Feb 16 2010

Advance to the Rear

There are times when life seems to take on its own momentum. Unlike the days where choice seems evident – debating the banal options of our routine lives, turn here or there, eat this or that – these are the eerily directed moments when events simply propel us forward and it feels that we have little say in any matter. My mother died and time hiccupped; seeming to pause momentarily as we stared at her still body, relieved for her, bereft for ourselves. Who do we call first? Let’s just wait a bit, take this in. We knew. It was a temporary stay of time, a last quiet moment before the rapid undertaking of after-death duties.

Once the call was made, however, a trigger was pulled and industrious activity ensued. The hospice nurse arrived and made an official pronouncement. The funeral director came, his head perpetually bowed. My mother wanted to donate the bones in her inner ears to science; this had to be orchestrated quickly, and on a weekend. Our immediate family was notified. Close friends were called. The obituary, previously drafted, required editing and (exhaustive) proofing. The laundering of sheets, the removal of the hospice furniture and putting my mother’s study back together. The calling of lawyers, reading of the will, signing of waivers, funeral arrangements, plane reservations for relatives flying in or not, depending on the inclement weather. The unfolding course of events urged us, relentlessly, onward.

Our mother was a woman who took much satisfaction from her own productivity. Even at the very end, she wanted a plan for the day. We are fallen apples, not far from that tree; our daily to-do list became suddenly daunting. The slow, quiet, waiting vigil of the aching days before her death gave way to a frenzy of tasks that were executed with an almost maniacal urgency while dodging the onslaught of casseroles and meat platters.

Looking in the mirror one tired morning, dark circles defining my eyes – the residue of a long vigil and stolen moments for private tears – I wondered exactly what fumes in my body were driving me forward.

Two weeks before my mother died, her sister sent her an email about a game they made up when they were kids, maybe 6 or 7 years old. They’d march around the back yard with sticks and curtain rods that they pretended were rifles and they’d shout out, “Advance to the rear!” My mother remembered the game; she instructed me to pull out her old photo album and she pointed to the picture of the house – the same house I saw in Havana – and showed me the route they followed, rifles in hand, out the side door and around to the back of the house. She said her father would get so frustrated with them; repeatedly explaining that it was not possible to advance to the rear.

But we were advancing, one step at a time, a last loving labor to finish what my mother had started by dying. Respects were paid; the ritualized calling hours sometimes awkward, often healing – the standing and greeting of her friends and admirers, the sharing of our grief. People came to console us but just as often we ended up consoling them. “Don’t be sorry she’s gone,” I told someone who would not stop crying, “just be grateful you knew her.” (But my sorrow remains, along with my gratitude.)

We put her in the ground beside my father, resting next to him the same way they used to sleep, side-by-side in their bed. We did this privately, without fanfare. Her friends and colleagues will be invited to a memorial service later, in the spring, when we will celebrate her life.

In retrospect, it was right to have this last private moment with her – with them. We stood there like kids stalling at the foot of our parents’ bed, saying an eternal goodnight.

We pressed ahead to finish the business of collecting important files and papers, cleaning out the refrigerator, coordinating with the caretaker who will stay with the house. We stood in the driveway to make our goodbyes, stunned by the list of sad errands we had completed in just one week’s time. I studied my sister and brother in the harsh winter sunlight. They looked tired, worn out – a reflection, no doubt, of how I looked and felt. Oh my god, I thought, she’s really gone. Oh my god, I thought, we’re old.

I’d phoned the airline nearly every day, searching for a return flight. With each call, I felt more like Dorothy asking anyone and everyone I came in contact with to please help me get home. I just wanted to get back home.
No amount of logic or emotion would solicit enough sympathy from a reservation agent to bend any rules. In the end, I broke down and bought a new airline ticket to take me home to Short-pants and Buddy-roo and the heroic De-facto, Nobel-worthy after his 3-week stint as a single parent.
I would not have been able to accompany my mother this way had he not been so willing and agile.

Now I am home, back in the fold of my life. Back to my cherubs crawling in bed for the morning cuddle, the rush through breakfast and out the door to school. Back to my work and my clients and conference calls. Back to the bustle of a cosmopolitan city and the every-day routine of my regular world. Back to normal, except nothing feels normal anymore.

It was a campaign, these last weeks, to help my mother die, wanting her to die well, pushing myself forward to do what must be done, all the while missing my man and my little girls. It was a privilege to be there, to hold my mother’s hand and help her move through the last days of her life. It was a relief to come home to the hold-you-forever embrace of my vibrant little girls. And now that I have been there and back, I think I know exactly what it means to advance to the rear.


Jan 4 2010

To the (Blue) Moon

Every Monday (and Thursday) the same familiar faces gather, parental brows furrowed with the end-of-the-day rush; a crowd of tall, coated strangers stand uncomfortably in a room with too few chairs. At 6:15, precisely, the torrent of children pours into the lobby of the conservatory, a parade of little people laden with black instrument cases and swollen school backpacks. I always crane my neck to look for Short-pants; vigilant for that precious moment, the very first instant when her searching eyes find me in the pack of parents. Her expression shifts in a nanosecond, from awkward to assured, leaving the realm of the unclaimed and taking her rightful place at my side. I never get tired of that look, or the zealous greeting that follows immediately: “Mama!”

Yesterday, her music teacher walked behind her, his hand barely on her shoulder. I couldn’t tell if this was by chance, or if he was accompanying her out of the class. When she called out to me, he smiled and raised his eyebrows, a warning, I suppose, that he was escorting her for a reason. He is celebrity-handsome, by the way, a blonde kind of creature who, were he not teaching music theory at the public conservatory, could as easily be modeling Calvin Klein underwear.

“I wanted to talk to you,” he said, “about your daughter. She was very nervous today.”

She was a bit flustered when I picked her up from school to take her to the conservatory. The frigid temperatures didn’t make playing in the school courtyard very pleasant; she’d gotten a chill after lunch and couldn’t shake it all afternoon. I explained this.

“Yes, that’s what she told me,” he said, “but she is very often a bit nervous and dans la lune.” (I’m translating this exchange from French to English, except for these few words, dans la lune, which mean, literally “on the moon” and figuratively, “in the clouds.”)

“It would help if you could work with her, between classes,” he said, “to be a bit less dans la lune.”

I understood exactly what he meant. He was telling me that Short-pants is easily flustered and a bit spaced out. Though she can be totally focused; she wrote and illustrated a 22-page hand-made book on how to make a Mandala, and worked at it tirelessly, without any prompting from us. But it’s true that often she has her head in the clouds, leaving her eye-glasses who-knows-where, reading four books at the same time, bookmarking them by leaving them spread eagled in every room of the house. It’s a little bit of a miracle that she gets out the door with all her belongings in the morning.

“Yes,” I said to him, “except she has so few years left to be dans la lune. It’s a pity to cut that connection while it’s still so strong.”

Oui, c’est dommage,” he acknowledged my point while standing firm: “but eventually, you must.”

Short-pants and I walked home without talking. It was too cold for words.

The much-heralded New Year’s Eve blue moon is waning, but the last few nights the sky has been so clear that I could see the unfiltered moon through the skylight, beaming in the girls’ rooftop bedroom, proud of its auspicious ranking. Tonight I stole upstairs and searched for that moon again – just a half-moon or even a sliver would be reassuring – but the cloud-cover lays a dark amber blanket over the city, hiding the moon from view. My heart is heavy, though it shouldn’t be. Short-pants is a resilient one. She’ll go to the moon if she wants to.

Photo Credit: Jean Paul Roux via Space Fellowship


Dec 29 2009

Garbo Days

You know I love those two little rug-rat creatures of mine. They furnish dozens of adorable moments each day, doing or saying something funny or sweet. The simple extension one of their peach-soft hands upward toward me, a gesture of such complete trust, is sometimes all it takes to wet my eyes and thrust me into a state in awe. How did I ever have such beautiful children? I must have done something good.

However there are just as many dozen moments in the day when I would just like them to please be quiet and go away and leave me alone. If you listen closely, you can hear me parrot Greta Garbo under my breath, “I want to be alone.
I want to be alone.”

I’m not the first woman to know this paradox, and I won’t be the last.

You can imagine, then, the gladness and joy I experienced when one of the presents under the Christmas tree for Mère Noel was De-facto’s offer to take Short-pants and Buddy-roo to the country for a few days – without me.

He knows my fondness for going to the country house wanes in winter. It’s a lot of work to open and close the house in the warmer months, but in the cold weather that work is augmented by all things that must be undone and then done again to protect pipes and water tanks. Not to mention arriving to an unheated house. It takes at least two days for the wood stove to truly warm the walls and you have to let the fire die before you leave. The visit, then, is book-ended by hours of hovering and shivering and wearing mittens inside. My idea of nothing to do.

Late on Christmas Day afternoon I shut the trunk and waved as they drove away, and I have been alone, in my home, without another creature stirring for four days. Four days of solitude. Four days of freedom.

The quiet that stretches its waking arms throughout the apartment is delicious. I hear only the muffled voices of people in the street, an occasional sound of a neighbor in the hall, a nearby church bell ringing. No pattering feet. No screaming and crying and “Mama, watch this!” No voices in stereo vying for attention.

There are no marbles, pet-shops-creatures, Barbie shoes or other small, unidentified pieces of plastic left on the floor to torture my bare morning feet. No toys or dirty stuffed animals, no pretend stores, schools, or cars constructed of chairs, pillows and blankets to navigate when crossing my living room. Absolutely no sign of that big doll, often splayed on the couch. I’ve relegated her to a far corner upstairs.

No interruptions when I’m in the middle of something; that means complete privacy during all ablutions and eliminations.

It’s paradise.

What to do with all that time?

There’s reading, an attempt to make a dent in that pile of books on the bed table. There’s writing, on-line and off. There’s sorting and organizing those papers and things that pile up. There’s catching up with my electronic life, clearing out emails and diving deep into the blogosphere. (Ah, the sweet pleasure of unlimited time to click-through; to tumble deep into my curiosity and then into the web of information to satisfy it, without watching the clock.) There’s sleeping in, until noon. There’s complete autonomy. Decisions are all up to me. One day, I didn’t even change out of my pajamas.

I have remembered what is too easily forgotten: hours without boundary. This only fortifies my belief in the importance of solitude. I have never minded being alone. I think both my mother and father made an asserted effort to instill in me – especially, as a youngest sibling – the capacity to be content with my own company. I’m grateful; it means I’m rarely lonely. But this conditioning has its price. Without sufficient private alone time, I become awfully grumpy.

Greta Garbo is quoted as saying, “I never said, ‘I want to be alone.’ I only said, ‘I want to be left alone.’ There is all the difference.”

Yes. Just because I’m so delighted to be alone does not mean I’d seek permanent separation from my family; if they were gone for good I’d be shattered. I just want, from time to time, to be left alone. The sense of peace that has come over me this weekend proves the value of such solitude; I feel grounded and calm, like the old me.

A text message from De-facto just a few hours ago tells me they’re on their way home. I must admit I’m a bit terrified. The order and solace of my home will be broken, an eruption of laughter and play will bounce off these walls again. I will have to readjust.

At the end of the scene in the movie Grand Hotel, where Garbo utters those words that haunted her for the rest of her career (watch the clip here) she makes a phone call to find out what happened at the ballet. “They didn’t miss me at all,” she whispers, in despair.

It’s probably not today – since I’m pretty sure those two little girls will run strong and fast into my embrace when they return – but I know in a few years time, they won’t even miss me at all. Then maybe I might not appreciate the solitude so much. But for now, how lovely to have been left alone for a few days.

It makes all the difference.


Oct 2 2009

Da Capo

It’s not that I want to be the back-stage mom, nor am I so certain that my girls have special musical talent. It’s not even that I’m trying to establish a strong extra-curricular record so that they can get into an Ivy League school (I get a head-ache thinking about that). It’s that I want the sound of music in my house. I want my girls to be introduced to the world of performing arts. Whether they pursue any of these arts with passion or professional intent, that’s up to them. I’m just trying to orchestrate a little artistic exposure. Easier said than done.

At least I’m getting practiced at the art of the inscription. Regular readers of this blog may recall the debacle of last June, where I showed up early – but not early enough – for the registration at the conservatoire de musique. Given a placement of #53 on the list, my low expectations were realized when, at the end of the summer, I went to check the posting on the window to find that Buddy-roo had not been assigned to any of the initiation classes. Not for the solfège. Not for dance. Rien.

This is not a show stopper; there are other such schools in Paris, and ultimately I have managed to enroll Buddy-roo in a dance class at a nearby studio, but that’s another story.
music_stand
For an established student like Short-pants – she’s been in the conservatory system for two years so she’s guaranteed a place – the music track is a triad: theory, chorale + a musical instrument. The problem was her three classes were scheduled on three different days of the week, including a slot on Wednesday morning, which I’d indicated on all the forms I’d dutifully filled out that she had school and would not be available.

During the month of September, then, I made no less than four visits to the conservatory, each time to talk to someone in the bureau de scolarité about reorganizing the schedule. They weren’t terribly empathetic about why I wouldn’t want to schlep my daughter to the conservatoire on three separate occasions each week. I had to use my haute politesse to make a change putting two of the classes back-to-back on one day, easing our after-school travels. Once it was agreed upon, I still had to put it in writing, and then wait for the head administrator to phone me back to confirm the change.

The good news is I knew about the loophole that could get Buddy-roo started in the conservatory even if she wasn’t accepted for any of the traditional initiation classes. Last week, I had an aside with the chorale director who agreed to accept her, giving the registrar no choice but to enroll her. Once she’s in the system, it’s automatic to offer her a full-fledged space next year.

But yesterday the clincher: Short-pants’ first viola lesson. She’s chosen this lesser-known stringed instrument not because she’s so willing to play third fiddle, but because it happens to be what I played in my youth. I remember distinctly the day I asked her, very open-endedly, if she wanted to play an instrument. When she told me yes, the viola, I pressed her, “are you sure?” She beamed. So the viola it is.
alto
The teacher produced two half-sized instruments for her to try. My eyes welled up, with mushy parental pride and, admittedly, some nostalgia, when Short-pants held the shiny wooden instrument beneath her chin, and started plucking away at the strings.

“Do you have the certificate of insurance?” the teacher asked me as we packed up Short-pants’ new viola at the end of her lesson. Up until now nobody had mentioned anything about insurance. I was directed to the office of the director, who told me that I needed only to procure an insurance rider for renting a musical instrument, and then they’d hand it over.

Here’s where carrying an iPhone really comes in handy: I stepped outside, used my index finger, and quickly found my insurance agent on the phone. Not a problem, she said, I needed only to supply the make and the value. With that information, she could even have it ready for me in ten minutes. I walked back in and asked to see the director, again.

“But I do not have this information,” he said, meeting me in the lobby, refusing to invite me back into his office. He was starting to get mildly hysterical. I’d interrupted him and this is not something he could easily provide, how these rental instruments are nothing fancy, the insurance company shouldn’t need this kind of specific information.

I should mention that while all this was going on, I could hear Buddy-roo wailing in the hallway, “I changed my mind, I don’t want to go to chorale.” De-facto, who was accompanying her to her first class, attempted to calm her. Short-pants’ soothing voice was audible, too, “Don’t worry, “I’ll be in there with you.”

I noticed one of the guys at reception desk smirking into his lap, and took this is a cue to give up on the director. I knew I could call the viola teacher later, she’d get me the details I needed. Or I knew of other luthiers I could call to rent a viola on my own. I politely extracted myself from the discourse. When I turned around, the lobby was full of parents, staring at me. Could they feel my pain? I nodded around the circle of chairs, and walked outside.

Just last week, I remember thinking – rather smugly – that I’d finally organized all the school and extra-curricular details. After all the parent-teacher meetings, the trips to the conservatory, the dance studio, the doctor (health certificates needed), the messages back and forth to the teachers about schedules, acquiring the necessary books and notebooks and leotards and ballet slippers, figuring out with De-facto who picks up who and takes them where – it’d been a lot of work, sure, but I’d finally nailed it. Well, apparently not.

Who knew that being a mother meant being a personal assistant to two busy and sometimes temperamental executives?

An hour later, after a bit of fresh air and a restorative bière a la pression at a nearby café, I returned to retrieve my singing cherubs. The two of them skipped into the lobby, hand-in-hand, humming the remnants of a song they must have been singing together in the chorale.

When she saw me, Buddy-roo rushed into my arms. “I loved it!” she said, jubilant, “Can I come back next week?”

“Where’s my viola?” asked Short-pants.

Yeah, I’m working on it.


Sep 19 2009

Rear View Mirror

I used to be somebody.

I had a job – okay maybe not a big fat job, but a little fat job – with an uplifting title and a salary that seemed to me handsomer than I’d expected for that stage of my life. I had a secretary, employees who wanted to please me, colleagues who cared what I thought, and a few fans in the business who were happy to run into me at conventions. I left a tiny mark on an industry – a pinky print on a short period of its history, but nonetheless, I did one or two notable things.

Because my neck and shoulders used to hurt from too much telephone time, I wore a headset, making it impossible for my staff to know if I was actually on the phone or not. I preferred to keep my office door open, so my assistant made a changeable plaque for my desk that read NOW or NOT NOW, to silently inform people of my availability to converse. My office was a corner one, not as large as the other older executives – and admittedly it came with a view of a depressed New England city – but it was a light, bright office, and I was happy for all the glass, which I used to tally the performance of the sales people in the division on what we called the Window of Opportunity.

But the wanderlust started singing its siren song, rustling up the restlessness in me, beckoning me to quit my job and the up-and-coming life I had perfunctorily choreographed for myself. “You’ve got the coolest job,” people said, “how can you leave?” It was hard to explain that the consequences of not leaving had surpassed those of leaving, as scary as it was.

What followed was weird and wonderful; to stow my belongings and move to Europe, to be in my thirties and yet footloose, like a college student without a college. No job. No man. No itinerary. No dependents. I was a professional vagabond. Or at least that was my response to people asking that rather uninventive question, “and what do you do?”

I did this flittering about thing for just enough time to run out of money, and then (luckily) found myself in career-step again, in the same industry but on a different (and desired) coast of the Atlantic, bouncing around European capitals. But then, like Ground Hog Day, once again the restlessness took hold. So I stepped off the hamster wheel, again.
clock
And well here I am. I don’t have to go to an office every day. I am more in control of my time than my friends with regular full-time jobs. I schedule long vacations when I want. I choose to accept assignments, or not. I work with a cool network of colleagues, so I still get the best of the team thing, but sans all the baloney.

I’m a working mother on my own terms; I was home when they were babies and now I’m home – more often than not – when the kids come home from school. I witnessed all the firsts, first hand (well except this one). Plus there’s this: I have time to fart around. You know, the sort of puttering not really doing anything but kind of reading maybe daydreaming, thinking about whatever, Walter Mitty-ish, distracted way of wasting time? I actually get to do a bit of that.

This is the part where I’m supposed to crow about how leaving the corporate grind was a redefining, liberating moment from which the good fortune of my life has been launched. I’m supposed to brag about how I’m so much happier now, without those external pressures, the full-on job, the bullshit of the corporate world. I’m supposed to say my life is exponentially improved and that quitting that job was the best thing I ever did, for me and well certainly – cue the trumpet fanfare – for my children.

Except there isn’t a week that goes by that I don’t wonder if it was the right choice. I miss some parts of that previous incarnation of me, despite my smug satisfaction about how sweet things have turned out. God knows I miss the secretary. But I also miss the brain-jolt that comes from working with a cohesive team, every day. I miss the camaraderie of pulling together to meet that weekly deadline, or face a tough first quarter, or celebrate a we-pulled-it-off performance. I miss the status – there I said it – of having a few initials by my name and the doors that opened to me as a result. I miss the truly disposable income that comes from a steady and hearty paycheck, you know, higher thread-counts and other little luxuries of life that aren’t must-have but sure are nice-to-have.
yin-yang-man
So did I make the right choice? Have I made a mistake? Or is this questioning simply a natural reaction, at this middle-ish point of my life, to reflect upon the choices I’ve made and experience the reward and regret associated with paths both chosen and un-chosen?

I have friends who’ve done well. They get profiled in the Alumni magazine. They appear in stories above the fold on the front page of the New York Times. They’ve made a major lasting impact in their fields. They live in apartments with foyers larger than my bedroom, or designer homes built with the profit from stocks I opted to sell so I could move abroad. Funny that it’s often when I think about these more traditionally successful people that the pangs for what I didn’t do seem fiercer. Then I saw this thoughtful post by Tim Kreider for the New York Times’ Blog, Happy Days. He calls this phenomenon the referendum, a (mostly, but not entirely) midlife examination, driven by the realization that time and choices are running out and as we take a measure of ourselves, we can’t help but make a comparison to our peers.

It’s exacerbated by the far greater diversity of options available to us now than a few decades ago, when everyone had to follow the same drill. We’re all anxiously sizing up how everyone else’s decisions have worked out to reassure ourselves that our own are vindicated — that we are, in some sense, winning.

Satisfaction alternating with dissatisfaction passes over me like ocean waves. One day I’m winning, perfectly delighted with the quasi-bohemian freedom of my life. The next day, I wonder if having and doing those other things would have made life easier or more enjoyable.

And some days I wonder if I wouldn’t have been better off without kids. About this, Kreider writes:

Judging from the unanimity with which parents preface any gripe about children with the disclaimer, “Although I would never wish I hadn’t had them and I can’t imagine life without them,” I can’t help but wonder whether they don’t have to repress precisely these thoughts on a daily basis.

I can imagine my life without them. I can imagine the things I’d do on a whim. I can imagine empty, quiet weekends and uninterrupted conversations. But I didn’t choose a childless life, just as I didn’t choose the corporate life. And though I keep doing it, I know that looking back to evaluate these choices is not a particularly productive use of my time. There’s no do-over, Kreider reminds us, “Life is, in effect, a non-repeatable experiment with no control.”

So I march forward, an anonymous person with a busy-lazy life, with two children who fill me up as much as they wear me out. In the end, I suppose it doesn’t matter which choices I made, as long as I own up to them and play them out fully, without the nagging voice of remorse – just the occasional, curious, mindful glance in the rear view mirror.

But let me just say this: I really really miss my secretary.


Aug 12 2009

Window of Time

The bedroom we sleep in at our country house has no windows except for a skylight in the ceiling. When we bought the house it was barely a room, its rafters exposed and the underside of the terracotta-tiled roof in full view. The first summer we were here, we put in a proper ceiling and cut in the skylight to add some natural light. There was talk of cutting a window in the 18”-thick stone wall so that we could see the cornfield behind the house. But like many of the dreams we have about this rundown, part-barn, second home of ours, that was added to the list of things we’ll get to, eventually. This renovation is a long-term project.

There’s something to be said, however, for living in a house before you renovate it. The assumptions that you make when you first stand in a room are tested over time. Though the country kitchen of my dreams is still years away from being realized, the placement of its appliances will be different – having used the room and divined its natural circulation – than if we’d put a brand new kitchen in straight away.
skylight
And after sleeping in the windowless, womblike back bedroom for four years, I’m not sure we’ll ever put a window in that wall. I have the best sleeps in this room, thick and heavy with velvety dreams. It’s like being in a tank, oblivious to the outside world, protected from noise and light, impervious to everything, except a small child who decides it’s time for you to get up.

This morning I was curled around Buddy-roo in the center of our big bed, having both fallen back to sleep during the ritual morning cuddle. Short-pants had slipped out from under the covers earlier; I remember hearing her uneven steps around the foot of the bed. De-facto was exceptionally industrious, rising early to lay a belt of cement beside the house to add security to the foundation (don’t ask), preferring to work in the cooler morning hours.

“Mama.” I felt a skinny finger tapping my shoulder. Since Buddy-roo was motionless beside me, it had to be Short-pants.
“Mama, I’m hungry.”
I groaned. I was in the middle of such a delicious sleep.
“Mama, I want something to eat.”
“Ask Papa.” I mumbled.
“He said he’s too busy.”

It didn’t really make sense that De-facto would say he was too busy to make breakfast for one of his daughters. And Short-pants knows how to pour a bowl of cereal for herself. But when you’re half-asleep things don’t necessarily make sense. Maybe, I thought, if I don’t respond, she’ll leave me alone. I could still fall back to that dreamy slumber, if I just didn’t move.

I could hear her breathing behind me.
“Mama,” her voice sweeter than ever, “I’m really hungry.”

Later, after stirring honey into a bowl of yogurt – and explicitly explaining to her how to do it – I sat beside her on the rickety bench by our table. She silently spooned yogurt into her mouth while I cupped my hand around a bowl-like mug of café-au-lait. We sat together like that, wordless, and watched the sun pour through the window across the dusty floor. I can sweep that floor three times a day, but here in the country, it’s always dusty.

“Did Papa really say he was too busy to make you breakfast?” I said.
She shook her head no. “I didn’t ask him.”
“Why did you have to wake me up? I was having such a nice sleep-in.”
I was about to launch into the little lecture I’ve given before, about how impolite it is to wake us up early when it’s a weekend or vacation morning.
“I just wanted to have some time alone with you,” she said.

I wanted to be angry. But how can you be mad at someone who simply wants a little bit of undivided attention? It’s true that I’m always in the middle of something. I spend too much time doing and not enough time being. I live my life feeling barely caught up, always running someplace and I’m already late, taking care of something I forgot to do, perpetually spewing the busy mom’s mantra, “just let me finish this….”
on_the_road
When the girls were babies and I was up to my ears in their 24/7 care, people told me “it will go by so fast, enjoy it while you can.” At the time – given that some days I couldn’t even find a moment to brush my teeth – I resented this clichéd comment. But now I’m finding out how it might be true for me. While I wouldn’t go back to those diapered, toddler years again, I do sense that right now is a unique window of time, a window when they are (relatively) independent and yet still interested in having anything to do with me. I know it won’t last forever, this window. I want to take advantage of it while it’s here and now. Spending time with them is not something to be added to the list of things I’ll get to, eventually. They are my most important long-term project.

And I will get to them. I will, as soon as I finish this post.


Jun 24 2009

The Inscription

I should have arrived earlier. I know better. I’d filled out all the inscription forms to enroll Buddy-roo in the music conservatory weeks ago. I even remembered to phone her pediatrician and request a certificate medicale for
waiting_conservatorythe dance class. He left it posted by the door of his waiting room, her name at the top in doctor’s scrawl, with a perfunctory check in the box for “no apparent contra-indication to practice a sport.”

I meant to arrive at least an hour in advance, but other errands delayed me. It was 1:15 when I walked into a mob of parents in the main office of the conservatory, all waiting for the registration to start at 2:00. Someone mentioned a list, so I pressed forward to the front desk to put my name on it. I was given #53.

* * *

Two years ago when Short-pants was going into the first grade, the mother of one of her classmates – also a friend of mine – suggested we sign our girls up together for a class at the music conservatory in our arrondissement. I didn’t even know there was such a thing as a local conservatory, let alone at what age you were supposed to start there. I’m really not sure what I’d do without these friends-in-the-know; I am often so often out-of-the-know when it comes to things mothering and things French.

On the opening day of registration, and we rode our bikes over together, arriving thirty minutes before the door was to open, joining a dozen other mothers who had already formed a queue. The process was relatively painless; we handed in our papers and left feeling confident that both girls would get in.

By the end of the summer, I hadn’t received the obligatory self-addressed envelope that I’d included in the application, and Short-pants’ name was missing from the roster posted on the conservatory window. I called to find out why. After much shuffling of paper and several long pauses on hold, I was informed – without much empathy, I might add – that Short-pants was not enrolled in the initiation music class.

“But I was one of the first in line on the first day,” I protested, repeating the date and how I’d arrived early. They had no record of it. She was not on the list. I wanted to scream, but I kept myself in check. This was not the time to need to be right.

“It’s unfortunate,” I conceded, “but how might I enroll her in a class now?”
Mais non,” I was told, with a fierce cluck of the tongue. “There is no more space in the initiation class. It’s full.”
“But certainly…”
“I am certain, madam.”

My friend – her daughter had fallen off the list, too, but she was quicker than me and got it sorted before it was too late – told me about a woman who’d been in this same situation the previous year and who managed to squeeze her son in by enrolling him in chorale, which did not have a prerequisite course. Once in the system, he was accepted for the initiation course the following year.

Listen, it wouldn’t have been the end of the world if Short-pants wasn’t in music class at the conservatory. There are other places to learn music in Paris. Except it’s a really good program, with a reasonable fee, and if you don’t get in by a certain age, you can’t get in at all. I felt like it deserved at least a college try.

I went to the office in person. I explained my story – three times – to two different people at the main desk, who kept pulling up their computer records and telling me what I already knew, that there was no place for Short-pants. But I kept asking the same question: how could there be no place for her when I was one of the first mothers to arrive on the first day of inscription? (When in doubt, repeat yourself again and again, this I learned from Buddy-roo). Eventually I was referred to the bureau of scolarité.

The Director was apologetic enough, but insisted, as before, that there were no more places in the debutante program. I’d have to wait and enroll my daughter next year.

“Then perhaps you could give me some advice,” I said. “How might I ensure she gets accepted?’

“It’s very simple,” she smiled, “You just come on the first day of registration, and I suggest you come early.” I explained that this was exactly what I had done, but still my daughter hadn’t made the list. She gave me the quintessential French shrug and moved the file folders around her desk, a gesture that I believe was meant to indicate that it was time for me to leave. So I pulled out the wild card.

“I heard that it is possible to enroll in chorale, without the first year of solfège. Is that by any chance true?” (I felt like Columbo, teasing out the truth with a more-or-less innocent question.)

She raised her eyebrows. “Beh, oui, c’est vrai.” She nodded slowly, sizing me up. “En principe, c’est possible.” In principle? Who’s principle? Certainly not hers, since you might note that she didn’t volunteer this option, despite my earlier polite, desperate pleas. I had to ask for it.
staff_notes
She turned to her computer and typed at the keyboard. She studied the screen. “Alors, let me check.” She ran her finger along the screen, as if counting the students with her fingers, “It’s nearly full.” She typed a few more key strokes. “But there is an opening on Thursday afternoons,” she smiled like it had been her idea, “Would you like to enroll your daughter?”

That’s how Short-pants got in to the Conservatory. The following June an invitation to re-enroll arrived in the mail, and sure enough she had priority status and was instantly assigned to the debutante music class. So this year she took a basic theory as well as chorus. Next year, she’ll start an instrument. She’s thinking about the viola.

* * *

In an unusual breach of custom for French functionnaires, the administrator organizing parents-in-waiting this afternoon was exceptionally friendly, counting off out loud, calling our names and ushering us into the waiting room one at a time when it was our turn. There were three employees receiving us, as well, so it all operated rather efficiently: the examination of the application papers, checking to be sure we’d put postage on our self-addressed envelopes (while I was waiting, a previous mother was told her application would not be considered without an envelope), stamping the date with aplomb on our receipts.

I was given no indication if there will be space for Buddy-roo in either a music or a dance class next fall, just two small strips of paper with official date stamps. But at least this time I can prove I was in line, even though – in the 53rd place – I may not have made it in time.

It still floors me how taking care of these young girls is such a responsibility. It’s much more than loving and feeding; it’s also enrolling them in school, in music classes or theater or judo, keeping track of vaccinations, monitoring homework – even just getting them out the door in the morning and picking them up at the end of the day is a chore that requires concentration. There’s everything to remember to do, so much to be thinking and caring about – let alone just hanging out with them and listening to what they have to say.

I do hold those girls close when they come to me, knowing they won’t want to be close forever. At the same time I dream of the day when they won’t need me anymore. Then somebody always reminds me that by the time they don’t need me, I’ll wish they did. It’s such a paradox, this whole mothering thing. I had no idea, at the inscription, what I was in for.


Jun 1 2009

Freedom

The streets of Freedom are wide and tree-lined, an open road to a late afternoon swim. Or else they’re narrow, winding and cobble-stoned, a labyrinth in the middle of an age-old village. They’re filled with festive, musical people. Or still and quiet, greeting a new morning. However you want it, it’s like that in Freedom. I know. I used to live there.

In Freedom, there are no children clamoring for you to attend to them. Nobody knocking on the bathroom door. Nobody wakes you up earlier than you’d like in the morning. Nobody needs you to “watch this.”
freedom
In Freedom, you never have to rush home. When an old friend you haven’t seen in ages stumbles into the bar just as you were about to relinquish your stool to head out, you can change your mind on a dime. Step backward and keep your seat. Order another round.

You can go to the train station and buy a ticket to anywhere without having to tell anyone where you are going or for how long. Not because you intend to do anything so very secret or illicit, but because you feel like being anonymous or alone, just to have a little privacy.

In Freedom you can stay out all night and sleep in all morning and heat up last Thursday’s pasta in the fry pan with butter and eat it all yourself, right from the pan, in front of the TV. You can wear your pajamas all day and nobody comments. You can play Creed or Coldplay or Puccini at full volume, you can belt it out with Ella singing Cole Porter and nobody looks at you cross-eyed. You can clean up or leave a mess; you’re free to do whatever you want.

I haven’t been there in years. I do an occasional drive-by and I think about strolling down those avenues lined with nostalgia. What hangs from the trees are long strings of selective memory. It seems like a paradise from where I am now. But it wasn’t always so rosy. Freedom was wild and spontaneous and occasionally decadent. It was also – more often than I’d like to admit – a bit lonely.

I miss Freedom. But I don’t live there anymore. I don’t even think I could go back. I just pass by it every once in a while and I remember, with fondness, the mostly-good old days.