Maternal Dementia

It could be any summer afternoon – in fact it is every summer afternoon, just about lunchtime, when it starts. The morning street, empty and fresh, fills up with people. The locals, shoppers and tourists mix together and the neighborhood comes alive. In our garret apartment there is a gentle buzz from below: the background hum of people talking and laughing and the sounds of glasses and cutlery in use at the restaurant terrace beneath our windows. An occasional motorcycle or impatient car horn breaks the white noise. Otherwise, we cease to hear it.

Until it starts: the squawking tones of an alto saxophone in the hands of a not-so-polished street musician. The moment I hear the first notes of Bésame Mucho I groan. A beautiful Mexican love song, written by a young woman who claimed never to have kissed anyone before writing it, I used to love this song, especially the Beatles’ version. Now it grates on me.

His playlist is limited and predictable. Bésame Mucho is always followed by the same bleak song, a bad rendition of a brooding melody reminiscent of old eastern Europe. Once heard, the tune remains fixed in my head for the rest of the day. Equally annoying: its title escapes me. I’m left humming the song to myself, then wondering, what is the name of this damn song?

~ ~ ~

Paris offers a menu of street music to satisfy anyone, especially tourists. The locals are too busy getting somewhere; we skirt around the upturned hat filled with suggestive coins. One avoids, if possible, those places where the cacophony of competing musicians and encircling crowds impede swift passage. The streets beside the Pompidou Centre, for instance, and the Pont Saint-Louis, the bridge spanning from Île St. Louis to Île de la Cité with its view of the Seine and Notre Dame‘s flying buttresses, these are prime locations to circumvent if you’re in a hurry or not in the mood for live music.

An unregulated métier such as this attracts a broad range of talent, from established orchestral groups with CDs for sale to a soloist accompanying music from a portable boom box by playing only the tambourine. In the summer it becomes so commonplace to see a musician or an ensemble set up on the street that it’s easy to ignore them, though harder to evade the crowd they might attract. Occasionally, though, there’s a gem. An accomplished violinist stands under the arches of the arcades surrounding Place des Vosges, her concerto echoes hauntingly and any passerby is compelled to stop and listen and watch her sway back and forth as she plays. An acoustic guitarist sits in a shaded doorway strumming you back to your best childhood memories.

Buddy-roo likes the guitarists the best, and has befriended several, somehow managing to win their favor and on occasion, finagle a free CD. She knows I’m a sucker for a good musician, so as we approach one she’ll turn to gauge my reaction. If the music makes me smile, she’ll beg me for a coin, and run over to put it in whatever basket or hat has been laid out to receive such appreciative donations. Sometimes we’ll linger, getting our money’s worth. Buddy-roo will sway beside me, or do a little dance if she’s feeling inspired.

“How do you decide which ones to give money to?” Short-pants once asked. She knows I struggle with whether or not to give money to people on the street. If I do, it’s usually to street musicians. Among these performers I have standards: some measure of talent, authenticity, and stage presence will motivate me to open my change purse.

“The ones whose music moves me the most,” I told her, “and the ones who seem really dedicated, who work the hardest.”

“Do you think I could make money playing my viola in the street?”

“Only if you keep practicing.”

~ ~ ~

It was almost eight years ago, when every morning and night for six weeks straight, De-facto and I traipsed across the Pont Saint-Louis on our way to and from the metro that took us to the children’s hospital, where we’d sit beside Short-pants for hours, waiting and watching for one of her doctors to come by and answer our questions. Each night on the way home, I’d call my brother, a doctor, to report the medical updates and he’d put them in layman’s terms for us. Once, he was describing the difference between meningitis and encephalitis, his explanation barely audible over an accordion playing La Vie en Rose.

My brother, hearing the music, stopped. “This is too surreal,” he said.

“Yeah,” I said, “but it’s also my sanity.”

The accordion player was there on that bridge nearly every morning and almost every night. It was December, cold and windy. And it was dark, not like the summer when daylight stretches way behind the dinner hour and crowds congregate on that same bridge eating ice-cream and watching street performers. Some nights we were the only people in sight, passing him on the bridge as his keypad swelled in and out, like it was breathing. Any coins I had in my pocket were left in the basket beside him, his earnest and constant commitment inspired my own; his music, as schmaltzy as it was, gave me hope for her recovery.

~ ~ ~

On rue Charlot, a small storefront window displays reed instruments of every type: clarinets, oboes, saxophones and other members of the woodwind family, and some flutes for good measure. The proprietor is a gentle-souled, soft-spoken man with a long face, appropriately solemn to suit the tone of the instruments he tends. I pass by often and I rarely see customers in the store, but he’s always there, diligently repairing the pads of an aging oboe or restoring the glory to an antique silver flute.

Short-pants and I walked by the other day, as he was removing the shutters from the window to open the shop. I told her I wanted to stop at the store to talk to him. He corrected me, in English. “Not a store, it’s a workshop.”

It is a workshop. Not only is the front window packed with instruments he’s repaired and refurbished for resale, there is every kind of saxophone hanging from the ceiling against every wall. Machines with clamps and fan-belts from the mid-twentieth century collect dust. Canisters of tools – some of them resembling those of a dentist – sit atop every workspace. The clutter of instruments, equipment, antique metronomes and loose sheet music is covered with a fine layer of dust. It is part factory, part studio, part museum.

We’d just come from a café up the street. A musician there, this one a trumpeter – or trying to be – had taken it upon himself to entertain the customers on its terrace. He had a little boom box with him, providing a cheesy synthesizer accompaniment. The last song he played before he was shooed away by our annoyed waiter was the very same haunting tune the alto-saxophonist beneath my window always plays after Bésame Mucho, the ear worm I can’t name.

I stepped inside the woodwind workshop, cleared my throat and hummed the melody to the craftsmen. I asked him if he knew the title.

Right away he nodded. “Shostakovich, the second waltz.”

I knew he’d know it. I thanked him profusely for answering the riddle that had been plaguing me, and quietly left a two-euro coin on his desk before slipping out the door. I hummed that waltz all the way home. It sounded different when hummed through a smiling mouth, not as melancholy – it was nearly triumphant.

Living in France, one is obliged to become expert at paperwork. There is no way to avoid it. At the start of every school year, I fill out no less than four pages of paper per child, each with the same basic parental and caregiver contact information. (I actually photocopied these sheets to use next year – even scanned it to my desktop – but I bet they change all the forms.) Every year, the same copies of the same vaccination pages from the cahiers de santé are required, stuffed and sealed in special envelopes. You’d think this would be a document that could live in a file cabinet – or a computer – in the nurse’s office. Mais non.

At every turn there is more paperwork. This could be said of any country but it seems particularly burdensome in France. Yet this is where we have chosen to raise our children. Both girls were born on French soil and both possess French birth certificates, a document with its own administrative quirks. After a baby is born, you have up to (and no longer than) three days to go to the local town hall, the mairie, to register the birth and obtain an acte de naissance. The hospitals dog you to attend to this detail in a timely fashion, one wonders if they are penalized if you fail to do so.

When you need to use this birth certificate, say, three years later, in order to enroll your child in the école maternelle, it’s no longer valid. You must return to the same mairie (in the arrondissement or town where the clinic or hospital was located) and take a number and wait to be called up to the desk where you make a request for a newly signed and dated version. This updated document can be used to procure whatever additional privileges you’re seeking, as long as you use it within three months, before it, too, is deemed invalid and another trip to the mairie is required.

Short-pants and Buddy-roo are both eligible for a special kind of made-in-France-resident-card, but De-facto and I haven’t gotten around to addressing the paperwork for it. The girls were born at the American Hospital of Paris, which is actually in Neuilly-sur-Seine, and it’s a bit of a schlep to out there to get a new copy of their actes de naissance. A neighbor told me it was possible to avoid the trip by making the demand on-line, and so this week I finally I forged through the website and found the form for an acte de naissance and filled in fields and scanned my own papers and pushed the button. A big red exclamation point informed me my application could not be processed unless I could provide a copy of the original birth certificate. I was able to dig out previous outdated originals and scan and attach them to the application. But isn’t it all a bit ludicrous? The very document I wanted to obtain was unobtainable unless I had a copy of it.

Maybe it’s just me, fed up with calling around to arrange this and that, weary of the forms and protocol I must fill out and follow, tired of jumping through hoops. I want to be done with the school meetings and sign-ups and last-minute school-supply runs. I feel like I’ve become a PA to my children, and I’d like to get on with my life. Plus a last-minute trip to the states – my mother’s house has finally sold and we must empty the last of its belongings – puts a press on my agenda and makes me impatient with the inefficiencies that seem to be standard practice here.

The viola teacher from the conservatory called to remind me to get an attestation d’assurance, proof of insurance, in order for Short-pants to be given an instrument. I asked her if we could have same viola as last year; it was actually a very good instrument and more importantly I already had the attestation de valeur, so getting the insurance would be easier.

“Non,” she apologized. Short-pants had grown and needed a bigger instrument. I asked if she could provide me with the name of the fabricant of the new instrument. “Mais, non,” she said, unapologetically, she didn’t have it. She didn’t know the maker or the value.

I explained that my insurance company couldn’t insure the instrument unless they knew the value. And they couldn’t know the value if I didn’t have a certificate from the maker. I’d need the name of the luthier so I could obtain this document, in order to obtain another document, in order to get the viola.

“I’m not allowed to give you the instrument until I have the attestation d’assurance,” she said.

“But I cannot get insurance,” I said, “until I have the instrument, or until you tell me the make and the exact value.”

I mean, she’s been doling out these instruments to students for years now. Doesn’t she know this?

The good news is that my insurance agency is a cozy neighborhood bureau that I’ve been going using for more than ten years. The very reasonable woman who works there immediately appreciated my conundrum and agreed to write a very general attestation of insurance for an instrument of the same value as last year’s. Then, she told me, once I could give her the real details of the new instrument, she’d adjust my policy issue a more official attestation.

Within 48 hours her letter arrived in the post, so I sent Short-pants off to her lesson with the paperwork in hand and she was given her new viola. After the lesson, the teacher nabbed me and dragged me into the office. I’d wanted to avoid any administrators, hoping I could get the official certificate first. I was leaving the next day for the week-long trip to the states, so I was deep in departure-preparation panic and not so interested in the time I would lose attending to a bureaucratic detail like this, a detail that was not at all a priority on the day before a voyage.

The viola teacher deposited me at the office and conveniently slipped away, leaving me to fend for myself across the desk from the austere and humorless functionaire who’s job it is to handle the insurance certificates for probably hundreds of music students. This can’t be fun, it might be Sisyphean, which would explain her comportment. A close inspection of the letter revealed its lack of specificity and gave her reason to remove her glasses and set them down before informing me that she couldn’t let us take the instrument if I didn’t have a more detailed letter of insurance.

I explained, again, the predicament. I have no idea how to say Catch-22 in French, but if I knew, it’s the phrase I’d have used.

“The teacher should have given you this information.”

“I asked her, several times,” I said, “but she didn’t have the name, or the value.”

“But she must.”

“But she didn’t.”

“But why not?”

“I don’t know,” I said, giving her my best French shrug.

“Well I cannot leave the instrument with you, then.”

I stood up abruptly and pushed in my chair. Short-pants looked at me wide-eyed.

“What am I supposed to do?” I said, “The requirements are impossible and all my daughter wants to do is play her viola!”

I think standing up did the trick.

She scratched “attestation provisionelle” across the top of the page in big dramatic letters, insisting I get a detailed certificate to her as soon as possible.

We walked out of that dim conservatory, squinting into the afternoon sun. Short-pants held my hand while I fumed quietly. It’s all such a waste of time. Shouldn’t each instrument come with its own attestation? Shouldn’t the conservatory have gathered this information? Why is it the mother’s job to do this paperwork? Did my mother have to do all this crazy-making organization for me?

A few blocks later, I stopped and knelt down in front of Short-pants. “I’m sorry I lost my temper with the lady at the conservatory. I could tell it frightened you.”

“It’s okay mama.”

“I’m a little bit on edge today,” I said. “Do you know why?”

“Because you have a lot to do before you go away?”

This was surely part of it, but it’s not the real source. All week I’ve been a bit impatient and emotional.

“It’s because I’m going to clean out the furniture and the final things from Grammy’s house, and I’m sad and nervous about it.”

“I understand.” She leaned in and hugged me tight. “But look, I got my viola, right?” She stepped back, raised the instrument case up into the air and smiled, victoriously.

She had a rehearsal, for the school play, an abridged version (thankfully) of the Wizard of Oz. Short-pants is Glinda the Good Witch of the North in one scene, and she plays the Scarecrow in another. It’s a brilliant touch, I think, to cast several children in each of the roles: it cuts down on the pressure to memorize an entire script and gives many kids a chance to star. Buddy-roo is, of course, one of the Dorothys, and has perfected the turn of the ankle that shows off the ruby-red-slippers. But that scene wasn’t being rehearsed this weekend, so I had only Short-pants to fetch.

The rehearsal, it turns out, was held at an apartment just two blocks from where I lived when I first moved to Paris. Walking along the streets of the neighborhood, a gale of memories blew in, not quite as fierce as Dorothy’s voyage through the cyclone, but just as vivid. All those familiar faces and feelings that come when you return to a place that was once yours. I had sub-let a fantastic 100-square-meter Haussman-era apartment, decorated in an arty, eclectic style that suited me perfectly. I remember moving in and feeling at home in an instant.

The residue of those early days in Paris stays with me. I used to pinch myself to make sure I was really here. I’m sure I was a lot lonelier than I ever have would have admitted to myself; the thrill of living in Paris can keep you from realizing how unhappy you might be during those first months of adjustment. In retrospect, I had my share of uneasy-and-really-alone moments. But, oh, what I wouldn’t give to be that lonely again.

Saturdays were different then. Morning started at noon, and if I happened to be awake before twelve, it was only to make coffee and slip back into bed. I read all the time. The pile of “books on deck” much more reasonable than it is now, as it spiders off my bed-table and onto the floor in multiple piles that I never seem to read through. When I’d finally venture out of the apartment, it was often with no particular destination in mind. I explored the main boulevards in each direction, wandering off side streets and into alien neighborhoods. I walked the city. I’d stop at a café simply because it looked inviting. I ate lunch or I didn’t. I’d explore until I got tired and then I’d find a metro station and make my way back home, sometimes staying out until it was late and dark, but having followed every single whim of mine, all day long.

Sometimes there’d be lunch dates, lovely long appointments without boundary. We’d linger as long as we wanted after the café had been served, then go window shopping or stop at a gallery or just walk and talk and then go somewhere else for another café or a carafe of wine. There wasn’t anything else to do. At that time, my job involved work that could be completed during the week. My workday ended when I was done with work, not when the kids were done with school; those last precious hours of productivity before a typically late dinner meant I rarely had to work on the weekend. Saturday was just a day for me. To go out, or stay home, to do nothing in particular, to do whatever I wanted. On my own clock.

These days, I’m usually trailing the kids to some activity, eyeballing those single, childless people at café tables in the midst of their extended lunches and leisurely afternoons with no small amount of envy. I can still make lunch plans with friends – and I do – but it’s different. There’s a window of time. After a few hours, as delicious as it’s been to sit out at the terrace and eat and drink and people-watch, there’s always something nagging at me. There’s a clock ticking. I need to be home by 3:15 because De-facto has something he has to do, or I promised Buddy-roo I’d do a project with her or it’s just not fair to leave one parent in charge all day long without at least touching base. I can’t remember a Saturday where there wasn’t an gnawing itch of something I ought to be handling: getting a child to a rehearsal, a play-date, a birthday party, addressing paperwork that I couldn’t get to during the week, monitoring homework, drafting that thing I’m supposed to write, cleaning out that shelf, going through that pile. There’s always something or somebody that needs taking care of.

But this Saturday actually had a tinge of something from those earlier, freer weekends. I picked up Short-pants at her rehearsal and we set out. She was on her scooter, speeding ahead, but stopping at each street crossing and waiting for me to catch up. We walked home via Lil’ Weasel, a tiny knitting store in one of Paris’ charming off-the-tourist-path passages to pick up some double point needles she’d been asking for. We meandered for a while, stopping to look in store windows. We sat at a café and shared a panini for lunch, making up stories about the people who walked by. We went by my new favorite store on rue Rambuteau, La Pistacherie, its shelves stocked with apothecary-shaped jars of nuts of every kind, each one salted or spiced or enrobé with cheese or wasabi or some eccentric ingredient. We test-tasted as many nuts and berries as the store-keeper would let us, our eyes widening at each treat he offered. We walked to Ile St Louis and sat on the curb watching a buskerer let loose enormous soap bubbles in the wind.

We ended up meeting De-facto and Buddy-roo at the school courtyard, open exceptionally this last Saturday to host a vide grenier for people who took seriously enough their spring cleaning to have brought belongings to be sold at the school-sponsored flea market. A friend visiting Paris (the spring visitor season has officially commenced) joined us and we wandered home, almost aimlessly, stopping at an ice-cream kiosk for a treat. The sky was mostly sunny blue but for that one very dark cloud hovering just above us; we had to take shelter in the doorway of a church during the 6-minute rainstorm-in-the-sun. And then, slowly, we made our way home.

It was almost like the good ol’ days. Almost. Okay not really, but at least Saturday afternoons are no longer hampered with diapers and naps and hungry melt-downs. I should know better than to compare my life now with life before; better to be present with the current reality and look forward to what’s ahead. Maybe I’ll get those lazy all-about-me Saturdays back, probably just about the time I won’t want them anymore.

Hand in hand we walked across the bridge, oblivious to the Seine beneath us or Notre Dame’s buttresses stretching out behind us. We were too absorbed in the volley of our spelling practice. I’d pronounce a word, and Short-pants would spell it out. Another word, another spelling out.

“P-R-E-F-E-R-E-N-C-E,” she spelled, with pride, “because the vowel you prefer is an E.”

It isn’t really, and I don’t favor any letters of the alphabet in particular, but these are the sorts of devices we came up with to correct the mistaken words, funny little stories or tricks to remember the spelling. Short-pants was batting nearly a thousand, the only word she missed on the walk to the Paris Spelling Bee was the word feud, which I realized we probably hadn’t quizzed her on because it’s short and therefore ought to be easy. These are the words that get you, the ones you don’t bother to study. And feud doesn’t follow the when-two-vowels-go-walking rule, so it’s tricky.

“Do you know what feud means?” I asked her. She didn’t, so I told her, “It’s a fight that goes on for a long, long time, like a feud between two families that lasts for generations.”

“It’s like the vowels are fighting,” she said, “because the first one’s supposed to do the talking but instead the second one is.”

That’s a good way to remember it.

At the school where the preliminary competition was held, English prevailed. The French don’t really do spelling bees, and this friendly contest is organized by three anglo-oriented organizations: Gifted in France, the Roaming Schoolhouse and The American Library in Paris. That library is a resource that I forget to use. It’s too far away – across the river on the other side of town – I feel like I need to take my passport to get there.

We ran into only two acquaintances while we were waiting for the competition to start. The spelling bee is not obligatory and none of Short-pants classmates were keen to participate. But she was; her enthusiasm from participating last year had not waned, despite the fact she hadn’t made it beyond the first round. She’d been eager to sign up again and appeared to relish the occasions when we’d grill her on the words, not all of them easy. Salutatorian? Eviscerate? She’d rattle off each letter and then I’d say, “Do you know what it means?” The answer was usually no, so I’d try to make an easy definition for her, one that might help her remember the spelling. We’ve learned a lot of vocabulary over the last weeks, too.

The preliminary test was a written deal, so the students assembled were prepared to write twenty-five words and ten bonus words for tie-breaking purposes. The shortlist of finalists compete orally, in a stand-up-and-spell event which is coming up this Sunday, March 20th.

Children and parents milled around, last minute quizzing and pep talks before the students were invited to enter the classrooms for their test. I heard one woman round up a gang of girls, one can only assume that she had a couple of daughters and maybe she was chaperoning some of their friends – it was hard to tell and I hadn’t paid much attention until I heard her say, “Okay let’s rock it, girls. I didn’t come here today for nothing.”

Indeed, spelling is a competitive American sport.

My parting words to Short-pants, I’d like to think, a bit more reserved: “You’ve worked really hard. You’re ready. Go give it your best and try to have fun.”

“And relax!” she added, parroting something I said to her the night before. That was my father speaking. He’d counsel me to prepare for a test ahead of time, and then, the night before, go to a movie, just to relax. I never managed to follow this advice, but I always thought it was a good idea.

~ ~ ~

“How do you spell significant?” My sister’s response when she heard the news that Short-pants had qualified for the final round of the spelling competition.

“S-I-G-N-I-F-I-C-A-N-T.” Short-pants rattled off the letters, and this wasn’t even on the new list of words she had to memorize. Between the list for the first written round, and another list for the final oral round, Short-pants has perfected her spelling of nearly 600 words during the last two months.

My sister seemed genuinely impressed.

“Do you know why I asked?” she said. Short-pants couldn’t guess.

“I was in a spelling bee once, too. That’s the word that kept me from winning.” My sister, just like De-facto and I, had brushed close to victory in the final round of her spelling bee, but had been knocked out of the competition by a word she would then spell correctly for the rest of life.

Short-pants laughed out loud. “Oh, like mama misspelled alcohol and papa went down on crocodile.” She proceeded to spell both words without error.

~ ~ ~

I’m a long way from home. It took me 26 hours in the air and three travel days to get to New Zealand. Twelve time zones ahead, I watch the sun rise on a new today while I know it’s setting on yesterday back in Paris. I picture De-facto and the girls going through the evening routine of dinner and homework while I’m getting dressed for the day and heading to breakfast. It feels like I’m in the bow of a long, long boat, with the rest of the world aft in the mid-ships and stern. There’s even a digital delay; every morning I wake to dozens of emails that have accumulated while I slumbered. I answer them and then my computer remains quiet until the evening. It’s rather nice for concentrating and focusing. A bit eerie, though.

I’m not a whinging traveler, I take great pleasure when I’m en route and I have never minded traveling alone. This trip has put me with good colleagues and intelligent company. I’ve been on a bushwalk around the geothermal reserve park at Hells Gate (so named by George Bernard Shaw because going there shifted him from atheist to believer); I’ve been treated to a Māori hangi dinner and cultural performance that threatened to be touristy but ended up just being delightful; I saw the southern cross, and I understand now why I came this way.

But I have to admit – possibly due to the unfolding catastrophes in Japan – I’m feeling a bit uneasy. When things go haywire in the world, I think it’s a natural instinct to want to draw your loved ones around you. Only my arms won’t reach that far.

Because of the time difference and my busy agenda here, the overlap of awake and available windows for chatting with my family are narrow. I’m left to spell out my affection in emails. Because of the distance traveled, it makes sense to stay on a while (with De-facto’s blessing) to visit friends I’ve long wanted to visit. But that means I have to send my “you worked hard, give it your best” pep-talk to help Short-pants gear up for this weekend’s spelling bee via Skype. I’d rather be closer. But I’m not.

So I’m hoping you might help me out. Would you leave an encouraging word in the comments section for Short-pants, to let her know you’re rooting for her to do well at the spelling bee? A little support, advice, affection, some cheering-on, whatever comes to mind – it’ll help me feel better about missing the event, and it might give her a boost until next week, when I get to make a bee-line back home.

The ceremony was short and sweet. French civil weddings have little to do with romance and everything to do with the legal, functionary details, though the Mairie IIIeme de Paris has a certain flair and managed to make this usually-dry ceremony at least a little theatrical. Outside we congregated in front of the ornate doors waiting for the bride and groom. They presented themselves in wedding-cake-ornament style, emerging to applause and showers of rose petals. “Suivez-nous!” They called us to follow them down the street. We fell in step behind them, small clusters of friends and family strolling down rue des Archives, not quite in a line, not quite together – more like a casual, clumpy parade.

They led us to the Musée de la Chasse et de la Nature, a grand hotel particulier. It is a museum (of hunting and nature) but it is also rentable, with the right connections, for special occasions. We were directed through its magnificent rooms, replete with stuffed, mounted heads of hunted game and several wild animals revived by taxidermy – even a tiger and a giant polar bear donning elements of the bride’s veil for decorative effect – and ushered out the back doors into the garden where the black-and-white clad waiters held out trays filled with tall flutes of champagne.

It was all perfect. Perfect because the bride was stunning and the groom had style. Perfect because of the setting, the elegant backdrop of a manoir and its manicured, labyrinthed garden, the cloudless summer evening sky and the approaching sunset. Perfect because of the eclectic mix of French and English conversations. Perfect because I looked around at the friends of the bride and groom who’d assembled to celebrate, and I thought to myself, what a lovely collection of people. How lucky we are to know them.

When you live as an expatriate in a transient city like Paris, you make friends in cycles. There’s the first set, made up of anybody who’ll have you, basically, because you’re new in town. This evolves into a more deliberate circle of friends with bonds that form because of common interests. Just when those friendships seem to be cemented, someone moves away. Another friend, who was perhaps on the periphery before, steps into the place made empty by the departure and brings along other friends and the circle grows. Then people move away and it shrinks again. That couple that became your best friends, they get transferred to Cambodia or they move to Boston or return to New Zealand or god forbid they break up and the circle of friends has to adjust to accommodate the change.

This happens everywhere, to some degree. But in a foreign capital that attracts voyagers and wanderlusters, the landscape of friends shifts more often than usual. It’s like living on a fault line, with tectonic plates of friends and acquaintances in constant motion.

We do have some very affable French friends whom have warmly welcomed us to their land and their habits of wine and cheese and all-of-August-off. We are part of a cool and creative association of fine colleagues who are also good friends. But the community we most easily identify with is expatriate. We are not French, we are other, or at least in-between.

When I first used to take the girls to school, I was just a drop-off-and-go-mom: I’d cheerfully greet any familiar parents encountered but otherwise I’d hop on that velib’ and get back home. Those uninterrupted hours while they are at school seemed too scarce a commodity not to be maximized to their fullest. But De-facto, he’d hang around, waiting to watch the girls as their teachers escort them from the courtyard to the school building, waving at them as they pass two-by-two like animals marching to an ark. In the meantime, he met more parents. He chatted and went for a café. He became a regular in several overlapping coffee klatches. He made friends.

And then it happened. A group email included our addresses and we were invited to join a dinner and dancing get-together at a club. A few weeks later we got an invite to a birthday party. Next we were invited to the wedding. We’d been absorbed.

I love this community of bilingual parents. It’s not a clique of expats who cloister themselves and lament about how things are better at home. This tribe is made of couples where he’s French and she’s English, or she’s French and he’s American, or they’re both Brits but weaving their lives into the fabric of Parisian life. What binds us is just what differentiates us in our home countries: having chosen consciously to live outside the borders of our own culture and to (sometimes) struggle through this one. We worry about our kids and how they’ll survive the French school, we compare notes and help each other and laugh at ourselves as we cope. We’re also just the right amount of wild and ready for a good time. For instance, last Saturday night this very gang congregated at a small club not too far from the Bastille. Some of us were twice as old as the younger patrons but we were the ones who moved the furniture so we could dance, and we were the ones who kept shouting for more volume on the music.

To be invited to the wedding of our new friends (and incidentally, both bride and groom are French) felt like a great privilege. I looked around and thought, damn, these are fantastic people. They are like me, but they are different, and in the most interesting ways. They hold the codes of their own cultures and ways of speaking English (sometimes unintelligible though it’s the same mother tongue), but they have chosen to live this adventure in France despite the fact that it is not always easy and it puts them far away from family and childhood friends.

The cocktail hour lasted for hours. We were hungry but we started not to care. People moved around and mingled; the clusters of friends and family formed and reformed into new conversations. The waiters kept pouring champagne. The laughter of the guests grew louder, wilder. The sun lowered its head on the horizon and the indigo sky uncovered the first summer evening stars. Dinner and dancing still to come, the night was young and we were among friends.

I’m participating in Reverb10, and this post is in response to a prompt from author Cali Harris: Community. Where have you discovered community, online or otherwise, in 2010? What community would you like to join create or more deeply connect with in 2011?

Summer is when routines get interrupted. The daily grind of getting little girls to school is suspended. The constant rigor of a weekly schedule is relaxed. Bedtime is fudged, partly because in France the sun sets so impossibly late during the months before and after the summer solstice that the kids won’t believe that it’s time to go to sleep. Mornings, for the most part, are easy going: we wake up when we wake up. De-facto and I have very little work. Only our uncivilized American clients schedule projects in July or August and we do our best to minimize our participation in such gainful activity when it’s summertime.

Yet within our routine-less summer we quickly develop routines. I go to Pamplona every July. Then I join De-facto and the girls at the country house for the rest of the month. We return home to catch up with our on-line lives, take advantage of the Plage and the quiet of Paris in August. The real truth: we come home so we don’t miss out (too much) on what has become a big routine in our building: the infamous courtyard lunches.

Most of the owners and tenants go away for most of the summer, and those who stay are congenial or at least cooperative and don’t mind that nearly every other weekend, it seems, Ricky and Lucy host a courtyard lunch. Their apartment opens directly on to the courtyard, and their adjustable table is easily moved outside and strategically positioned near the stone wall of a raised flower bed, making for extra seats to compensate for their lack of chairs. Ricky is the most expressive cook among us and happily carries the burden of providing eats. He can do things with tomatoes and olive oil that would drive any foodie to brink of ecstasy.

There’s nothing as pleasant as those very first moments, when people arrive: Ricky sweats over hot burners in his kitchen, stepping out to the courtyard and greeting guests with a dishtowel thrown over his shoulder. A glass of something, usually bubbly, is thrust into your hand and then one by one, plates appear on the table with delicate combinations of Mediterranean ingredients. There’s always a little surprise: mint replaces the basil on a tomato bruschetta, a spoon of virgin olive oil teases the essence out of the canteloupe. These intriguing flavor blends generate no shortage of oohs and ahhhs around the courtyard table.

The champagne – though this past weekend the aperitif was a watermelon cocktail with a vodka kick, and then we had champagne – is eventually replaced by wine, often rosé in color, and this flows steadily. Just when we think Ricky has fed us already too well, he’ll produce a risotto or something with seasoning and ballast that nobody has room for but nobody dares to miss. It’ll be too good.

Neighbors who pass through the courtyard on their way in are spontaneously invited to join us. Those on their way out are inspired to return, and often do after stopping at a local wine seller to contribute to the table. In this fashion, the lunch that starts at 1:30 or 2:00 often bleeds into the evening; sometime around 8:30 or 9:00 Ricky disappears again into his magic kitchenette and produces some kind of pasta concoction, a bit of sustenance – or absorption if you like – to carry on.

It’s rare that a courtyard lunch finishes before midnight.

While all this is going on, our children are not totally forgotten. When she’s not dancing around the courtyard, Short-pants plays waitress and has been known to carry around a sign that says “Please give me some work to do.” Buddy-roo hides out in the bedroom loft, watching consecutive Barbie movies that she’s only allowed to watch one-at-a-time, once-a-day under normal circumstances. Sometimes that big doll makes an appearance and everybody groans but she keeps the girls occupied and this is only one of many reasons that I have not yet found a way to make her disappear from our lives.

There is a moment, however, that marks the true spirit of the courtyard lunch. It’s around 5:00 in the afternoon when the oven begins to emit the most remarkable aroma, a sweeter-than-anything-your-grandmother-ever-baked perfume that makes everyone stop their bantering and storytelling. Hush Sweet Jesus the toaster oven is on bake. We all turn to Lucy. She nods her head affirmatively – smugly in fact – and the courtyard erupts into cheers, “Cake in a Bag!”

Of course Ricky’s culinary prowess is admired and appreciated – even lauded. His effort is the cornerstone of courtyard lunches. But Cake in a Bag, it’s too divine to describe. Lucy makes it all seem so…effortless. After all, it is: open the bag, pour in the pan (okay, and add her secret ingredients) and bake.

Ricky sighs, shakes his head, throws the dirty linen tea towel over his shoulder and shuffles into the kitchen to brood. But his theatrics last only for a moment before he returns to the fold of his friends and he is once again in the routine of the charming host, offering us more wine or a strong shot of espresso. He always comes back, and sometimes he’ll even eat a piece of cake.

If there’s any left.

We walked down the stairs to the metro platform, boarding the train while eating a gouter of peanut-butter and Nutella sandwiches. Two stops later, at Chatelet, we exited the train to make our way through the tunnels to the neighboring station of Les Halles and the entrance to the Conservatory. It’s not pleasant to be underground for so long, but it’s the most direct route and it avoids waiting at crosswalks and inclement weather.

Between the two stations there are two long tunnels, both with a moving walkway to assist commuters with what feels like an endless walk. The usual rules apply; stand to the right, walk to the left. The second walkway has a rather steep ramp just at the beginning, inspiring a game that has made the tunnel journeys a bit less boring. Singing a long steady note, we hold hands and jog down the ramp, making a funny noise that gives us a good giggle. It’s kind of silly, but we invent these things to distract our children – and ourselves – from the drudgery of such a commute.

This week De-facto has business out of town, so yesterday I had both girls in tow when I took Short-pants to her music theory class. Remarkably, both of them got out of school on time and at the same time, so our journey from the school to the conservatory was made, for a change, at a reasonable pace, contrasted with the usual press required to get there by 5:00.

As we approached the ramped moving walkway, Buddy-roo let go my hand and charged ahead. There were very few people on it, so I let her go. She ran down the ramp, gleefully singing. Short-pants and I followed, in harmony. Buddy-roo was speeding right along when I realized she might need help stopping. Usually I’d be holding her hand, but because she’d rushed ahead, I wasn’t there to steady her.

She grabbed on to the railing, a good instinct except for the railing on a moving walkway is perpetually in motion. Buddy-roo’s feet tried to stop, but her hand kept going, dragging her body with it and whipping her face against the metal siding. By the time she actually fell, I was there. But it was too late. Within seconds, the side of her face, just under her eye, was swelling. A black eye had been born.

Shrieking isn’t enough of a word to describe the noise coming from her. I pulled her over to the standing lane of the walkway, held her and let her wail – what else is there to do – and watched the small red bump under her eye protrude from her cheek and spread left and right. Short-pants made a college try at consoling Buddy-roo, except the things she was saying, like, “it’s getting very red,” or “your eye is hardly open now,” served only to upset Buddy-roo further, prompting me to ask Short-pants, as nicely as I could under the circumstances, if she could just be quiet, which I managed to do a bit too firmly, it seems, so that she, too, erupted into tears.

At the end of the walkway, I steered both girls off to the side of the corridor so we could calm down and have a better look at things. This is when Buddy-roo, by now in hysterical tears, managed to gasp, “and I’m still sad about Grammy.” Buddy-roo tends toward the dramatic, and lately, any time she gets hurt or reprimanded, she falls into tears and often invokes my mother’s death as a reason. De-facto says that sometimes when you get sad it makes you think of other sad things. That is true. Sotto voce: I’m just not sure if it’s always true for Buddy-roo.

What I told her: I miss Grammy, too. What I was thinking: If my mother could see me now, squatting like an idiot in the metro tunnel, with two bawling children and now I’m crying too and I feel lost and at a loss about what to do next. (This is a perfect occasion for missing your mother, whether she’s alive or not).

And then, it hit me: Get thee to a bar. That eye needs ice. Now.

I dragged my two crying children through the metro – you can’t imagine how many turnstiles and corridors and flapping doors and escalators there were before we could find sunlight – with people staring at us, all three of us in tears, one of us with a puffy eye. “No, I didn’t hit her,” I found myself muttering under my breath, wishing I could just undo that one tiny second. If only I hadn’t let her run down that ramp. Why do I always get it wrong? I end up scolding them when I should let them play, and here I was playing when I should have been prudent. It’s like I’ve been away so much the last few months, I’ve forgotten how to mother.

I managed to deliver Short-pants to the conservatory and then Buddy-roo and I limped over to a nearby café. The barman recognized me (this is why it’s good to have a local café in every arrondissement) and did his best to restrain his reaction to the swollen eye. We lay Buddy-roo down on one of the banquettes with a towel of ice against her face. I took a deep breath.

This morning the eye was swollen and purple. Buddy-roo slammed the toilet seat down and climbed up on it to examine herself in the mirror. The tears were unavoidable. It made me remember the day I got braces, the same day as the 7th grade dance, and how I stared at my reflection, horrified by my metallic smile. Nothing anyone could say made me feel better.

So I didn’t say a thing. I gave Buddy-roo the biggest hug I could and rocked her back and forth. Which is what my mother probably did for me, that day I got those ugly braces, knowing words offered no consolation. Which is what most mothers know to do, which is why when they’re not around to soothe us with that knowing, silent hug (which is all we really need anyway) we miss them that much more.

Each ticket costs two euros. You can buy eight tickets for ten euros. So, knowing that the summer was ahead, knowing how the girls love a good turn on a merry-go-round, fully believing that we’d absolutely use all these rides on this carousel at some point over the summer, I went for the deal. Eight white, plastic, rectangular tickets slipped toward me through the half-moon opening in the Plexiglas window. Two of them then immediately dispensed to Short-pants and Buddy-roo, who’d waited (relatively) patiently while I made the transaction.

“Hold on to the ticket until the man comes to take it from you,” I said. “And don’t lose it,” I added, injecting a little menace into their amusement. (In my defense, it is all too easy for a five-year old to manage to lose a ticket in the span of ten feet and twenty seconds.)

The children scrambled on to the carousel. When it was nearly full, and there were no other apparent riders-in-waiting, the man came out of his little ticket-selling booth and maneuvered his way around the horses, ponies and carriages, collecting a plastic token from each excited child.

I stood aside, admiring my daughters and their whole-bodied joy as the creaky, century-old menagerie began to spin around and around, eventually gaining speed. The calliope tooted and chugged like a little engine that could. At each pass, I waved to the girls like it was the first time I’d ever seen them go by.

When it slowed to a stop, a chorus of cries and pleas. “Again! Can’t we go again?” I succumbed with a firm, “just one more ride,” and they scrambled back on to the platform, rushing to select a different horse, a more coveted one, one with a pink saddle or a golden mane. (Actually, Buddy-roo chose a pink-colored pig.)

After two dizzying rides, and despite their desperate requests for another turn, I took their hands in mine and dragged them home. Later, I pulled the remaining tickets out of my pocket and put them on the shelf by the door, in a little basket that is the depository of paper clips, metro tickets, coins of minimal value, grocery receipts and other little pieces of nothing that get picked up during the day and that seem, when we clean out our pockets, too precious to discard.

That was a few months ago.

On Saturday – in a proud non-dementia moment – I rifled through that little basket and extracted the remaining unused carousel tokens as we set off to do some errands. Knowing there was a reward for good behavior, the girls dutifully followed me to the dry cleaner, the photo shop and the pharmacy, discussing all the while which animal they would mount once we arrived at the menagerie.

Since I’d broadcast the fact that I’d actually remembered to bring those leftover tickets, the girls thrust their greedy palms toward me the moment the carousel was in view. I produced the two little plastic rectangular tickets. “Hold on to them until the man comes to take them,” I yelled out after them. And then because I really can’t help myself, “hold on to your ticket!”

They ran – cheering in unison – to find a horse to ride. When the ticket-selling man left his little booth and stepped on to the platform, circling the carousel to collect the tickets that he recycles day after day, selling and retrieving them, Buddy-roo pressed her white plastic ticket into his hand.

“Non,” he grunted, “Ce ne marche plus.” It’s no longer valid.

Buddy-roo turned to me, her eyes in a wide panic. I stepped up to argue with the man, protesting that I’d bought them here, on this very carousel. In fact, he was the ticket vendor who’d sold them to me.

“Mais oui,” he said, holding up a handful of red plastic tickets. He explained that the carousel has changed management for the season, and they no longer honor the white tickets. Even though the same name (of the menagerie) is written on the tickets. Even though they’re identical except for the color. Even though I protested that I purchased them less than three months ago. Even though both my daughters were on the verge of tears, he shook his head without any apparent remorse.

I had no choice. You cannot vote with your feet when your children are tearfully clutching the reigns of a brightly painted wooden horse (or pig). I followed him back to the booth. “How much?” I asked.

“Two euros each. Or eight for ten euros.” He smiled, showing the gap where his teeth were missing. I pushed a crisp 10-euro note through the hole in the window and watched him count out the bright red tickets and pass them back to me.

I was (still) on the rue Pastourelle, refusing to believe that the silversmith shop was no longer there. Like being relentless about looking for it would make it reappear. I’d finally gotten around to taking my ring to be repaired and my mission was being thwarted. I didn’t want to give up.

A few doors down from where (I think) the orfèvre used to be, I saw a sign for an atelier, some kind of metal workshop. It looked aged, like it’d been there a while. Maybe because they work with metal, they could do it. Or they’d know someone who could.

A loud buzzer opened the door and let me into an amazing world of little metal pieces. I asked about the whereabouts of
the silver shop. (Yes, it was a few doors down. No, it’s closed now.) Then I was compelled to inquire, “What exactly do you do here?” It seems I’d stumbled into an archive of metal stamps and stencils. A fantastic display of little bits of brass and metal with all manner of designs or messages used for printing and molding. Some of them even date back to the French revolution. Who knew such a place existed? And that it could employ three people?

But did they know another silversmith? There was some talk between the three of them, and then a recommendation. Down the street, just keep going straight, for many blocks, until you cross the boulevard. (Which boulevard? Just the big boulevard.) Not on rue St. Sebastian, but look for the Passage St. Sebastian.

And so I walked. The street names changed but I stayed the course and then sure enough I came to a boulevard and crossed to the other side where I saw the street I was told to avoid and hunted for the passage I was told to find, which is where I came upon a hidden city of ateliers and workshops.

Walking down the cobblestone alley I could peek in the doors of all the workshops and artesian micro-factories with their Dr. Suess-like assembly lines. Up a dirty staircase, a lime green door screamed at me, and then beyond it, another door – in a location so obscure I would never have found it had I not been directed – with the name of my destination: Cendor.

And now I know Mario. Apprenticed at 14-years old, he’s been a silversmith for more than 50 years. I showed him the broken
silver ring that had been my grandmother’s. He cared about the story. I also brought along my silver medallion of San Fermin, patron saint of Pamplona, to reinforce the loop for the chain. So he switched to Spanish and he rattled on about his love for Spain, his homeland.

He offered no receipt for holding my items, and just a few gruff instructions about when to come back. But I have the feeling my silver is in good hands. I have found the orfèvre of my dreams. Not the same one I was looking for. But better.