sitting in this American airport lounge, waiting to board an overnight flight, I feel a solidarity. I’m one of them and we are going home.

Short-pants and Buddy-roo have their unique appreciation of the two languages. Passport carrying Americans they are, but they move between French and English with ease, just as they navigate the cultural nuances. Short-pants’ command of the language is correct, this becomes more apparent each year as her automatic capacity to align nouns with their feminine or masculine articles puts me to shame. She and I have reached an agreement: I am delighted for her corrections as long as they are gentle admonishments offered privately in the spirit of assistance rather than in public with embarrassed disdain. She’ll touch my arm softly and whisper, “Mama, you said un and it should be une.” I am honestly grateful for her assistance when offered in this fashion. I’m pretty sure Buddy-roo will not follow suit. My charming little mistakes will be the cause of eye-rolls and giggling behind cupped-hands with all of her French-speaking friends.

Our girls are native speakers, even with English as their mother tongue. Since it’s not the primary language spoken in our home, their French vocabulary is a bit behind that of their classmates, but their pronunciation is native. This assured by attending French schools since the tender-eared age of three. What a gift we give them. Even if we were to leave France next week to live somewhere else (a new adventure is always in our minds, but to where?) they will always be able to speak French like a local. Twenty years on it might require a small amount of study to recall the sentence structure and vocabulary, but the accent has been embedded. They will always sound French.

Beyond language, though, what nationality are they? Born on French soil, but of American blood, they ultimately get the right to be both, if they choose. I once asked Buddy-roo if she felt more American or French. “Française,” she said, turning on her toes and sauntering out of the room. (She seems to have mastered the French art of being a coquette.)

Having lived outside my own country for eighteen years, I find myself in the occasionally awkward stance of feeling in between cultures. I am an American. At the core of my beliefs is the idea that you can do whatever you dream if you set yourself to it, that one is not bound by class or caste to any destiny, that a little ingenuity and perseverance will get you where you need to go. Americans don’t own this mindset uniquely (nor is it a truth for everyone in our country), but perhaps we aspire to it more organically than other cultures. But I think I’ve become an American of another generation, that having left the county a week before Bill Clinton was elected President (though I did vote, absentee), I feel out of touch with a lot of what’s happening now in the United States. I don’t understand the vitriol of our political discourse. I can’t believe the problem with obesity or the number of drug stores per capita. I’m stunned by the absolute consumerism and dismayed by the circus that is television news. It’s not the America I pledged allegiance to every morning in school, when I was growing up, and I’m not entirely sure it’s the America I’d want the girls to call their home.

So I am in between. Often in transit.
I can take advantage of my American passport to enter my home country more swiftly than international tourists. But once beyond the customs agent, I do sometimes feel other. This is not an angst-ridden other; I enjoy visiting and I appreciate my home country as much as I’m perplexed by it. But it means I’m not entirely rooted anywhere, which is a bit liberating. I’m hoping our girls can absorb this, to see the benefits and drawbacks of both of their cultures – of any culture they hope to visit – and to study them as interesting rather than judging them as superior or inferior. This is the opportunity of living in between, the capacity to observe and appreciate everything: French, American, or other.


Sep 10 2010

#Fail

If you could evaluate my mothering style for the last week, it would be a giant hash tag: #Fail. I’ve been impatient, quick to shout, rushing through the to-do list, rushing through the apartment, rushing through my angry life. This is partly due to a big job, one with tentacles that reach far beyond the original scope of the project. It’s also due to the rentreé – what the French call this moment of back to school, back to work after taking most of August off. Or maybe it’s just me, drowning in my own expectations.

Despite my foresight in July to buy all the girls’ books and school supplies before the crowded and dreaded last week of August, I still scrambled to get them out the door fully prepared for their first day of school, and it didn’t keep me from being subjected to the annual French pedagogical practice of scorning the parents. There were messages from the maitresses in the Cahiers de Correspondence reminding me that their books have not been properly covered in clear plastic wrap (akin to working with fly paper) or the wrong kind of colored pencils have been purchased, we have to send another box of tissues to the school, we need ID photos for the kids by the next morning and even though it’s 7:00 and I just got home and there’s still homework to finish and dinner to be made and another teleconference at 9:00, something I try to avoid but inevitably with colleagues and clients in other continents this rule gets excepted and tonight of all the nights I have a call but yes we’ll find pictures of you both and print them out for school tomorrow.

Oh and what’s this other note from the teacher? I have to fill out medical forms with the name, address and all phone numbers of mother, father and babysitter, a form much like the three forms I filled out and sent to school with each child (6 forms!) yesterday, only I must attach a copy of the their vaccination records even though I did this last year and the year before and don’t they keep these records on file? Even though everybody would be happier if they just computerized the system mais non it wouldn’t be the same if those faded photocopied forms weren’t sent home every year to be filled out exponentially.

As you can tell, I’m about to lose it.

De-facto smartly steps back and leaves a larger path for me to run my Tazmanian Devil routine. My murmuring and muttering in the kitchen – and by the way why can’t he load the damn dishwasher correctly – is less offensive if heard from another room on the other side of the apartment. The girls attempt to console me, but they are wrapped up in their own dramas: new teachers, an increased load of homework, back to the weekday morning up-and-out when they’d rather hang-around-and-play. Everybody is adjusting to something.

Then the Skype phone rings. If I answer it, something that I’ve been trying to handle for the last three days can disappear from my list. I hesitate. I don’t want to answer it, but then that something will keep stalking me. The headset goes on.

I swear, after each job, that from now on I will be the kind of mom that does not work between 5 pm and bedtime, in order to be present, help with homework, sit on the couch and tickle, cuddle or read together, to sit calmly at dinner and inquire about their day, to be the mom who gives them the most precious thing ever – more precious than any new toy or gadget – the precious thing of time. But I am not really that mom. I cannot even manage this simplest part of mothering without interruptions.

Then I realize that I’ve failed to be the mom I want to be, the one who’s busy enough to set a good example about being engaged in the world and having a purpose and a profession, but also that mom who’s present: listening, understanding, caring, being there. I’ve failed to be zen, calm, cool and together. Failed to juggle it all the way I proclaimed I would when I was in my twenties imagining myself as the über-working-mother. Failed to live up to my own expectations. Failed to bridge the widening gap between my real self and my ideal self.

While I’m on the call, Short-pants stubs her toe on the kitchen island but it happens just at the moment I am building up to the climax of that critical point I really needed to make. Instead of comforting her, I hold my finger up to my mouth and she runs upstairs to her room screeching. Then it’s all pointless; I’m not really listening to the other side of the call anymore because I’m feeling the hollow dent in my gut as I join, once again, the failing-mother’s club.

By the time I finish, my daughters are at each other’s throats and I head upstairs to mediate. I am too exhausted to cope – I have spent an entire day being polite to people, listening through conference calls with far too many participants, carefully crafting emails meant to inspire a positive response. I have spent every ounce of my poise on other people and now, at home, hungry, tired and exasperated, I fly off the cuff at the littlest thing. I even use the F-word, much to my chagrin.

“Mama,” Short-pants says, “you just said fuck.”

“I know,” I say, “that’s really bad.”

They stare at me, waiting to see what I’ll do next.

“Shall we all say it together now?” I’m on a roll. “Ready one, two, three.”

We all scream it out loud and then I say “Okay it’s a bad, bad word. Let’s none of us ever use it again.”

They nod at me, still in shock.

“Okay, maybe one more time, to get it out of our system.” I count to three and we all scream it again at the top of our lungs and then fall on the bed giggling and laughing. Which turns to crying. Crying because it’s all so much, it’s all too much. Too much to do. Too much to miss. Too much to manage. There’s too much everything. Too much love and too much pain. There’s just too much.

Sometimes I feel like I’m failing spectacularly. Of course this not true: if you spend an hour in the presence of my daughters you’ll experience them in the most positive way: They are engaging with adults but still magically childlike. They are polite but expressive. They are little thinking, feeling people. They open their hearts to the world, without making too much of a fuss. I like to joke about Buddy-roo‘s materialism, but she has a good heart and she can surprise you with her thoughtfulness. And Short-pants, she’s as wise as a crone. They’re both turning out just fine. But still, my mothering is flawed and sloppy, inconsistent. (Clearly, it must be De-facto’s influence.)

Listen, I know this is all just a lot of noise. I know that the most important thing is to love them and to let them know they’re loved. I know that it’s better for them to see me as a real person with regular human frailties, not as some sort of bionic super-mom. But even though I profess that I’m not trying to be perfect and do it all – it’s a big fat lie. I know it’s impossible and futile, but honestly I can’t help myself. It’s in me.

What worries me is that I will pass this on, that it will be in them, that somehow they will think that they have not been good enough, that they will perceive my impatience as a reflection on them. It becomes imperative to let go, to lighten up and laugh at it all. If not for my own sanity, at least do it for theirs. But can I do that while under pressure? Not yet, apparently. But I’m working on it.


Sep 1 2010

Morning Questions

Now that they are older, they wake up at a reasonable hour, something later than eight o’clock and occasionally after nine in the morning. (Well, until school starts tomorrow.) They totter down the stairs with that first-steps-in-the-day stiffness; their thumping like a gentle alarm clock alerting me that they are awake and they are coming my way. Then appears one of them – it could be either of the girls, though Short-pants is prone to rising earlier – pushing open the door to our bedroom, which sticks and sometimes requires serious muscle. A little sprite appears, donning just a pair of pink Cinderella underwear, lifts up the white comforter cover and crawls in between the sheets for the morning cuddle. It might be moments later – or as long as an hour – when the other one arrives and squeezes into the bed on the other side of me.

These cuddles are mostly wordless, except for the three questions:
Did you sleep well?
Did you have any good dreams?
Did you wake up feeling loved?
Short-pants adores the ritual of this Q&A, and answers each one with a deliberate “Yesssss,” letting the s stretch out for emphasis. I rarely ask Buddy-roo; before I even finish the first question she interrupts, “I don’t want you to ask me those questions.” I’ve asked her why not, dozens of times. The best I can get out of her is that she just doesn’t like them. So we cuddle in silence.

I’m struck by how the character of the morning cuddle has transformed over the years. When they were babies, this was the moment when they took my breast for the first meal of the day while I savored those last minutes of precious sleep. Then they were toddlers and we were constantly at war, fighting to keep them out of our bed until the sun had risen (our line in the sand), when the morning cuddle revealed the true pyrrhic nature of all those little battles we’d won the night before. This morphed into another stage in which their arguing, despite our admonishments, would crescendo into tearful screaming matches about who got to be on what side of the bed next to which parent – a prize that was hard to predict because De-facto and I never knew which of us was the coveted parent and we could fall out of favor at the drop of a hat.

Until now, a new phase, when they seem very content to wake up slowly, rising softly and silently and joining us in bed with little expectation of conversation, just the warmth and comfort of their parents and another twenty minutes of dream-time and morning slumber. (This is a great phase.)

I came across a photograph of my mother that I took a little over a year ago. Aware of her impending departure, I tried to capture little vignettes of her – things I wanted to remember – like the expression on her face while she washed the dishes (I snapped this without her noticing, from outside the window above her kitchen sink), or seeing her seated in her designated place at the head of the dining room table or curled on the couch watching television with her eyes closed. One morning I even photographed her sleeping in her bed, with her back toward me. I realized I didn’t have a strong memory of her sleeping alone in her bed; when I lived at home my father was usually beside her. Then there’s this: she was always up earlier than me. I never saw her sleeping in. Until that morning.

I took note of the details: the color of her tousled hair, the lace trim of the familiar nightgown against the skin on the back of her neck, her hand raised next to her pillow, clutching a piece of Kleenex. After I took the photo, I lifted the covers and slipped into bed beside her and put my arm around her. I wished somebody else was there to take a picture of the two of us in our morning cuddle so I could show Short-pants and Buddy-roo.

Instead I told them about it, which I suppose is even better because they had to conjure up their own image of the occasion in their minds. This prompted an inquisition: When you cuddled with Grammy, did she ask you the morning questions? No. Why not? I made them up for you. You made them up for us? Yes. Why? I don’t know. But why? I guess maybe to ease gently into using words after a long sleep. Gently? Why gently? (You see where this is going.)

This morning, they arrived within minutes of each other, their long, lithe bodies quickly snapping up the covers and diving into bed with us. We dozed in and out of the velvet pocket of morning sleep. When it felt like enough time had passed for words, I ran through the three questions with Short-pants. She answered with an emphatic and serpent-like “Yesssss,” pulling her arms tighter around me with each response.

I know Buddy-roo hates the questions but I keep thinking maybe someday she’ll change her mind and share this little ritual with us, and remember it later in her life as a good moment in her childhood. So occasionally I try them out on her anyway. This morning I braced myself for her usual scorn, but instead – surprisingly – she answered me.

Did you have a good sleep? It was okay, except it was too hot in my bed. Do you have any good dreams? I don’t remember if I dreamt or not. Did you wake up feeling loved? Maybe, if there are pancakes for breakfast.

Not so gentle, but not a bad way to start.


Aug 24 2010

Let Them Eat Cake in a Bag

Summer is when routines get interrupted. The daily grind of getting little girls to school is suspended. The constant rigor of a weekly schedule is relaxed. Bedtime is fudged, partly because in France the sun sets so impossibly late during the months before and after the summer solstice that the kids won’t believe that it’s time to go to sleep. Mornings, for the most part, are easy going: we wake up when we wake up. De-facto and I have very little work. Only our uncivilized American clients schedule projects in July or August and we do our best to minimize our participation in such gainful activity when it’s summertime.

Yet within our routine-less summer we quickly develop routines. I go to Pamplona every July. Then I join De-facto and the girls at the country house for the rest of the month. We return home to catch up with our on-line lives, take advantage of the Plage and the quiet of Paris in August. The real truth: we come home so we don’t miss out (too much) on what has become a big routine in our building: the infamous courtyard lunches.

Most of the owners and tenants go away for most of the summer, and those who stay are congenial or at least cooperative and don’t mind that nearly every other weekend, it seems, Ricky and Lucy host a courtyard lunch. Their apartment opens directly on to the courtyard, and their adjustable table is easily moved outside and strategically positioned near the stone wall of a raised flower bed, making for extra seats to compensate for their lack of chairs. Ricky is the most expressive cook among us and happily carries the burden of providing eats. He can do things with tomatoes and olive oil that would drive any foodie to brink of ecstasy.

There’s nothing as pleasant as those very first moments, when people arrive: Ricky sweats over hot burners in his kitchen, stepping out to the courtyard and greeting guests with a dishtowel thrown over his shoulder. A glass of something, usually bubbly, is thrust into your hand and then one by one, plates appear on the table with delicate combinations of Mediterranean ingredients. There’s always a little surprise: mint replaces the basil on a tomato bruschetta, a spoon of virgin olive oil teases the essence out of the canteloupe. These intriguing flavor blends generate no shortage of oohs and ahhhs around the courtyard table.

The champagne – though this past weekend the aperitif was a watermelon cocktail with a vodka kick, and then we had champagne – is eventually replaced by wine, often rosé in color, and this flows steadily. Just when we think Ricky has fed us already too well, he’ll produce a risotto or something with seasoning and ballast that nobody has room for but nobody dares to miss. It’ll be too good.

Neighbors who pass through the courtyard on their way in are spontaneously invited to join us. Those on their way out are inspired to return, and often do after stopping at a local wine seller to contribute to the table. In this fashion, the lunch that starts at 1:30 or 2:00 often bleeds into the evening; sometime around 8:30 or 9:00 Ricky disappears again into his magic kitchenette and produces some kind of pasta concoction, a bit of sustenance – or absorption if you like – to carry on.

It’s rare that a courtyard lunch finishes before midnight.

While all this is going on, our children are not totally forgotten. When she’s not dancing around the courtyard, Short-pants plays waitress and has been known to carry around a sign that says “Please give me some work to do.” Buddy-roo hides out in the bedroom loft, watching consecutive Barbie movies that she’s only allowed to watch one-at-a-time, once-a-day under normal circumstances. Sometimes that big doll makes an appearance and everybody groans but she keeps the girls occupied and this is only one of many reasons that I have not yet found a way to make her disappear from our lives.

There is a moment, however, that marks the true spirit of the courtyard lunch. It’s around 5:00 in the afternoon when the oven begins to emit the most remarkable aroma, a sweeter-than-anything-your-grandmother-ever-baked perfume that makes everyone stop their bantering and storytelling. Hush Sweet Jesus the toaster oven is on bake. We all turn to Lucy. She nods her head affirmatively – smugly in fact – and the courtyard erupts into cheers, “Cake in a Bag!”

Of course Ricky’s culinary prowess is admired and appreciated – even lauded. His effort is the cornerstone of courtyard lunches. But Cake in a Bag, it’s too divine to describe. Lucy makes it all seem so…effortless. After all, it is: open the bag, pour in the pan (okay, and add her secret ingredients) and bake.

Ricky sighs, shakes his head, throws the dirty linen tea towel over his shoulder and shuffles into the kitchen to brood. But his theatrics last only for a moment before he returns to the fold of his friends and he is once again in the routine of the charming host, offering us more wine or a strong shot of espresso. He always comes back, and sometimes he’ll even eat a piece of cake.

If there’s any left.


Aug 14 2010

Her Closet

Once I got over the childhood fear of what might lurk in the back of my mother’s closet, it became my preferred place of refuge. When it was bath time (on her schedule but not mine) I’d go there and hide for a moment to prepare myself for the inevitable. When the Edge of Night’s twisted plot was too intense to bear, I’d crawl behind her clothes and pull myself together. If I needed to hide or think or calm myself, or suck my thumb without anyone catching me, her closet offered me comfort and privacy.

I’d leave the door ajar; a band of light across the linoleum floor shed enough light for me to see and meant I was not submerged in total darkness. I’d split the row of hanging dresses apart like thick foliage in a jungle and crawl to the back of her closet. Some of the garments were stored in dry cleaning bags, I was careful to steer clear – the fear of suffocation had been impressed upon me when it came to plastic bags – though I liked the feel of the plastic on my shoulders and sensed that the garments within those casings were her most prized, saved for the elegant occasions when other boxes from the top shelf were brought down and set out on the table, boxes with long gloves, beaded bags and silk shoes.

In the back of that closet I could be alone, but still with my mother. I could slide through that curtain of her clothing and squat in the corner and wait. I was waiting for courage, waiting for affection or just waiting until boredom took over – but while I was there waiting, the scent of my mother surrounded me. I was at home among her lightly perfumed clothes and the mildly stale but not unpleasant smell of her shoes. All the things in this closet were hers: the things I saw her wearing and carrying were stored in this private place, it was her domain but it was mine too, for different reasons. It was where I could return to a silent and simple union with her. I could be embraced by her here, by all her things, even if she was somewhere else.

Last winter I was at home to help my mother for about a week before my siblings joined me to say our goodbyes to her. Each day, the rapid decline of her physical capacity required more from me. I could barely find a moment to dress and brush my teeth between the tasks required to assist her; a nearly constant observation became necessary at the end. One day I felt close to some edge – the edge of exhaustion from caretaking a dying woman; the edge of grief, preparing to lose someone I loved too much; the edge of longing, being too far and too long away from De-facto and the girls. So when my mother drifted into an afternoon nap, I found myself drawn to her closet. I ran my hands across the shoulders of her hanging dresses and blouses. I burrowed through and behind her clothes to the corner of the closet, just like I used to, and with my back against the wall, slid down to sit on the floor, letting the plastic dry cleaning bags brush against me (no longer afraid of suffocation) and permitted myself a short regression to everything that this closet meant to me, to a time when everyone around me was older and larger and their major preoccupation – at least in my view – was to take care of me.

I sat there in the back of that closet for only a few moments, my long limbs fit in that corner less comfortably than they did 40-some years ago. But it was long enough to remember what it was like to feel safe and protected, long enough to let tears spill and let go the mounting pressure, long enough to long for the security that something as simple as a mother’s closet could provide.

* * *

My sister and I just spent a week together at my mother’s house to continue the process of emptying it of her personal effects. We have purposely not rushed this process, knowing that grief takes its time and we should too. Yet we know better than to lose momentum, so each month my brother, sister or I (or some combination) travel to the house and endeavor to empty a few more boxes, to give away and throw away a few more things, to prepare the house to be shown to prospective buyers and ultimately to be sold.

The focus of last week’s trip was rather specific: the closets. I had partly to clear out the paraphernalia of my own past. I’d left in her care shoe-boxes filled with letters to friends from summer camp, high school and college folders, and several stuffed animals about to lose their stuffing. But the real task was to address my mother’s wardrobe. For six months we had left her things hanging, but now was the time. My sister and I stood side-by-side in my mother’s closet, touching each and every article of clothing, recalling the occasion when she wore this suit or that sweater-set, remembering how she’d had this skirt made from silk she bought on that trip with the two of us. Once in a while we were even a little surprised at what we found (wow, she owned a leather jacket?) but mostly we were reminded of her good taste and how careful she was to take care of her beautiful garments.

“What are your tears like these days?” said the woman who we’d been told to call to come and take away my mother’s clothing. How naturally she broached the subject, knowing that tears can vary in nature and degree over time. She did not insult us by tiptoeing around our grief. This made it easy to trust her. She gently directed us to attend to other tasks in other rooms while she set about quietly emptying the contents of all my mother’s closets. We did not have to watch her pulling out the hangers and folding our mother’s clothes into black plastic bags. We did not have to help her remove these items that we treasured too much, that held in their fabric too many precious memories. Her discretion was a delicate gift. She was like an angel sweeping in to do the hardest job, and somehow finding a way to take tender care of us while doing it.

After she left, I stood at the door of the closet, emptied of its contents. The shelves were bare. Only a few stray hangers remained. The row of hanging garments that once buffered me from the rest of the world had been dismantled. I stepped in and closed the door behind me, leaving it ajar to let in the familiar strip of light. I swear I could still smell my mother in that closet: the faint hint of Shalimar, the familiar scent of her worn shoes. Was that for real, or just in my memory? Does it matter? As we give away the things that were hers, we commit them to our memory. And our memory of her is something that we’ll always get to keep.