Maternal Dementia

The alarm goes off, but we have already been awakened by someone on the street buzzing our door to come up for the encierro. Our balcony overlooks Calle Estafeta, where we can see the bulls on the street below as they run by, so we extend invitations to various friends (and occasional strangers) to come up to watch the ritual running of the bulls. Our instructions are precise: come at the last possible moment, minutes before 7:00 when the street is blocked off for cleaning before the run begins at 8:00. The drop key, permanently tied to a long white string, is lowered through the stairwell to allow our guests to pass the locked door at the bottom of the five flights of stairs to our apartment. We usher them out to our balcony so they can watch the street as it’s prepared for the run, and we go back to bed. That extra twenty minutes of sleep can mean everything.

But before 8:00, we, too, must be up, dressed and ready to run. Not with the bulls, but between our living room, where we can see the bull-run on the television, and the balcony, where we charge out as the bulls turn the corner to run up our street. Their broad brown backs rush forward, the bells on the steers that accompany them make the soundtrack to their morning run. On a good day, the bulls are still packed together with the steers as they run toward the corrida, and a few skilled (or lucky) runners sprint ahead of them, just off to the side of their horns.

After the instant replay of the encierro and ensuing TV commentary, we rush our guests out the door and head to the Bar Txoko where many of the runners we know go to swap stories and drink ritual morning drink: Kaiku y Cognac, a sweet vanilla milk mixed with a double-shot of cognac. It so happens that the street cleaners choose that moment to clean the very patch of the Plaza de Castillo where we stand, so we are forever maneuvering our conversations around to accommodate the sweepers and hose-masters who are kindly cleaning up after the previous night’s party, only part of the party that goes on for nine days. These guys are the true heroes of the fiesta, constantly cleaning the streets of the gray goop that is a mixture of beer and wine and urine and puke that accumulates during the week.

A quick drive-by to greet the brothers Carmelo and Fermín at the newsstand where we buy a paper with the photographs of the previous day’s bullrun and bullfight, and then on to our breakfast club, a long table set up in the street where friends meet to eat greasy eggs or pochas or bull stew. Such nourishment can be acquired anywhere, but we always take it here to be in the company of a few very distinctive jota singers who serenade us with traditional Navarran ballads with poignant lyrics (like wishing to be an ivy vine in order to crawl up to your window just to watch you sleep).

The midday rituals have some variation, but might include a long meander through the city streets in search of the Gigantes, a troupe of eight giant figures that represent the kings and queens of the different continents of the world. This year I saw them no less than a half-dozen times, their towering figures turning side-to-side in an enchanting dance in step to the music of the high pitched txistulari pipers. The Gigantes are at least three times the size of the men who carry and spin them for hours every morning; occasionally you see the figures stop and appear to stand still in the street as the men slip out from under the robes and duck into a nearby bar for a rest and a drink. In the meantime, parents carry their toddlers up close to examine the clumps of pacifiers that dangle from the wrists of the giants. When Pamplonese children are ready to stop using their binkies, they give them up to the Gigantes. This is a ritual I find priceless; I can imagine the conversations between the child and parents as the fiesta approaches, the building up to the ceremonial hand-off of the prized pacifier, tying it to the enormous hand of their chosen Gigante. I had a fine childhood, but if I could do it over, I’d do it in Pamplona.

This is the moment that seems to have become a ritual for me, when I wonder why Short-pants and Buddy-roo and De-facto are not there with me, swallowed by the sea of white and red and music and magic. I have kept the fiesta San Fermín as my annual escape, but each year I wonder, how can I not share this with them? For how long should it remain my getaway with my girlfriends and my “Pamplona friends?”

The fiesta is embedded with rituals, those offered up by the proud Basque culture, the noble Taurino traditions, not to mention those that my friends and I have invented for ourselves in the years we’ve been attending. Like our Hemingwayesque ritual of taking two days in the green Navarran countryside just prior to the start of the fiesta, when my girlfriends and I stay at our favorite B&B. Here we slide into the Basque culture, nibbling our favorite asparagus and drinking homemade Patxaran. We retire early and sleep in, padding the sleep bank before the fiesta quickly depletes it. In the morning, we take over a table to create masterpieces of jewelry we bead together with small plastic bulls that have been borrowed from Tequila bottles from a Mexican Kmart. Our own spontaneous designs that every year we make, wear and give away: the running of the bull-earrings.

Each day in Pamplona, a brief afternoon nap rejuvenates us to make the run for sandwiches and cookies (and a chilled bottle of Rosado) to carry into the corrida for the post third bull snack. The bullfight itself is a remarkable ritual, a 3-act drama of skill, bravery and intimacy. Though I am far from an aficionada, there was one moment this year that moved me to tears: the matador raised his hand to stop his cuadrilla as they came to his aide. He knew he had done his work well, the bull was ready to die, and so he stood back with his hand raised, and waited for the bull to fall. It happened swiftly; a good death, with grace and honor, the kind we all hope for. It made me think of my mother, of course, how nobly she fought during the last year of her life, and the dignity of how she finally let go.

Each year I painfully extract myself from my friends and the festivities and leave to be with Short-pants to celebrate her birthday, which falls the day before the end of the fiesta. I could have gotten a pass this year, I suppose, having done my duty with the big party last month, except that I want to be with her on her birthday. As hard as it is to leave the fiesta early, the return is always a relief. This year was no exception: I was as glad as ever to see De-facto and the girls waiting for me at the train station, waving wildly when they spotted me.

“I missed you so much,” cried Short-pants, throwing her long arms around me. “Where did you get those white shoes?” said Buddy-roo, who notices everything, especially if it has to do with new items of clothing or jewelry.

Over the last few days, the final post-fiesta rituals have been enacted without fail: the detoxification, the redepositing of sleep in the bank; the gradual removal of those haggard circles under my eyes; the return to an exercise regime to address the abnormal number of carbohydrates consumed at the fiesta; the washing of the whites, which requires the special formula of
bleach and Coca-Cola (this tip given to us by a Spanish grandmother we met in the supermarket) to get that gray goop off the bottom of all my white jeans; the telling of stories (only mildly toned down) and the fierce expression of gratitude toward De-facto, who always lets me run just as far as I need.

My suitcase is stuffed with everything white. White pants and skirts. White T-shirts and tank tops. White jean jackets (I have two) and several pair of white sneakers. Where I’m going, it’s all about wearing white and just a splash of red. A red pañuelo around the neck and a red sash at the belt. This is the uniform of San Fermín.

The fiesta San Fermín in Pamplona has become my ritualized get-away with the girls. Not my two little girls, Short-pants and Buddy-roo, but two older girls, my wanderlusting girlfriends, otherwise known, during the coming week especially, as Fiesta Nazi and Mother Theresa. (I’m called Whim of Iron.) Every year we meet up in Pamplona for one of the wildest parties in the world, the fiesta that Hemingway made famous in The Sun Also Rises.

I think the post I wrote last year on the eve of my departure, The Mom Also Rises, pretty much sums up perfectly why I go to Pamplona every year. If you’re ever going to dig into my archives, this is a good one to read.

I love the fiesta. I love the encierro, though I’ll never be among those who run with the bulls; I watch from a balcony above the route. I love the party that goes on day and night and the cast of characters I meet up with every year. I love the perpetual music in the streets, and the parade of peñas making their way toward the bullring every afternoon at 6:00. I love the corrida, for the drama of the bullfight as much as the sandwich after the third bull. And what’s not to love about the rear view of the matador and his cuadrilla?

What I love most about the fiesta is the feeling of being lost in the present moment. It is the perfect place to be here now, to move through the crowds in the street without any particular direction, to be drawn into a bar because the musicians who’ve taken it over call you in, and after a few laughs, some dancing and a cold caña, moving on to the next impromptu party around the next corner, at another bar, the back room of an eating club, in the park, at a long table set-up in the street, with strangers waiting outside the bullring – anywhere you turn there is a spirited party in progress. Pamplona, for me, means no duties and no to-do list, only the spontaneous delight of following my whim of iron, wherever it takes me.

(Photo Credit: The matador shot is by Jim Hollander, 2009. It’s worth noting that Jimmy’s published a beautiful book of his fiesta photographs, but for a long time has contemplated producing one called “Bull Butts” with more pictures like this. Don’t you think he should?)

They poured me into the taxi. Waved goodbye, wistfully, as they do every year – my gang of fiesta friends – chagrined that I must leave when there are still two more days of San Fermin to go. But I have never stayed until the pobre de mi at midnight on the 14th of July. It’s not that I have to rush across the border to celebrate the French national holiday, it’s that Short-pants’ birthday is the 13th of July, and this is an occasion I choose not to miss.

I had good long cry as Juan-Jose, my annual driver, navigated the taxi out of Pamplona, consoling me, “Don’t cry, next year will come quick!” My Spanish isn’t sufficient to explain to him the complexity of my tears; a mix of sadness and utter exhaustion, but also gratitude and joy. “They are not all bad tears,” I told him, “es alegria.” He threw his head back and smiled; now he understood.

Alegria is a Spanish word that, like many words between languages, doesn’t have an exact translation. The best I can offer, my personal interpretation, is a moment of feeling unfettered bliss.

Later in the TGV train hurtling through the French countryside, I reluctantly removed from my neck my red pañuelo, the uniform of the fiesta, and tucked it in my bag. I nodded in and out of sleep, hoping to recover as much as I could before the reunion with my family. One year I booked my departure for the morning of the 13th, figuring at least I wouldn’t miss her whole birthday; I’d get home in time for a dinner celebration. I was barely awake for the meal and collapsed into a sweaty, detoxifying sleep immediately after cake and presents. Since then, I’ve made it a practice to leave Pamplona on the day prior to the famous birthday.

As the train approached Angouleme — the stop closest to our country house where I would meet up with my peeps — I heard the conductor’s announcement forbidding anyone to depart from the train. I rushed through the corridor, car by car, to find him. “But you have purchased a round-trip ticket to Paris,” he scolded me, “why would you want to get off here?” I tried to explain that I didn’t think it would a problem just to get off the train early. “But in order to take advantage of your inexpensive ticket, you may not change your destination. It’s not permitted.”

If I played by his rules, I’d have two more hot, sticky hours on the train to Paris, with slim chances of making a U-turn on a train back to Angouleme the same night. The actual birthday wasn’t until the next day, but after leaving the fiesta early, damn it, I wasn’t planning to miss even a minute of her celebration.

“But I have to be there for my daughter’s birthday. I cannot miss it.” The tears that came now, no longer the result of alegria, but of exasperation – and admittedly, some artistry. The conductor, a peculiarly precise man, reviewed my ticket, shook his head from side-to-side more than once, but finally agreed to let me off the train if I paid a penalty fee, for which he even gave me a receipt. He accompanied me to the door and used a special key to unlock it and let me off the train. He did, at least, help me with my luggage.

De-facto shaved during my 10-day absence, so it was like being greeted by a young, new lover. Without his goatée, his smile seemed wider, broader. Another man might be grumpy about his girl going solo to the world’s greatest party. But he’s not another man. And he managed to get a few days biking with a friend, courtesy of a well-timed visit by his mother.

A hundred questions on the drive home. How were the girls? Good. How were the bulls? Good. We took turns telling stories about our week apart. Did I tone my tales down, not to sound like I was having too much fun?
Maybe a little. But I also didn’t tell him about the hard part: that lonely wave that hits me every year, mid-fiesta, where in a fit of excess and fatigue, I lay in bed too drunk and too tired to sleep and in that moment I’m sure that I have forsaken my family for this fiesta and nobody in Pamplona likes me either. The boom-boom-boom that goes all night in the street makes quieting this discourse impossible. I’ve come to learn that it’s just a passage; in the morning, in the sunlight, I’m greeted at the Bar Txoko or at breakfast on the Calle de la Merced by one of many friends – old and new – who remind me that I am not alone in this world.

When my daughters heard the car pull up in front of our old run-down stone farmhouse, they ran toward it at full speed, laughing and screaming, jubilantly, “Mama, Mama! You’re home! We missed you!” I was pummeled with kisses and hugs, all of which helped to remind me that the San Fermin fiesta is not the only source of alegria.

Every day I deal with consequences. My life is filled with them. Having little people to look after creates a profound sense of responsibility. There are always things to be done – dinner, laundry, getting them to school, coaxing them into the bath, writing notes to the teacher, buying the present for one of a dozen birthday parties – the list feels endless. But who else will help them accomplish these tasks? As much as I dream of being a slacker, knowing that those two creatures count on me makes it hard for me to be anything but responsible.

But not this week. This week, I get a break. This week, I am accountable to no one. I am responsible only for myself.

Each year, in early July, I join a couple of my favorite gal pals and make the trek to Spain, to Pamplona, for the Fiesta San Fermin. It’s become a tradition; this year will be my sixth consecutive appearance. The friend who introduced me to the bulls – we call her the Fiesta Nazi – hasn’t missed a fiesta in more than 25 years. Another friend, affectionately nicknamed Mother Theresa, has been going for 10 years. (My fiesta nickname, by the way, is Whim of Iron.)

De-facto is a total sport about letting me escape. He knows that I occasionally need a week of unencumbered spontaneity. And that’s exactly what I get in Pamplona.

No, I do not run with the bulls. Yes, I will go to the bullfight. No, it’s not cruel; it’s noble. Yes, I will be exhausted at the end of the week. And I wouldn’t miss it for the world.

During the fiesta, in any given moment, I may do whatever I please. I may wake up with my friends and watch the encierro – the running of the bulls – or I can hide my head under the pillow and sleep in. If I choose, I’ll go to eat greasy eggs and listen to jota ballads with the gang at the breakfast club, or I can disappear with a good friend and take a quiet walk to the plaza de toros to watch them sort the bulls for that afternoon’s bullfight. There are people I meet up with every year in Pamplona, and with them I can meander the streets, hopping from one bar to another, sampling tapas at each one, or I can skip the hot afternoon sun, find my way back to the apartment, shut the curtains and take a much-needed nap. I can stay out all night dancing, I can have “just one more drink,” or I can navigate the smelly, crowded streets and make my way home early.

I don’t need to call anyone. I don’t need to negotiate when I go out or when I come home. I don’t need to stop the fun I’m having to pick up some small person or respond to a client request. I am about to go into joyful oblivion. And I can’t wait. It is the craziest, freest, most festive, tolerant, joyous party on earth. Hemingway described it famously:

The fiesta was really started. It kept up day and night for seven days. The dancing kept up, the drinking kept up, the noise went on. The things that happened could only have happened during the fiesta. Everything became quite unreal finally and it seemed as though nothing could have any consequences. It seemed out of place to think of consequences during the fiesta.

It’s my week away. For one week, I am beholden to nobody – not even the Fiesta Nazi and Mother Theresa. Even though I know there are people at home waiting for me, missing me, wondering about me. Even though I’ll be missing them like crazy. I will pretend, for my own amusement – at least for just this week – that there are no consequences.

That’s the fiesta.

I was (still) on the rue Pastourelle, refusing to believe that the silversmith shop was no longer there. Like being relentless about looking for it would make it reappear. I’d finally gotten around to taking my ring to be repaired and my mission was being thwarted. I didn’t want to give up.

A few doors down from where (I think) the orfèvre used to be, I saw a sign for an atelier, some kind of metal workshop. It looked aged, like it’d been there a while. Maybe because they work with metal, they could do it. Or they’d know someone who could.

A loud buzzer opened the door and let me into an amazing world of little metal pieces. I asked about the whereabouts of
the silver shop. (Yes, it was a few doors down. No, it’s closed now.) Then I was compelled to inquire, “What exactly do you do here?” It seems I’d stumbled into an archive of metal stamps and stencils. A fantastic display of little bits of brass and metal with all manner of designs or messages used for printing and molding. Some of them even date back to the French revolution. Who knew such a place existed? And that it could employ three people?

But did they know another silversmith? There was some talk between the three of them, and then a recommendation. Down the street, just keep going straight, for many blocks, until you cross the boulevard. (Which boulevard? Just the big boulevard.) Not on rue St. Sebastian, but look for the Passage St. Sebastian.

And so I walked. The street names changed but I stayed the course and then sure enough I came to a boulevard and crossed to the other side where I saw the street I was told to avoid and hunted for the passage I was told to find, which is where I came upon a hidden city of ateliers and workshops.

Walking down the cobblestone alley I could peek in the doors of all the workshops and artesian micro-factories with their Dr. Suess-like assembly lines. Up a dirty staircase, a lime green door screamed at me, and then beyond it, another door – in a location so obscure I would never have found it had I not been directed – with the name of my destination: Cendor.

And now I know Mario. Apprenticed at 14-years old, he’s been a silversmith for more than 50 years. I showed him the broken
silver ring that had been my grandmother’s. He cared about the story. I also brought along my silver medallion of San Fermin, patron saint of Pamplona, to reinforce the loop for the chain. So he switched to Spanish and he rattled on about his love for Spain, his homeland.

He offered no receipt for holding my items, and just a few gruff instructions about when to come back. But I have the feeling my silver is in good hands. I have found the orfèvre of my dreams. Not the same one I was looking for. But better.