Maternal Dementia

Now that they are older, they wake up at a reasonable hour, something later than eight o’clock and occasionally after nine in the morning. (Well, until school starts tomorrow.) They totter down the stairs with that first-steps-in-the-day stiffness; their thumping like a gentle alarm clock alerting me that they are awake and they are coming my way. Then appears one of them – it could be either of the girls, though Short-pants is prone to rising earlier – pushing open the door to our bedroom, which sticks and sometimes requires serious muscle. A little sprite appears, donning just a pair of pink Cinderella underwear, lifts up the white comforter cover and crawls in between the sheets for the morning cuddle. It might be moments later – or as long as an hour – when the other one arrives and squeezes into the bed on the other side of me.

These cuddles are mostly wordless, except for the three questions:
Did you sleep well?
Did you have any good dreams?
Did you wake up feeling loved?
Short-pants adores the ritual of this Q&A, and answers each one with a deliberate “Yesssss,” letting the s stretch out for emphasis. I rarely ask Buddy-roo; before I even finish the first question she interrupts, “I don’t want you to ask me those questions.” I’ve asked her why not, dozens of times. The best I can get out of her is that she just doesn’t like them. So we cuddle in silence.

I’m struck by how the character of the morning cuddle has transformed over the years. When they were babies, this was the moment when they took my breast for the first meal of the day while I savored those last minutes of precious sleep. Then they were toddlers and we were constantly at war, fighting to keep them out of our bed until the sun had risen (our line in the sand), when the morning cuddle revealed the true pyrrhic nature of all those little battles we’d won the night before. This morphed into another stage in which their arguing, despite our admonishments, would crescendo into tearful screaming matches about who got to be on what side of the bed next to which parent – a prize that was hard to predict because De-facto and I never knew which of us was the coveted parent and we could fall out of favor at the drop of a hat.

Until now, a new phase, when they seem very content to wake up slowly, rising softly and silently and joining us in bed with little expectation of conversation, just the warmth and comfort of their parents and another twenty minutes of dream-time and morning slumber. (This is a great phase.)

I came across a photograph of my mother that I took a little over a year ago. Aware of her impending departure, I tried to capture little vignettes of her – things I wanted to remember – like the expression on her face while she washed the dishes (I snapped this without her noticing, from outside the window above her kitchen sink), or seeing her seated in her designated place at the head of the dining room table or curled on the couch watching television with her eyes closed. One morning I even photographed her sleeping in her bed, with her back toward me. I realized I didn’t have a strong memory of her sleeping alone in her bed; when I lived at home my father was usually beside her. Then there’s this: she was always up earlier than me. I never saw her sleeping in. Until that morning.

I took note of the details: the color of her tousled hair, the lace trim of the familiar nightgown against the skin on the back of her neck, her hand raised next to her pillow, clutching a piece of Kleenex. After I took the photo, I lifted the covers and slipped into bed beside her and put my arm around her. I wished somebody else was there to take a picture of the two of us in our morning cuddle so I could show Short-pants and Buddy-roo.

Instead I told them about it, which I suppose is even better because they had to conjure up their own image of the occasion in their minds. This prompted an inquisition: When you cuddled with Grammy, did she ask you the morning questions? No. Why not? I made them up for you. You made them up for us? Yes. Why? I don’t know. But why? I guess maybe to ease gently into using words after a long sleep. Gently? Why gently? (You see where this is going.)

This morning, they arrived within minutes of each other, their long, lithe bodies quickly snapping up the covers and diving into bed with us. We dozed in and out of the velvet pocket of morning sleep. When it felt like enough time had passed for words, I ran through the three questions with Short-pants. She answered with an emphatic and serpent-like “Yesssss,” pulling her arms tighter around me with each response.

I know Buddy-roo hates the questions but I keep thinking maybe someday she’ll change her mind and share this little ritual with us, and remember it later in her life as a good moment in her childhood. So occasionally I try them out on her anyway. This morning I braced myself for her usual scorn, but instead – surprisingly – she answered me.

Did you have a good sleep? It was okay, except it was too hot in my bed. Do you have any good dreams? I don’t remember if I dreamt or not. Did you wake up feeling loved? Maybe, if there are pancakes for breakfast.

Not so gentle, but not a bad way to start.

Summer is when routines get interrupted. The daily grind of getting little girls to school is suspended. The constant rigor of a weekly schedule is relaxed. Bedtime is fudged, partly because in France the sun sets so impossibly late during the months before and after the summer solstice that the kids won’t believe that it’s time to go to sleep. Mornings, for the most part, are easy going: we wake up when we wake up. De-facto and I have very little work. Only our uncivilized American clients schedule projects in July or August and we do our best to minimize our participation in such gainful activity when it’s summertime.

Yet within our routine-less summer we quickly develop routines. I go to Pamplona every July. Then I join De-facto and the girls at the country house for the rest of the month. We return home to catch up with our on-line lives, take advantage of the Plage and the quiet of Paris in August. The real truth: we come home so we don’t miss out (too much) on what has become a big routine in our building: the infamous courtyard lunches.

Most of the owners and tenants go away for most of the summer, and those who stay are congenial or at least cooperative and don’t mind that nearly every other weekend, it seems, Ricky and Lucy host a courtyard lunch. Their apartment opens directly on to the courtyard, and their adjustable table is easily moved outside and strategically positioned near the stone wall of a raised flower bed, making for extra seats to compensate for their lack of chairs. Ricky is the most expressive cook among us and happily carries the burden of providing eats. He can do things with tomatoes and olive oil that would drive any foodie to brink of ecstasy.

There’s nothing as pleasant as those very first moments, when people arrive: Ricky sweats over hot burners in his kitchen, stepping out to the courtyard and greeting guests with a dishtowel thrown over his shoulder. A glass of something, usually bubbly, is thrust into your hand and then one by one, plates appear on the table with delicate combinations of Mediterranean ingredients. There’s always a little surprise: mint replaces the basil on a tomato bruschetta, a spoon of virgin olive oil teases the essence out of the canteloupe. These intriguing flavor blends generate no shortage of oohs and ahhhs around the courtyard table.

The champagne – though this past weekend the aperitif was a watermelon cocktail with a vodka kick, and then we had champagne – is eventually replaced by wine, often rosé in color, and this flows steadily. Just when we think Ricky has fed us already too well, he’ll produce a risotto or something with seasoning and ballast that nobody has room for but nobody dares to miss. It’ll be too good.

Neighbors who pass through the courtyard on their way in are spontaneously invited to join us. Those on their way out are inspired to return, and often do after stopping at a local wine seller to contribute to the table. In this fashion, the lunch that starts at 1:30 or 2:00 often bleeds into the evening; sometime around 8:30 or 9:00 Ricky disappears again into his magic kitchenette and produces some kind of pasta concoction, a bit of sustenance – or absorption if you like – to carry on.

It’s rare that a courtyard lunch finishes before midnight.

While all this is going on, our children are not totally forgotten. When she’s not dancing around the courtyard, Short-pants plays waitress and has been known to carry around a sign that says “Please give me some work to do.” Buddy-roo hides out in the bedroom loft, watching consecutive Barbie movies that she’s only allowed to watch one-at-a-time, once-a-day under normal circumstances. Sometimes that big doll makes an appearance and everybody groans but she keeps the girls occupied and this is only one of many reasons that I have not yet found a way to make her disappear from our lives.

There is a moment, however, that marks the true spirit of the courtyard lunch. It’s around 5:00 in the afternoon when the oven begins to emit the most remarkable aroma, a sweeter-than-anything-your-grandmother-ever-baked perfume that makes everyone stop their bantering and storytelling. Hush Sweet Jesus the toaster oven is on bake. We all turn to Lucy. She nods her head affirmatively – smugly in fact – and the courtyard erupts into cheers, “Cake in a Bag!”

Of course Ricky’s culinary prowess is admired and appreciated – even lauded. His effort is the cornerstone of courtyard lunches. But Cake in a Bag, it’s too divine to describe. Lucy makes it all seem so…effortless. After all, it is: open the bag, pour in the pan (okay, and add her secret ingredients) and bake.

Ricky sighs, shakes his head, throws the dirty linen tea towel over his shoulder and shuffles into the kitchen to brood. But his theatrics last only for a moment before he returns to the fold of his friends and he is once again in the routine of the charming host, offering us more wine or a strong shot of espresso. He always comes back, and sometimes he’ll even eat a piece of cake.

If there’s any left.

The alarm goes off, but we have already been awakened by someone on the street buzzing our door to come up for the encierro. Our balcony overlooks Calle Estafeta, where we can see the bulls on the street below as they run by, so we extend invitations to various friends (and occasional strangers) to come up to watch the ritual running of the bulls. Our instructions are precise: come at the last possible moment, minutes before 7:00 when the street is blocked off for cleaning before the run begins at 8:00. The drop key, permanently tied to a long white string, is lowered through the stairwell to allow our guests to pass the locked door at the bottom of the five flights of stairs to our apartment. We usher them out to our balcony so they can watch the street as it’s prepared for the run, and we go back to bed. That extra twenty minutes of sleep can mean everything.

But before 8:00, we, too, must be up, dressed and ready to run. Not with the bulls, but between our living room, where we can see the bull-run on the television, and the balcony, where we charge out as the bulls turn the corner to run up our street. Their broad brown backs rush forward, the bells on the steers that accompany them make the soundtrack to their morning run. On a good day, the bulls are still packed together with the steers as they run toward the corrida, and a few skilled (or lucky) runners sprint ahead of them, just off to the side of their horns.

After the instant replay of the encierro and ensuing TV commentary, we rush our guests out the door and head to the Bar Txoko where many of the runners we know go to swap stories and drink ritual morning drink: Kaiku y Cognac, a sweet vanilla milk mixed with a double-shot of cognac. It so happens that the street cleaners choose that moment to clean the very patch of the Plaza de Castillo where we stand, so we are forever maneuvering our conversations around to accommodate the sweepers and hose-masters who are kindly cleaning up after the previous night’s party, only part of the party that goes on for nine days. These guys are the true heroes of the fiesta, constantly cleaning the streets of the gray goop that is a mixture of beer and wine and urine and puke that accumulates during the week.

A quick drive-by to greet the brothers Carmelo and Fermín at the newsstand where we buy a paper with the photographs of the previous day’s bullrun and bullfight, and then on to our breakfast club, a long table set up in the street where friends meet to eat greasy eggs or pochas or bull stew. Such nourishment can be acquired anywhere, but we always take it here to be in the company of a few very distinctive jota singers who serenade us with traditional Navarran ballads with poignant lyrics (like wishing to be an ivy vine in order to crawl up to your window just to watch you sleep).

The midday rituals have some variation, but might include a long meander through the city streets in search of the Gigantes, a troupe of eight giant figures that represent the kings and queens of the different continents of the world. This year I saw them no less than a half-dozen times, their towering figures turning side-to-side in an enchanting dance in step to the music of the high pitched txistulari pipers. The Gigantes are at least three times the size of the men who carry and spin them for hours every morning; occasionally you see the figures stop and appear to stand still in the street as the men slip out from under the robes and duck into a nearby bar for a rest and a drink. In the meantime, parents carry their toddlers up close to examine the clumps of pacifiers that dangle from the wrists of the giants. When Pamplonese children are ready to stop using their binkies, they give them up to the Gigantes. This is a ritual I find priceless; I can imagine the conversations between the child and parents as the fiesta approaches, the building up to the ceremonial hand-off of the prized pacifier, tying it to the enormous hand of their chosen Gigante. I had a fine childhood, but if I could do it over, I’d do it in Pamplona.

This is the moment that seems to have become a ritual for me, when I wonder why Short-pants and Buddy-roo and De-facto are not there with me, swallowed by the sea of white and red and music and magic. I have kept the fiesta San Fermín as my annual escape, but each year I wonder, how can I not share this with them? For how long should it remain my getaway with my girlfriends and my “Pamplona friends?”

The fiesta is embedded with rituals, those offered up by the proud Basque culture, the noble Taurino traditions, not to mention those that my friends and I have invented for ourselves in the years we’ve been attending. Like our Hemingwayesque ritual of taking two days in the green Navarran countryside just prior to the start of the fiesta, when my girlfriends and I stay at our favorite B&B. Here we slide into the Basque culture, nibbling our favorite asparagus and drinking homemade Patxaran. We retire early and sleep in, padding the sleep bank before the fiesta quickly depletes it. In the morning, we take over a table to create masterpieces of jewelry we bead together with small plastic bulls that have been borrowed from Tequila bottles from a Mexican Kmart. Our own spontaneous designs that every year we make, wear and give away: the running of the bull-earrings.

Each day in Pamplona, a brief afternoon nap rejuvenates us to make the run for sandwiches and cookies (and a chilled bottle of Rosado) to carry into the corrida for the post third bull snack. The bullfight itself is a remarkable ritual, a 3-act drama of skill, bravery and intimacy. Though I am far from an aficionada, there was one moment this year that moved me to tears: the matador raised his hand to stop his cuadrilla as they came to his aide. He knew he had done his work well, the bull was ready to die, and so he stood back with his hand raised, and waited for the bull to fall. It happened swiftly; a good death, with grace and honor, the kind we all hope for. It made me think of my mother, of course, how nobly she fought during the last year of her life, and the dignity of how she finally let go.

Each year I painfully extract myself from my friends and the festivities and leave to be with Short-pants to celebrate her birthday, which falls the day before the end of the fiesta. I could have gotten a pass this year, I suppose, having done my duty with the big party last month, except that I want to be with her on her birthday. As hard as it is to leave the fiesta early, the return is always a relief. This year was no exception: I was as glad as ever to see De-facto and the girls waiting for me at the train station, waving wildly when they spotted me.

“I missed you so much,” cried Short-pants, throwing her long arms around me. “Where did you get those white shoes?” said Buddy-roo, who notices everything, especially if it has to do with new items of clothing or jewelry.

Over the last few days, the final post-fiesta rituals have been enacted without fail: the detoxification, the redepositing of sleep in the bank; the gradual removal of those haggard circles under my eyes; the return to an exercise regime to address the abnormal number of carbohydrates consumed at the fiesta; the washing of the whites, which requires the special formula of
bleach and Coca-Cola (this tip given to us by a Spanish grandmother we met in the supermarket) to get that gray goop off the bottom of all my white jeans; the telling of stories (only mildly toned down) and the fierce expression of gratitude toward De-facto, who always lets me run just as far as I need.

My suitcase is stuffed with everything white. White pants and skirts. White T-shirts and tank tops. White jean jackets (I have two) and several pair of white sneakers. Where I’m going, it’s all about wearing white and just a splash of red. A red pañuelo around the neck and a red sash at the belt. This is the uniform of San Fermín.

The fiesta San Fermín in Pamplona has become my ritualized get-away with the girls. Not my two little girls, Short-pants and Buddy-roo, but two older girls, my wanderlusting girlfriends, otherwise known, during the coming week especially, as Fiesta Nazi and Mother Theresa. (I’m called Whim of Iron.) Every year we meet up in Pamplona for one of the wildest parties in the world, the fiesta that Hemingway made famous in The Sun Also Rises.

I think the post I wrote last year on the eve of my departure, The Mom Also Rises, pretty much sums up perfectly why I go to Pamplona every year. If you’re ever going to dig into my archives, this is a good one to read.

I love the fiesta. I love the encierro, though I’ll never be among those who run with the bulls; I watch from a balcony above the route. I love the party that goes on day and night and the cast of characters I meet up with every year. I love the perpetual music in the streets, and the parade of peñas making their way toward the bullring every afternoon at 6:00. I love the corrida, for the drama of the bullfight as much as the sandwich after the third bull. And what’s not to love about the rear view of the matador and his cuadrilla?

What I love most about the fiesta is the feeling of being lost in the present moment. It is the perfect place to be here now, to move through the crowds in the street without any particular direction, to be drawn into a bar because the musicians who’ve taken it over call you in, and after a few laughs, some dancing and a cold caña, moving on to the next impromptu party around the next corner, at another bar, the back room of an eating club, in the park, at a long table set-up in the street, with strangers waiting outside the bullring – anywhere you turn there is a spirited party in progress. Pamplona, for me, means no duties and no to-do list, only the spontaneous delight of following my whim of iron, wherever it takes me.

(Photo Credit: The matador shot is by Jim Hollander, 2009. It’s worth noting that Jimmy’s published a beautiful book of his fiesta photographs, but for a long time has contemplated producing one called “Bull Butts” with more pictures like this. Don’t you think he should?)

“But why do I have to go to the Jesus class?” Buddy-roo whined.

Religious instruction is an optional class at their school and Short-pants is excused from it because we opted to schedule her viola lesson at that time, to avoid an evening commitment at the conservatory. The reason Buddy-roo attends the class: convenience. It’s part of our strategy to limit the number the days when they get out of school at different times (it already happens twice a week) in order to make end-of-the-day school pick-up less complicated. Besides, a little religious instruction won’t hurt Buddy-roo. She’s the rebellious type; this will give her something to reject later in life. As De-facto says, we might as well put up a couple of false walls, ahead of ourselves.

“Well anyway,” she said, “I know that there are two Jesuses. The one that died on the cross, and the one you talk about when you’re mad.”

Oh, yes, that Jesus.

I guess you could say we’re not particularly religious. I was more spiritual before I had children, when I had the time to meditate and read provocative books by the Dalai Lama, Carlos Castaneda and Eckhart Tolle. Children may be closer to the spirit – miracles that they are – but I’ve found that having them gives me much less time for such sacred contemplation.

Short-pants practices her own religion of angels, healing energy and metro tickets, much of it the result of her hospital experience and fueled by our belief that the intentions and prayers of all the people who were rooting for her recovery created an energy that was directed at her and absolutely made a difference. Buddy-roo prays at the altar of our DVD player, finding meaning in the plots of every movie she watches. Her favorite film of the week, appropriately, is The Ten Commandments.

I am the product of a mixed marriage: a Jewish mother and a Catholic father. I know the Jewish faith claims me because of maternal lineage, but there was no temple in my rural hometown and only a handful of Jews. What I knew about the Jewish faith was Chanukah and Passover. Rosh Hashanah and Yom Kippur were remotely in my awareness only because they were printed on a calendar my mother used to mark her appointments.

So my brother and sister and I were baptized and fulfilled the sacraments of the Catholic Church, not because my father was so devout, but because those rituals teach lessons about life, about coming of age, taking responsibility, being a kind and responsible Christian (as opposed to a gun-brandishing, tea-bagging Christianist). And as my father used to say, “Church is a good place to think. The phone doesn’t ring. Nobody interrupts you.”

One thing my father and De-facto’s had in common – and they never knew each other – was a penchant for ditching church early, after communion. After receiving the host, we’d walk with hands folded and heads bowed to the transept and out the side door. In the winter, we’d be the family clumping down the aisle in our laced-up ski boots, making our early exit to drive right to the small mountain 45-minutes away for a few Sunday runs.

When my mother was dying, she consulted with a friend, a Jewish history professor, about what she might suggest to us to bring a few Jewish customs into her memorial service. He wondered about having a minyan to pray for her, but worried that it might be hard to collect ten adult Jews from our community. In the end, he advised her that the minyan could be constructed of people from any faith, because, “God won’t mind.”

This is the kind of religious tolerance I grew up with, and that I hope to pass on to my children. Our girls get a goulash of religion: They go to a Catholic school (it helps that it has a strong English section). We live in the pletzl, in
heart of the Jewish quarter and we have Muslim neighbors. We trim a Christmas tree and we light the menorah. We color Easter eggs and eat matzah. We did our own truncated version of the Haggadah at our Passover Seder. We’re doing an Easter feast (and Ricky’s roasting the lamb). And why not? It’s all very Cambellian in our home.

Earlier this week I was at the local butcher shop buying a bone for our Seder plate. I was waiting patiently for my turn – not an easy task when it felt like the butcher was taking his time, entirely unconcerned that the line of customers in his narrow little shop was spilling out into the street. I reminded myself to just keep smiling. Demonstrating exasperation in this situation only invites condescension. Not that being patient ensures you will be treated kindly. But it puts the odds slightly in your favor.

When I was next to be served, I took a deep breath. I’d rehearsed my appeal, having been rejected at two other butcher shops the day before.

“Pardon me, sir, I hope you can help me. Do you, by any chance, have a zeroah?”

He stared at me like I was from the Vatican.

“Mais, non,” he scolded, “C’est vachement trop tard.”

Yes, I’ve been told it’s too late. But I’ve been a very busy half-goyim, and this weekend is the only time my Jewish friend, who’s also very busy, and I could organize ourselves to do our Pesach. And anyway, isn’t it enough that I’m trying to carry on the ritual and pass it down to my children? Isn’t that the idea anyway, tell your sons and all? Does it matter if it’s early or late?

“Jesus H. Christ on a Crutch.” I said. (Not out loud though.)

He continued to stare at me, waiting for me to leave, boneless.

“I realize this is very unusual,” I said, not really meaning it. I thought you could celebrate a Seder anytime you wanted during Passover. “But due to personal circumstances, this is how it must be in our home this year. Wouldn’t you please suggest to me another kind of bone I might use? I’d like my children to experience the Seder.”

He shrugged that brilliant gesture of indifference that is part of the French genetic code and suggested a small lamp chop. I nodded.

“It’s okay,” I said to him, as he was wrapping it up in butcher paper. “God won’t mind.”

I have always been the documenter of our family’s history. As a child I would stack together multiple pages of paper, folding and cutting them to create pocket-sized books. I’d write about our family rituals or offer how-to advice. These books were a source of great entertainment to my family and good fodder for teasing me, still, to this day.

My most famous title, The U.D.T. Rool Book, a palm-sized field guide I wrote when I was 7-years old, described, step-by-step, our family’s summertime swim-in-the-lake ritual, as practiced by the Underwater Demolition Team (U.D.T.), a club invented by my father to get us out of bed and in the lake every July morning. Another family favorite: the handy pamphlet titled
The Key to Popularity, my very first (circa 4th grade) effort at parody, a tongue-in-cheek embellishment of my mother’s theory that if she just made sure we all learned how to ice-skate and water-ski, we’d be popular.

As happens with the artifacts of our childhood, these little books disappeared. And then, during renovations or severe spring cleanings, they re-appeared. When my mother recovered The Key to Popularity, probably in the back of some drawer, she put it in its rightful place on the kitchen counter, in that the space that is a magnet for all manner of junk – those old, chewed-on, unsharpened pencils, pens that no longer work, worn nail files, remnants of note pads, tchotchkes and campaign buttons – the miscellaneous counter in our kitchen (we all have one, don’t we?) where things just end up and somehow, stay there.

Every time I went to visit my mother, The Key to Popularity was still there, wedged in a square lucite box meant for Post-it notes that were used up over a decade ago. This little book, like many of the masterpieces I authored as a child, was a charming chapter of our family jokelore; she couldn’t bring herself to throw it out. But I cringed every time I saw it.

When my father died, at the age of 59, we assembled in shock, unprepared and unbelieving. Things we’d meant to say had gone unspoken. Nothing so dramatic that he didn’t probably know already, but still, it felt as though he was plucked away from us; his life was interrupted. The painter who made a portrait of him, later, purposefully didn’t finish the canvas, in homage to his unfinished life.

On the day we buried him, prior to the mass, there was a small private service at the funeral home, the last viewing of his body before the casket was closed. We stood around him, shedding tears – and giggling. “What are you all chuckling about?” my mother asked, mildly perturbed as she approached us at the casket. She saw the little trinkets and photographs we’d placed beside him and she smiled. When I showed her The U.D.T. Rool Book tucked in the breast pocket of his blazer, she took my hand and squeezed it. She even chuckled with us when she saw what had been slipped under my father’s lifeless arm: the previous Sunday’s New York Times crossword puzzle and a sharpened #2 pencil. “You kids,” she said.

How many times I heard her say that: You kids.

But the truth must come out: It was my mother who started the tradition of doing the Sunday Times crossword when my parents were dating in college. She was, by her own report, quite skilled at crosswords – more adept than my father. But she figured out quickly that if she didn’t answer all the clues she knew right away, it would take longer to finish the puzzle, elongating their afternoon date. This was a surprise to me; I’d always associated my Dad with the Sunday crossword. I asked her about this and she shrugged. “He got so good at working the puzzle, I let him take it over.”

My mother told us, knowing it was futile, not to put anything in her coffin with her. I teased her that I would bury her with the family carrot, but in the end I had a better idea. I tucked The Key To Popularity in beside her, next to the white satin interior of her casket, just a little helpful guidance for heavenly social interaction.

There was something else lying around on that kitchen counter: a hand-made oragami oracle that Short-pants gave to my mother last year, to “help her with important decisions.” Constructed out of intricately folded paper, this device resembles an egg carton in which you insert your thumb and index finger and move the triangled peaks this way and that way. With a ritualized guess of numbers and colors, the correct answer to all-important questions can be divined, much like the famous 8-ball, with oracle-like responses under the folded flaps: Yes, of course or Maybe not.

Though I was not present during the days that my mother made her decision to stop treatment and enter hospice care, I have this fantasy that she stood, leaning against her kitchen island, moving her fingers back and forth within the folded paper, asking the question, “Is it time to go?” and that Short-pants’ oracle gave her the response that settled it once and for all.

This folded contraption was also placed in the casket with my mother, in case she needs to make any decisions in the afterlife.

My mother’s mother, my Grammy, used to tell us that she and Grandpa had a plan to meet up after death at the entrance to Macy’s on 34th street in New York. When she died, I imagined some purgatorial dimension where their fantasy was lived out, returning to the roaring twenties that belonged to them when they were roaring, in their twenties, and finding each other again.

So I imagine my mother, holding her edition of The Key to Popularity, meeting up with my father, with the original U.D.T. Rool Book in hand, comparing notes about the memories of their happy life together. “Sure glad she wrote it all down,” they’ll say, marveling at my little handbooks, “so we’ll never forget.”

And then Daddy will pull out his copy of the New York Times Sunday crossword puzzle, and they’ll work it together, for eternity.

There are times when life seems to take on its own momentum. Unlike the days where choice seems evident – debating the banal options of our routine lives, turn here or there, eat this or that – these are the eerily directed moments when events simply propel us forward and it feels that we have little say in any matter. My mother died and time hiccupped; seeming to pause momentarily as we stared at her still body, relieved for her, bereft for ourselves. Who do we call first? Let’s just wait a bit, take this in. We knew. It was a temporary stay of time, a last quiet moment before the rapid undertaking of after-death duties.

Once the call was made, however, a trigger was pulled and industrious activity ensued. The hospice nurse arrived and made an official pronouncement. The funeral director came, his head perpetually bowed. My mother wanted to donate the bones in her inner ears to science; this had to be orchestrated quickly, and on a weekend. Our immediate family was notified. Close friends were called. The obituary, previously drafted, required editing and (exhaustive) proofing. The laundering of sheets, the removal of the hospice furniture and putting my mother’s study back together. The calling of lawyers, reading of the will, signing of waivers, funeral arrangements, plane reservations for relatives flying in or not, depending on the inclement weather. The unfolding course of events urged us, relentlessly, onward.

Our mother was a woman who took much satisfaction from her own productivity. Even at the very end, she wanted a plan for the day. We are fallen apples, not far from that tree; our daily to-do list became suddenly daunting. The slow, quiet, waiting vigil of the aching days before her death gave way to a frenzy of tasks that were executed with an almost maniacal urgency while dodging the onslaught of casseroles and meat platters.

Looking in the mirror one tired morning, dark circles defining my eyes – the residue of a long vigil and stolen moments for private tears – I wondered exactly what fumes in my body were driving me forward.

Two weeks before my mother died, her sister sent her an email about a game they made up when they were kids, maybe 6 or 7 years old. They’d march around the back yard with sticks and curtain rods that they pretended were rifles and they’d shout out, “Advance to the rear!” My mother remembered the game; she instructed me to pull out her old photo album and she pointed to the picture of the house – the same house I saw in Havana – and showed me the route they followed, rifles in hand, out the side door and around to the back of the house. She said her father would get so frustrated with them; repeatedly explaining that it was not possible to advance to the rear.

But we were advancing, one step at a time, a last loving labor to finish what my mother had started by dying. Respects were paid; the ritualized calling hours sometimes awkward, often healing – the standing and greeting of her friends and admirers, the sharing of our grief. People came to console us but just as often we ended up consoling them. “Don’t be sorry she’s gone,” I told someone who would not stop crying, “just be grateful you knew her.” (But my sorrow remains, along with my gratitude.)

We put her in the ground beside my father, resting next to him the same way they used to sleep, side-by-side in their bed. We did this privately, without fanfare. Her friends and colleagues will be invited to a memorial service later, in the spring, when we will celebrate her life.

In retrospect, it was right to have this last private moment with her – with them. We stood there like kids stalling at the foot of our parents’ bed, saying an eternal goodnight.

We pressed ahead to finish the business of collecting important files and papers, cleaning out the refrigerator, coordinating with the caretaker who will stay with the house. We stood in the driveway to make our goodbyes, stunned by the list of sad errands we had completed in just one week’s time. I studied my sister and brother in the harsh winter sunlight. They looked tired, worn out – a reflection, no doubt, of how I looked and felt. Oh my god, I thought, she’s really gone. Oh my god, I thought, we’re old.

I’d phoned the airline nearly every day, searching for a return flight. With each call, I felt more like Dorothy asking anyone and everyone I came in contact with to please help me get home. I just wanted to get back home.
No amount of logic or emotion would solicit enough sympathy from a reservation agent to bend any rules. In the end, I broke down and bought a new airline ticket to take me home to Short-pants and Buddy-roo and the heroic De-facto, Nobel-worthy after his 3-week stint as a single parent.
I would not have been able to accompany my mother this way had he not been so willing and agile.

Now I am home, back in the fold of my life. Back to my cherubs crawling in bed for the morning cuddle, the rush through breakfast and out the door to school. Back to my work and my clients and conference calls. Back to the bustle of a cosmopolitan city and the every-day routine of my regular world. Back to normal, except nothing feels normal anymore.

It was a campaign, these last weeks, to help my mother die, wanting her to die well, pushing myself forward to do what must be done, all the while missing my man and my little girls. It was a privilege to be there, to hold my mother’s hand and help her move through the last days of her life. It was a relief to come home to the hold-you-forever embrace of my vibrant little girls. And now that I have been there and back, I think I know exactly what it means to advance to the rear.

I pinched the frozen clothespins to liberate the sheet from the line of rope that spans the back porch. The sheet was ice-cold; it’d been hanging outside on the porch all afternoon. I wrapped the yards of damp cotton over my shoulder, trying not to drag anything on the floor as I pulled the rest of the laundry – pillowcases and a few dishtowels – off the line and made my way back inside. I draped the sheet over the three chairs evenly placed beside the dining room table. It will hang there overnight, to shed the last of the dampness and to get warm and fully dry before it is ready to be folded.

This is a ritual that has been enacted in this house, on this porch and in this dining room, for more than fifty years. The tumble-dryer in the laundry room is not unused, but the sheets in this house have never seen the inside of it. No matter what season, my mother’s sheets are always line-dried.

“I need your help with the sheets,” my mother would say, a habitual plea generating the big eye roll from any one of her three children. This might be our Sisyphean task – second only to ironing my father’s handkerchiefs – a pesky chore we were commanded to do and our mother would not tolerate a half-hearted execution. We were guided step by step. “Put your finger in the dart. Pull it, tight. Stretch the sheet first. Flip it and fold. Now walk toward me…”

We found explicit sheet-folding instructions from a mid-twentieth century woman’s magazine, tucked in the back of some drawer. Was this how she learned her special way to fold fitted sheets? Or did she clip it because it matched the technique she’d acquired or invented herself? She would never say. But her systematic laundering and folding of sheets is part of our family lore.

Just picture the linen closet: towels on one shelf, sheets on the other – all squared, fluffed and folded, even towers of perfectly creased cotton. And when you go to make a bed – any bed in the house – the fitted bottom sheet opens itself for the bed, effortlessly, without a single wrinkle.

And the smell, the perfume of all the things that fly in the country air: cut grass, morning dew, apple blossoms in the orchard, summer rain, fecund grapes before the harvest, an icy winter storm. I need only to throw one of those freshly aired sheets over my shoulder or to slip myself into a just-made bed, to re-live my entire childhood with one inhale. Those sheets are an olfactory map of my earliest years.

During the last months of her life, when she was weakening, my mother’s friends admonished her to stop. She should save her energy. It was too easy to fall on the porch, too cold to be out hanging the sheets on the line. She should use the dryer. But my mother persisted. She has always preferred the feel and scent of her line-dried sheets.

This last week, my sister and brother and I washed her sheets every other day, taking turns pulling them from the washer and hanging them outside on the line and bringing them in to warm before folding. We all have the intuition – inherited, no doubt – about when they have been on the line long enough, or when, after hanging inside, they are ready to fold. One of us would call the other into the dining room and in tandem we’d lift the sheet and stand, facing each other, following the steps as though our mother was whispering them to us from the middle of her steady, uninterrupted slumber in the other room.

It is unspoken, but we all know why we’ve done this. This is still her house. We honor her with every load of laundry. Each time the nurse’s assistant came to give a sponge-bath and change the bed, we knew that my mother, even in a semi-conscious state, would be comforted by the familiar perfume of her porch-dried sheets. It was part of our vigil.

Then, this morning, my mother took her last breath.

My brother – her son, the doctor – checked her vital signs. I reached for my iPhone to note the official time of death. My sister wrapped her arms around me as I began to cry. We waited for a long stretch of time, watching to be sure that she would not take another breath, that this wasn’t just some irregularity, that this was the end. When we were certain, we kissed her goodbye, one at a time, and pulled up the sheet to cover her motionless
chest, a sheet that, once they came to take my mother’s body away, was washed and hung on the line to dry. A sheet that, tonight, before bed, we brought in and draped over the backs of the dining room chairs to get warm and fully dry. A sheet that, tomorrow, we will pull and stretch tight, folding it solemnly, like a prayer.