Maternal Dementia

At dinner that night I glanced down at my watch to see that it was nearly half-eight. That’s 8:30 in the morning home in Paris. I’d meant to call the girls during their breakfast, to catch up in general but especially to wish Short-pants well for her viola recital that evening. I leapt up from the dinner table and rushed to the meeting room, where I’d left my computer. I punched the phone number into Skype, counting each hollow ring, one after the other, until our message machine picked up. I tried the babysitter’s number, too, her phone providing the same lonely sound with no answer either. She was probably already walking them to school.

So many times had I said out loud to my colleagues I must call the girls tonight so I reach them at breakfast. How hard can it be to remember one simple promise to myself? Pretty hard, apparently, as the dinner conversation with colleagues and clients – accompanied by a glass of wine – distracted me enough to miss the thin window of opportunity to talk with them. Another example in my list of failed parenting moments.

Except it was about to be Thursday for me, Wednesday for them, the day they get out of school at noon. So I figured I had still had a chance to wish Short-pants luck before her recital if I could just stay up until half-past midnight to call and reach them at lunchtime in Paris. But my eyes were drooping shut by eleven o’clock, I surrendered to sleep fast and heavy – as one does within the wake of jet-lag – but at least I’d set my alarm, which went off shortly before 1 am.

“Mama!” Buddy-roo’s enthusiasm at hearing my voice, instant reassurance that they hadn’t forgotten me.

“Hey,” I said, yawning and groggy. “How are you sweetie?”

“Mama, when are the Fisher Price toys going to get here?”

These old toys of mine were sent with the other things from my mother’s house, a shipment that left the states in October and has not yet cleared European customs. I assured her that I’d filled out all the paperwork and I was just waiting to be given a delivery date.

Her enthusiasm disappeared for the rest of the conversation: How are you doing? Fine. How was school? Good. Did you have fun at the birthday party last weekend? Yes. I opted not to ask about homework, as much of a chore this year as last. We dog her enough about it, that there’s nothing I can do from so far away to move things along. Best not to touch upon a sore subject.

“Can I talk to your sister?”

I heard the phone clunk down on the counter and the footsteps the followed as she ran off to get her sister. I desperately wanted to speak to Short-pants before her concert to let her know I was thinking about her, so that she’d tune her viola knowing that, even from far away, I was rooting for her. Mostly that she’d know she wasn’t forgotten. It’s hard enough, I think, to have an event like this that your parents cannot attend. Worse if it goes by without a crystal clear message that being absent doesn’t mean uninterested.

Short-pants came on the phone.

“Are you ready?”

“Yes, Mama,” she said, “I’ve practiced every night. I know it by heart.”

This conversation an echo of so many exchanges from my childhood. Within it I heard my father’s carefully chosen words to acknowledge preparedness over perfection. And her response, like mine probably was, couched with the intent to please. Add this moment to all the rest – good and bad – where you catch yourself parenting as you were parented.

As a young violist, just about Shortpants’ age, I remember my father once complimented me after an orchestra concert and I told him, with some embarrassment, that I’d actually lost my place during one of the pieces.

“What did you do?” he’d asked.

I told him how I’d faked it until I could find my place in the music and rejoin the rest of the orchestra. I remember his long fingers, pushing his glasses up on the bridge of his nose to adjust them as he summoned his thoughtful response.

“It’s not the fall,” he said, nodding, “it’s the recovery.”

This advice I’ve passed on to others, but I seem to forget to apply to myself.

Despite all the self-talk about how the kids are fine, they’re better adjusted because we’re not hovering over them all the time, how seeing us go away and return is good for their self-esteem, how they’ll be more independent as a result, the truth is I feel like shit about missing this recital. It was her first one ever, and I wasn’t there. I wish I could have beamed myself home, and that it wasn’t the babysitter and her family who’d be there clapping in the audience, but me and De-facto amongst the other proud parents.

I could hear Buddy-roo crying in the background, asking to have the phone back. I reminded Short-pants how much I love her and told her to break a leg, an odd turn of phrase to use, given that her broken leg at age four had its own complications. But she knew what I meant.

“Why do you have to be gone so long?” Buddy-roo asked, through tears. I told her it was because I had to go so far away. It was hard to console her, knowing I had still another full week before I could even say I’ll be home soon.

“When you get back home,” she said, “then will the Fisher Price toys come?”

I assured her they would.

“Okay,” she said, composing herself. I may have fallen from her good graces for being gone so long, but I think I know just how to make a full recovery.

I called first. Yes, the store was open all day, until six. Yes, they had archet d’alto. The woman on the phone – I learned later that her name was Odile – asked me a question that would save us both time: what was I willing to spend? We agreed on a range, which was even a bit less than I had expected to pay. I was glad to know I could get a good viola bow without breaking the bank. I am an amateur musician, so I do not need top-of-the-line. But I was once a decent violist, and mine is a fine enough instrument to merit a bow that will make it sing.

There is a feeling that accompanies you when you carry an instrument, a kind of musical legitimacy that is not only broadcast but that is confirmed within. Walking down the street with viola case in hand, I had a kind of visceral nostalgia – not just a memory, but a replay of the feelings of that long ago time, fierce and full-bodied; I could feel exactly what it was like to be at a rehearsal. The faces of all my orchestra friends right beside me, looking up at the conductor as he scratched his beard just before raising his arms and snapping the baton. Those boys I had a crush on, the ones in the horn section, I could see them all, under that one forever-flickering fluorescent light in the back of the rehearsal hall. I was right there again, with all the harmonies and hormones of my youth orchestra experience, all this just from holding the handle of my instrument case.

It’s been almost two years since my bow broke, ironically only a few months after taking my viola in to be totally refurbished after years of not playing it. Short-pants would practice for her lesson and I’d wish I could pull out my instrument and play, too. Sometimes the pieces she’s assigned have two parts and she’d beg me to play along with her. But without a bow, I could not draw any sound from my fiddle, so I would answer to myself that I must absolutely carve out a few hours the next week to go to a luthier and remedy the situation.

Weeks and months and much more than a year went by.

Last week, Short-pants was practicing a piece for her lesson, a simplified excerpt from the 2nd movement of Beethoven’s 7th Symphony. She was having a hard time staying in tune, partially, I determined, because she didn’t know the tune. I found a recording on YouTube, and sat her down to listen to it. This particular movement is one that almost always draws tears from me, which perplexed her.

“Mama, why are you crying?”

“Because it’s too beautiful,” I told her. I didn’t know what else to say. How do you explain the way music can move things around inside you?

~ ~ ~

Rue de Rome is lined with stores featuring cellos cases and hanging violins and other stringed instruments in their windows. I’m not sure how I would have known which store to go to had I not a specific recommendation from a friend who’s a violinist. One finds this often in Paris: an entire street dedicated to the same industry, be it stringed instruments or textiles or handbags. How one purveyor differentiates himself from another amongst so many is beyond me.

Odile had laid out six bows for me to try. She vigorously rosined each one while I tuned my instrument. I was worried about playing in front of her. I hadn’t played in a long time. Not only would the instrument be cold and closed, my fingers were rusty. I’d even forgotten to cut my nails. I knew this was silly. I shouldn’t care what this woman thinks of my playing, I told myself. It didn’t help, I was still self-conscious.

I picked up the first bow and positioned my fingers around the frog. I drew the bow across the open strings, just letting them ring. Then I started an old standard, Telemann’s Concerto in G, a piece that every violist has played at more than one recital. I lacked the nimbleness I once possessed; I stumbled through the sequences of eighth notes. No matter, I told myself, just listen to the sound.

“They are all somehow different,” she said, “and you can never explain why or how. You just feel it.”

How true. One bow seemed to make a sound more metallic, and another slid too swiftly across the strings. Another harbored some invisible inertia, even with more rosin it felt heavy, sluggish. The next one was good, okay, but it still didn’t feel like it fit me. And so on. I tried each bow, pushing aside the thought of anyone in earshot, immersing myself in the technical details of each bowing experience, analyzing it – but also feeling it – until I narrowed it down to two favorites.

Odile took my instrument and played for me with each bow to give me the experience of hearing them in use, not from beneath my chin but from a distance. Then she regarded my viola and asked if I liked those strings. And did I feel that the bridge was too high? I shrugged.

“Will you permit me?” I consented to new strings and the shaving-off of my bridge and watched her carry my viola up the stairs to the mezzanine where some artisan performed a magic fix. Fifteen minutes later, she handed my instrument back, and nodded at me to try the bows again.

There is a passage in the JC Bach’s Concerto in C Minor that uses all four strings in a cascading rhythm. With this in mind, I selected one of the bows, and let it fall back and forth on all the strings in long, heavy strokes.

“Push with your finger,” she coached me. I dug the bow into the string and used its entire length. The sound bellowed and danced around me, rich, voluptuous.

“Now try the same thing with the other bow.” I did as she commanded. I forgot that anyone else might be listening, but pressed myself into the notes, bonding with them, breathing them to life. So quickly was I lost in the music, even with my scruffy, out-of-practice sound. I was playing my viola again.

It was clear that the second bow was mine. Like Harry Potter’s wand had chosen him, I too had been selected. I ran my fingers along the polished wooden stick, pressed the taught horsehair up against my nose.

“Hello,” I whispered to it.

~ ~ ~

That night, Short-pants opened her music case and I opened mine, too.

“You got your bow!” she squealed in full delight.

I suggested we play the Beethoven piece; she could play the first part and I’d play the third, so our harmonies would be distinct. We rosined our bows in tandem, and sat side-by-side with bows poised upon the D-string. I looked over at her, prepared to start, except she raised her instrument and dipped it down, the way an accomplished musician knows to lead off an ensemble. We plunged in, stalled and restarted a few times, but soon found our way to be in sync. After only a few tries, we played the half-page of music together start to finish. De-facto and Buddy-roo applauded wildly. Short-pants beamed. And for all the reasons you can surely imagine, I smiled too, keenly aware of just how music can move things around inside you.

I want to be in the cloud. Not the up-there-in-the-ether-all-safe-and-stored-and-accessible-from-any-device cloud, I mean the creative cloud, the cloud of that fuzzy, I-don’t-know-but-something-might-be-emerging cloud, both thrilling and unnerving at once, the cloud of my imagination. I want to go there and stay there and live there, mindfully navigating life in a writerly way, a painterly way – even thought I don’t paint – or a musical way, any way that might be an artistic way.

Once upon a time I had my fingers in glue stick and construction paper, cutting out magazines and making and pasting creative little things. I wrote daily in my journal, I did multiple free-writes on the same prompt. I remember feeling perfectly capable of taking time, without the gnawing sense that I might be wasting it, time being that precious commodity that we all have exactly the same amount of but some people seem to use more industriously than others. Not that industry is the truest measure of contentment. I would like to do less.

I would like to tether myself to this cloud and move deliberately, through the potentially artistic moments of my day. Spooning a mountain of frothy milk into the coffee in my favorite mug with just the right swirl and then doing nothing but sitting and drinking it; handwriting funky postcards to far flung but not forgotten friends before opening email and RSS feeds to respond to the “urgent” news of the day. Drawing a flower on the steamed-up mirror after a unhurried hot shower – better yet a drawn-out bath – and taking the time to add detail to each of its pedals; sitting pensively on the barstool, imagining the life of the Asian woman with gray squared-off bangs sitting across from me at the café; stopping off at a bookstore on the way home to browse the stacks randomly, pulling titles off the shelves and reading paragraphs, just short snacks in a feast of enticing literature.

I want to mount those family pictures on the bathroom wall in that funky frame I found, produce that little film of my mother walking through the rooms of our old house, finish that scrapbook of Buddy-roo’s blessing before she realizes her sister’s is completed but hers – though its pieces are ready to go – has never been assembled. I want to read without being interrupted or without collapsing the book on my chest in utter exhaustion. I want to, when I’m feeling haunted by a passage in Shostakovich’s 5th symphony, sit down in that moment to listen to it with the Bose headphones I bought (an indulgence) to block out noise on long-haul flights when the real reason to own them is that they make everything seem alive and present and close around you.

I just want to live in a more artistic way.

I’ve decided to stop talking about being too busy. It’s a boring line of conversation, and frankly, everybody’s busy. It can’t be denied that I juggle a fair amount between work and children and De-facto and friends and the administration of our household. The latter being the most tedious, but I have not yet achieved the zensibility of regarding piles of paper-needing-attention and unwashed laundry and children’s toys and books strewn as anything but an aesthetic assault. I think back to when I lived alone – I’ve never been an everything-at-right-angles person, but it was easy to sustain some amount of sloppy kind of order in my surroundings, which permitted me to vault into the messy cloud of my own creativity without stopping at the toll booth to get there.

There is nobody standing over me insisting that I attend so diligently to the administrative details of my life (and my family’s). I had a dream that I simply stopped caring: No need to remember to stuff the little morning snack packs in their school cartables, no hounding them to straighten their rooms or finish their homework, no longer picking up the random empty glasses left on the floor behind by the couch. I let them leave all the drawers pulled out and cupboards wide open, the wet laundry festered in the machine because I couldn’t be troubled to hang it out or run it in the dryer, the furniture was no longer visible as every surface had been covered with blankets, princess costumes, doll clothes, train tracks, little bits of paper and plastic, and books left open face down to mark the page. In the dream I regarded it all with amusement, and simply joined them, unbothered by shoulds and oughts, basking single-mindedly in my unfettered imagination, up there, in the cloud.

The alarm goes off, but we have already been awakened by someone on the street buzzing our door to come up for the encierro. Our balcony overlooks Calle Estafeta, where we can see the bulls on the street below as they run by, so we extend invitations to various friends (and occasional strangers) to come up to watch the ritual running of the bulls. Our instructions are precise: come at the last possible moment, minutes before 7:00 when the street is blocked off for cleaning before the run begins at 8:00. The drop key, permanently tied to a long white string, is lowered through the stairwell to allow our guests to pass the locked door at the bottom of the five flights of stairs to our apartment. We usher them out to our balcony so they can watch the street as it’s prepared for the run, and we go back to bed. That extra twenty minutes of sleep can mean everything.

But before 8:00, we, too, must be up, dressed and ready to run. Not with the bulls, but between our living room, where we can see the bull-run on the television, and the balcony, where we charge out as the bulls turn the corner to run up our street. Their broad brown backs rush forward, the bells on the steers that accompany them make the soundtrack to their morning run. On a good day, the bulls are still packed together with the steers as they run toward the corrida, and a few skilled (or lucky) runners sprint ahead of them, just off to the side of their horns.

After the instant replay of the encierro and ensuing TV commentary, we rush our guests out the door and head to the Bar Txoko where many of the runners we know go to swap stories and drink ritual morning drink: Kaiku y Cognac, a sweet vanilla milk mixed with a double-shot of cognac. It so happens that the street cleaners choose that moment to clean the very patch of the Plaza de Castillo where we stand, so we are forever maneuvering our conversations around to accommodate the sweepers and hose-masters who are kindly cleaning up after the previous night’s party, only part of the party that goes on for nine days. These guys are the true heroes of the fiesta, constantly cleaning the streets of the gray goop that is a mixture of beer and wine and urine and puke that accumulates during the week.

A quick drive-by to greet the brothers Carmelo and Fermín at the newsstand where we buy a paper with the photographs of the previous day’s bullrun and bullfight, and then on to our breakfast club, a long table set up in the street where friends meet to eat greasy eggs or pochas or bull stew. Such nourishment can be acquired anywhere, but we always take it here to be in the company of a few very distinctive jota singers who serenade us with traditional Navarran ballads with poignant lyrics (like wishing to be an ivy vine in order to crawl up to your window just to watch you sleep).

The midday rituals have some variation, but might include a long meander through the city streets in search of the Gigantes, a troupe of eight giant figures that represent the kings and queens of the different continents of the world. This year I saw them no less than a half-dozen times, their towering figures turning side-to-side in an enchanting dance in step to the music of the high pitched txistulari pipers. The Gigantes are at least three times the size of the men who carry and spin them for hours every morning; occasionally you see the figures stop and appear to stand still in the street as the men slip out from under the robes and duck into a nearby bar for a rest and a drink. In the meantime, parents carry their toddlers up close to examine the clumps of pacifiers that dangle from the wrists of the giants. When Pamplonese children are ready to stop using their binkies, they give them up to the Gigantes. This is a ritual I find priceless; I can imagine the conversations between the child and parents as the fiesta approaches, the building up to the ceremonial hand-off of the prized pacifier, tying it to the enormous hand of their chosen Gigante. I had a fine childhood, but if I could do it over, I’d do it in Pamplona.

This is the moment that seems to have become a ritual for me, when I wonder why Short-pants and Buddy-roo and De-facto are not there with me, swallowed by the sea of white and red and music and magic. I have kept the fiesta San Fermín as my annual escape, but each year I wonder, how can I not share this with them? For how long should it remain my getaway with my girlfriends and my “Pamplona friends?”

The fiesta is embedded with rituals, those offered up by the proud Basque culture, the noble Taurino traditions, not to mention those that my friends and I have invented for ourselves in the years we’ve been attending. Like our Hemingwayesque ritual of taking two days in the green Navarran countryside just prior to the start of the fiesta, when my girlfriends and I stay at our favorite B&B. Here we slide into the Basque culture, nibbling our favorite asparagus and drinking homemade Patxaran. We retire early and sleep in, padding the sleep bank before the fiesta quickly depletes it. In the morning, we take over a table to create masterpieces of jewelry we bead together with small plastic bulls that have been borrowed from Tequila bottles from a Mexican Kmart. Our own spontaneous designs that every year we make, wear and give away: the running of the bull-earrings.

Each day in Pamplona, a brief afternoon nap rejuvenates us to make the run for sandwiches and cookies (and a chilled bottle of Rosado) to carry into the corrida for the post third bull snack. The bullfight itself is a remarkable ritual, a 3-act drama of skill, bravery and intimacy. Though I am far from an aficionada, there was one moment this year that moved me to tears: the matador raised his hand to stop his cuadrilla as they came to his aide. He knew he had done his work well, the bull was ready to die, and so he stood back with his hand raised, and waited for the bull to fall. It happened swiftly; a good death, with grace and honor, the kind we all hope for. It made me think of my mother, of course, how nobly she fought during the last year of her life, and the dignity of how she finally let go.

Each year I painfully extract myself from my friends and the festivities and leave to be with Short-pants to celebrate her birthday, which falls the day before the end of the fiesta. I could have gotten a pass this year, I suppose, having done my duty with the big party last month, except that I want to be with her on her birthday. As hard as it is to leave the fiesta early, the return is always a relief. This year was no exception: I was as glad as ever to see De-facto and the girls waiting for me at the train station, waving wildly when they spotted me.

“I missed you so much,” cried Short-pants, throwing her long arms around me. “Where did you get those white shoes?” said Buddy-roo, who notices everything, especially if it has to do with new items of clothing or jewelry.

Over the last few days, the final post-fiesta rituals have been enacted without fail: the detoxification, the redepositing of sleep in the bank; the gradual removal of those haggard circles under my eyes; the return to an exercise regime to address the abnormal number of carbohydrates consumed at the fiesta; the washing of the whites, which requires the special formula of
bleach and Coca-Cola (this tip given to us by a Spanish grandmother we met in the supermarket) to get that gray goop off the bottom of all my white jeans; the telling of stories (only mildly toned down) and the fierce expression of gratitude toward De-facto, who always lets me run just as far as I need.

Every Monday (and Thursday) the same familiar faces gather, parental brows furrowed with the end-of-the-day rush; a crowd of tall, coated strangers stand uncomfortably in a room with too few chairs. At 6:15, precisely, the torrent of children pours into the lobby of the conservatory, a parade of little people laden with black instrument cases and swollen school backpacks. I always crane my neck to look for Short-pants; vigilant for that precious moment, the very first instant when her searching eyes find me in the pack of parents. Her expression shifts in a nanosecond, from awkward to assured, leaving the realm of the unclaimed and taking her rightful place at my side. I never get tired of that look, or the zealous greeting that follows immediately: “Mama!”

Yesterday, her music teacher walked behind her, his hand barely on her shoulder. I couldn’t tell if this was by chance, or if he was accompanying her out of the class. When she called out to me, he smiled and raised his eyebrows, a warning, I suppose, that he was escorting her for a reason. He is celebrity-handsome, by the way, a blonde kind of creature who, were he not teaching music theory at the public conservatory, could as easily be modeling Calvin Klein underwear.

“I wanted to talk to you,” he said, “about your daughter. She was very nervous today.”

She was a bit flustered when I picked her up from school to take her to the conservatory. The frigid temperatures didn’t make playing in the school courtyard very pleasant; she’d gotten a chill after lunch and couldn’t shake it all afternoon. I explained this.

“Yes, that’s what she told me,” he said, “but she is very often a bit nervous and dans la lune.” (I’m translating this exchange from French to English, except for these few words, dans la lune, which mean, literally “on the moon” and figuratively, “in the clouds.”)

“It would help if you could work with her, between classes,” he said, “to be a bit less dans la lune.”

I understood exactly what he meant. He was telling me that Short-pants is easily flustered and a bit spaced out. Though she can be totally focused; she wrote and illustrated a 22-page hand-made book on how to make a Mandala, and worked at it tirelessly, without any prompting from us. But it’s true that often she has her head in the clouds, leaving her eye-glasses who-knows-where, reading four books at the same time, bookmarking them by leaving them spread eagled in every room of the house. It’s a little bit of a miracle that she gets out the door with all her belongings in the morning.

“Yes,” I said to him, “except she has so few years left to be dans la lune. It’s a pity to cut that connection while it’s still so strong.”

“Oui, c’est dommage,” he acknowledged my point while standing firm: “but eventually, you must.”

Short-pants and I walked home without talking. It was too cold for words.

The much-heralded New Year’s Eve blue moon is waning, but the last few nights the sky has been so clear that I could see the unfiltered moon through the skylight, beaming in the girls’ rooftop bedroom, proud of its auspicious ranking. Tonight I stole upstairs and searched for that moon again – just a half-moon or even a sliver would be reassuring – but the cloud-cover lays a dark amber blanket over the city, hiding the moon from view. My heart is heavy, though it shouldn’t be. Short-pants is a resilient one. She’ll go to the moon if she wants to.

Photo Credit: Jean Paul Roux via Space Fellowship

It’s not that I want to be the back-stage mom, nor am I so certain that my girls have special musical talent. It’s not even that I’m trying to establish a strong extra-curricular record so that they can get into an Ivy League school (I get a head-ache thinking about that). It’s that I want the sound of music in my house. I want my girls to be introduced to the world of performing arts. Whether they pursue any of these arts with passion or professional intent, that’s up to them. I’m just trying to orchestrate a little artistic exposure. Easier said than done.

At least I’m getting practiced at the art of the inscription. Regular readers of this blog may recall the debacle of last June, where I showed up early – but not early enough – for the registration at the conservatoire de musique. Given a placement of #53 on the list, my low expectations were realized when, at the end of the summer, I went to check the posting on the window to find that Buddy-roo had not been assigned to any of the initiation classes. Not for the solfège. Not for dance. Rien.

This is not a show stopper; there are other such schools in Paris, and ultimately I have managed to enroll Buddy-roo in a dance class at a nearby studio, but that’s another story.

For an established student like Short-pants – she’s been in the conservatory system for two years so she’s guaranteed a place – the music track is a triad: theory, chorale + a musical instrument. The problem was her three classes were scheduled on three different days of the week, including a slot on Wednesday morning, which I’d indicated on all the forms I’d dutifully filled out that she had school and would not be available.

During the month of September, then, I made no less than four visits to the conservatory, each time to talk to someone in the bureau de scolarité about reorganizing the schedule. They weren’t terribly empathetic about why I wouldn’t want to schlep my daughter to the conservatoire on three separate occasions each week. I had to use my haute politesse to make a change putting two of the classes back-to-back on one day, easing our after-school travels. Once it was agreed upon, I still had to put it in writing, and then wait for the head administrator to phone me back to confirm the change.

The good news is I knew about the loophole that could get Buddy-roo started in the conservatory even if she wasn’t accepted for any of the traditional initiation classes. Last week, I had an aside with the chorale director who agreed to accept her, giving the registrar no choice but to enroll her. Once she’s in the system, it’s automatic to offer her a full-fledged space next year.

But yesterday the clincher: Short-pants’ first viola lesson. She’s chosen this lesser-known stringed instrument not because she’s so willing to play third fiddle, but because it happens to be what I played in my youth. I remember distinctly the day I asked her, very open-endedly, if she wanted to play an instrument. When she told me yes, the viola, I pressed her, “are you sure?” She beamed. So the viola it is.

The teacher produced two half-sized instruments for her to try. My eyes welled up, with mushy parental pride and, admittedly, some nostalgia, when Short-pants held the shiny wooden instrument beneath her chin, and started plucking away at the strings.

“Do you have the certificate of insurance?” the teacher asked me as we packed up Short-pants’ new viola at the end of her lesson. Up until now nobody had mentioned anything about insurance. I was directed to the office of the director, who told me that I needed only to procure an insurance rider for renting a musical instrument, and then they’d hand it over.

Here’s where carrying an iPhone really comes in handy: I stepped outside, used my index finger, and quickly found my insurance agent on the phone. Not a problem, she said, I needed only to supply the make and the value. With that information, she could even have it ready for me in ten minutes. I walked back in and asked to see the director, again.

“But I do not have this information,” he said, meeting me in the lobby, refusing to invite me back into his office. He was starting to get mildly hysterical. I’d interrupted him and this is not something he could easily provide, how these rental instruments are nothing fancy, the insurance company shouldn’t need this kind of specific information.

I should mention that while all this was going on, I could hear Buddy-roo wailing in the hallway, “I changed my mind, I don’t want to go to chorale.” De-facto, who was accompanying her to her first class, attempted to calm her. Short-pants’ soothing voice was audible, too, “Don’t worry, “I’ll be in there with you.”

I noticed one of the guys at reception desk smirking into his lap, and took this is a cue to give up on the director. I knew I could call the viola teacher later, she’d get me the details I needed. Or I knew of other luthiers I could call to rent a viola on my own. I politely extracted myself from the discourse. When I turned around, the lobby was full of parents, staring at me. Could they feel my pain? I nodded around the circle of chairs, and walked outside.

Just last week, I remember thinking – rather smugly – that I’d finally organized all the school and extra-curricular details. After all the parent-teacher meetings, the trips to the conservatory, the dance studio, the doctor (health certificates needed), the messages back and forth to the teachers about schedules, acquiring the necessary books and notebooks and leotards and ballet slippers, figuring out with De-facto who picks up who and takes them where – it’d been a lot of work, sure, but I’d finally nailed it. Well, apparently not.

Who knew that being a mother meant being a personal assistant to two busy and sometimes temperamental executives?

An hour later, after a bit of fresh air and a restorative bière a la pression at a nearby café, I returned to retrieve my singing cherubs. The two of them skipped into the lobby, hand-in-hand, humming the remnants of a song they must have been singing together in the chorale.

When she saw me, Buddy-roo rushed into my arms. “I loved it!” she said, jubilant, “Can I come back next week?”

“Where’s my viola?” asked Short-pants.

Yeah, I’m working on it.

I should have arrived earlier. I know better. I’d filled out all the inscription forms to enroll Buddy-roo in the music conservatory weeks ago. I even remembered to phone her pediatrician and request a certificate medicale for
the dance class. He left it posted by the door of his waiting room, her name at the top in doctor’s scrawl, with a perfunctory check in the box for “no apparent contra-indication to practice a sport.”

I meant to arrive at least an hour in advance, but other errands delayed me. It was 1:15 when I walked into a mob of parents in the main office of the conservatory, all waiting for the registration to start at 2:00. Someone mentioned a list, so I pressed forward to the front desk to put my name on it. I was given #53.

* * *

Two years ago when Short-pants was going into the first grade, the mother of one of her classmates – also a friend of mine – suggested we sign our girls up together for a class at the music conservatory in our arrondissement. I didn’t even know there was such a thing as a local conservatory, let alone at what age you were supposed to start there. I’m really not sure what I’d do without these friends-in-the-know; I am often so often out-of-the-know when it comes to things mothering and things French.

On the opening day of registration, and we rode our bikes over together, arriving thirty minutes before the door was to open, joining a dozen other mothers who had already formed a queue. The process was relatively painless; we handed in our papers and left feeling confident that both girls would get in.

By the end of the summer, I hadn’t received the obligatory self-addressed envelope that I’d included in the application, and Short-pants’ name was missing from the roster posted on the conservatory window. I called to find out why. After much shuffling of paper and several long pauses on hold, I was informed – without much empathy, I might add – that Short-pants was not enrolled in the initiation music class.

“But I was one of the first in line on the first day,” I protested, repeating the date and how I’d arrived early. They had no record of it. She was not on the list. I wanted to scream, but I kept myself in check. This was not the time to need to be right.

“It’s unfortunate,” I conceded, “but how might I enroll her in a class now?”
“Mais non,” I was told, with a fierce cluck of the tongue. “There is no more space in the initiation class. It’s full.”
“But certainly…”
“I am certain, madam.”

My friend – her daughter had fallen off the list, too, but she was quicker than me and got it sorted before it was too late – told me about a woman who’d been in this same situation the previous year and who managed to squeeze her son in by enrolling him in chorale, which did not have a prerequisite course. Once in the system, he was accepted for the initiation course the following year.

Listen, it wouldn’t have been the end of the world if Short-pants wasn’t in music class at the conservatory. There are other places to learn music in Paris. Except it’s a really good program, with a reasonable fee, and if you don’t get in by a certain age, you can’t get in at all. I felt like it deserved at least a college try.

I went to the office in person. I explained my story – three times – to two different people at the main desk, who kept pulling up their computer records and telling me what I already knew, that there was no place for Short-pants. But I kept asking the same question: how could there be no place for her when I was one of the first mothers to arrive on the first day of inscription? (When in doubt, repeat yourself again and again, this I learned from Buddy-roo). Eventually I was referred to the bureau of scolarité.

The Director was apologetic enough, but insisted, as before, that there were no more places in the debutante program. I’d have to wait and enroll my daughter next year.

“Then perhaps you could give me some advice,” I said. “How might I ensure she gets accepted?’

“It’s very simple,” she smiled, “You just come on the first day of registration, and I suggest you come early.” I explained that this was exactly what I had done, but still my daughter hadn’t made the list. She gave me the quintessential French shrug and moved the file folders around her desk, a gesture that I believe was meant to indicate that it was time for me to leave. So I pulled out the wild card.

“I heard that it is possible to enroll in chorale, without the first year of solfège. Is that by any chance true?” (I felt like Columbo, teasing out the truth with a more-or-less innocent question.)

She raised her eyebrows. “Beh, oui, c’est vrai.” She nodded slowly, sizing me up. “En principe, c’est possible.” In principle? Who’s principle? Certainly not hers, since you might note that she didn’t volunteer this option, despite my earlier polite, desperate pleas. I had to ask for it.

She turned to her computer and typed at the keyboard. She studied the screen. “Alors, let me check.” She ran her finger along the screen, as if counting the students with her fingers, “It’s nearly full.” She typed a few more key strokes. “But there is an opening on Thursday afternoons,” she smiled like it had been her idea, “Would you like to enroll your daughter?”

That’s how Short-pants got in to the Conservatory. The following June an invitation to re-enroll arrived in the mail, and sure enough she had priority status and was instantly assigned to the debutante music class. So this year she took a basic theory as well as chorus. Next year, she’ll start an instrument. She’s thinking about the viola.

* * *

In an unusual breach of custom for French functionnaires, the administrator organizing parents-in-waiting this afternoon was exceptionally friendly, counting off out loud, calling our names and ushering us into the waiting room one at a time when it was our turn. There were three employees receiving us, as well, so it all operated rather efficiently: the examination of the application papers, checking to be sure we’d put postage on our self-addressed envelopes (while I was waiting, a previous mother was told her application would not be considered without an envelope), stamping the date with aplomb on our receipts.

I was given no indication if there will be space for Buddy-roo in either a music or a dance class next fall, just two small strips of paper with official date stamps. But at least this time I can prove I was in line, even though – in the 53rd place – I may not have made it in time.

It still floors me how taking care of these young girls is such a responsibility. It’s much more than loving and feeding; it’s also enrolling them in school, in music classes or theater or judo, keeping track of vaccinations, monitoring homework – even just getting them out the door in the morning and picking them up at the end of the day is a chore that requires concentration. There’s everything to remember to do, so much to be thinking and caring about – let alone just hanging out with them and listening to what they have to say.

I do hold those girls close when they come to me, knowing they won’t want to be close forever. At the same time I dream of the day when they won’t need me anymore. Then somebody always reminds me that by the time they don’t need me, I’ll wish they did. It’s such a paradox, this whole mothering thing. I had no idea, at the inscription, what I was in for.