Maternal Dementia

When Buddy-roo heard the long, loud buzzer, she leapt up and squealed, “They’re here!” She sprinted to the foyer to pick up the interphone, not even bothering to ask who it was, right away pressing the button to open the street door. She ran out into the hall to wait at the top of the stairwell, listening to the breathless (already) footsteps slowly winding up the four flights of stairs.

“I’m so glad to see you!” She threw herself at the mover, a young man who looked older than he probably was because of an unfortunate girth. I hoped there were muscles somewhere beneath his obese frame. He’d already made a delivery, it seemed, from his distinctive body odor. Buddy-roo recoiled as politely as she could, regretting that she’d gotten so close.

“We’ve been waiting for you to bring the Fisher Price toys,” she said. “What took you so long?”

Buddy-roo launched into a animated description of the toys that she was expecting – the house, the school, the village, the airport – and the people and pieces that accompanied each one and how she intended to play with them. He stared at her, still panting from climbing the stairs, unaccustomed to such an enthusiastic and informative welcome.

The boxes came up in slow motion, one by one. They’d been packed in September and already I’d forgotten much of what I’d decided to send. What I remember was being brutal with myself: eighteen crates of books whittled down to one. Three large cartons of sentimental objects became a single shoebox of can’t-part-with memorabilia. Aside from the toys and the chinaware, the other things I’d shipped were now like surprises. My father’s cocktail shaker and shot-measure, my mother’s beaded clutches, her blue-feathered toque hat, in its original hatbox. Two metal boxes of photographs from her youth: in Cuba, in college, with her young children. This is why I didn’t insure the shipment. Everything – the dishes, the toys, the artifacts of her childhood and mine – was irreplaceable. Had they gone missing, I couldn’t buy them back. The only thing in those boxes, really, was nostalgia.

~ ~ ~

The shipment was supposed to arrive in Paris mid-November, but it wasn’t until December when I got the email about its arrival, as luck would have it, on the day after I left for New Zealand. A day (or two) earlier and I could have processed the 37 forms needed to clear customs. Instead I was in a hotel in Auckland, scrambling during workshop breaks, negotiating with the hotel to get things printed, signed, and scanned and put the papers in order. Time was of the essence, or so I thought. Buddy-roo was hounding me about the Fisher Price toys. There were a few other items that I was eager to have in my possession, like the Christmas ornaments for our tree, and my mother’s good china, with which I’d hoped to set our holiday table.

I managed to get the papers in on time, but it turns out there wasn’t a truck available to transport the boxes from their point of entry in the UK to our home in Paris until January. The shelves we’d cleared for the Fisher Price toys sat empty for weeks. I ended up setting the table for Christmas dinner with our every-day dishes.

After more than four months and just as many supplementary payments – for the customs fee, the above-the-second-floor delivery fee, the our-truck-is-too-big-for-your-street-you-have-to-pay-for-a-shuttle-van fee and then last but not least, the our-van-got-a-parking-ticket fee, the boxes have arrived. Our home is now as cluttered as ever, with paraphernalia of my past pressing itself on the possessions of my present. There’s stuff everywhere, a reminder of how messy life is when you collect its souvenirs anywhere but in your memory.

~ ~ ~

Upstairs the sound of little wooden people moving back and forth among pieces of small plastic furniture assured me that Buddy-roo would be distracted for hours. Short-pants came home from her music class and the two of them fell deeply into their Fisher Price world. I set about finding a place for all the newly delivered items, unwrapping yards of tape and packing bubbles to reveal the round, gold-colored quilted cases that kept safe my mother’s china plates, bowls, cups and saucers. I started with the largest, opening it to see if any of the porcelain dinner plates had broken.

My hand on that zipper released the stories locked inside: how many times I’d unzipped those very cases, lifting out the plates, one-by-one, removing the plastic disc between each one, setting them on my mother’s table. I was required to iron the white linen tablecloth first, and she’d instructed me where to place the silverware, the glassware, the napkins. I’m sure at the time I complained about having to set the table, but I was remembering it now as if it were the sweetest moment of the year.

Another box of dishes hadn’t fared so well. Three of her fondue plates, the ones with separate compartments for different sauces and condiments, had cracked beyond repair. The sight of them in pieces shattered me, I sat there sobbing about some silly broken plates that I’ll probably never use because we don’t even own a fondue pot.

This I hadn’t expected. It’s been two years since we said our goodbyes to my mother. Two years, a mindful memorial service, a half-dozen trips to the house to clean and ready it for sale. I had my desperate moments emptying it out, but I fooled myself to think that with the house sold and the burden of its care behind us that the chapter of grieving was closed. Now I was standing in the middle of my own living room surrounded by just a few of her most precious belongings, and there it was again, as fierce as ever, that hole in the middle of my heart, and the tears that can’t possibly fill it.

~ ~ ~

Persuading Buddy-roo and Short-pants to move from the floor – and the elaborate spread of Fisher Price toys – to their pillows was no small task. We had first to put every little person on his or her little plastic bed. The toys are so old that the sponge mattresses have disintegrated into almost nothing. It doesn’t matter to the girls. To them, the toys are like new toys with a new home, our home.

Buddy-roo finally tucked snug under her covers, and the light switched off, I maneuvered through the Fisher Price minefield to get out of her bedroom. Outside her door, I looked back, surveying the toys, admiring how the girls had set them up, startled to see my childhood grinning back at me. How I loved those toys. There is something utterly reassuring about having them under our roof, just like the bittersweet possession of my mother’s china, a comforting reminder of all that was once home to me, and all that is even more home to me now.

She’d closed the lid on the toilet seat and was standing on it, looking at herself in the mirror. In her hands, she held up a plastic hairbrush with a green flowery pattern on the back.

“Was it you,” said Buddy-roo, “who put my brush away in the wrong tray?”

I can’t keep it straight, which brush – green or yellow – belongs to Short-pants and which to Buddy-roo. They always leave them in my way, so I toss any hairbrush I come across on the counter into either one of the plastic trays that are stuffed with girlie hair elastics and bubble-gum smelling sprays on their designated shelf.

“I don’t like it when you put my brush away in her tray,” she said.

Tell me about it.

A system for stowing prized items ideally means you spend less time hunting for them and more time using them. It gives us a semblance of order, at least about the placement of basic tools we require day-to-day, aiding the creative process – something usually considered messy – by providing an underlying structure. If you’re cooking up a masterpiece in the kitchen, you don’t want to spend fifteen minutes rifling through your drawers to find a whisk, right?

This was a pet peeve of my mother. I’d hear her opening and closing drawers and cupboards in succession, mumbling to herself, unable locate an essential utensil or serving dish because a visitor, usually her mother-in-law, had put it away, not only in the wrong place but in an illogical one, so that she couldn’t find it even with an educated guess.

“At least she was trying to help,” I’d say of my grandmother, picturing her bending over into a cupboard, her hand reversed on her hip, a gesture she and my father had in common. “She’s getting old. Give her a break.”

My mother’s compulsion is something I didn’t understand until now that I share it. When the rest of your world is a mess and you’re trying to run a household, it helps to have some ability to order something. The kitchen drawers might be the last bastion of control. A new babysitter and a new cleaning woman have recently joined our household, and despite a dozen years in the same kitchen, De-facto and I still aren’t aligned on where things go. My mother, wherever she is now, is snickering at me.

As much as she was irked by various visitors who couldn’t put things where they belonged, my mother suffered, paradoxically, from the same maternal dementia, the feeble post-partum memory, that plagues me. I know well the chiding I’m in for, having doled it out plentifully. My mother used to ignore my exasperated rebukes, or she’d offer a half-hearted apology. Now I get it: when your mind is processing so many things, preparing for a meeting, sorting out a problem colleague, trying to get this and that done and still pick your daughter up from school on time to go to the orthodontist, the brain matter gets allocated to things other than the placement of a hairbrush or a preferred brand of toothpaste.

“I’ll try to be better,” I said, evoking the nuance of mother’s half-hearted voice. I reached up to give Buddy-roo a hug. Standing on the toilet, she towered over me. She jumped down to the floor so I could put my arms around her.

“Someday maybe you’ll have children,” I whispered into her hair, “and you might find that your brain doesn’t work as well it does now.” I considered her ironclad capacity to retain melodies and lyrics from favorite musicals after only one viewing. Spelling words and vocabulary: not so much. I almost pointed out this discrepancy, but then I thought better of it.

“When your kids get all out of joint about you doing something wrong, I want you to remember this moment, this precious one right now. Then you’ll begin to know the meaning of the word compassion.”

“Compassion?” she said.

“You’ll see,” I said, walking out of the bathroom. It may take a couple of decades for her to get it. I hope I’m around to snicker.

It happened the day before my first junior high school dance. I’d been to the orthodontist several times, enduring that mouthpiece filled with the cold, white, plaster of Paris concoction – both before and after getting those extra, unwanted teeth pulled – leaning forward and breathing, barely, through my nose while the imprint of my teeth and gums hardened. My casts would join a hundred other sets of jaws displayed in glass cases along every wall of the office, in Dr. Zappler’s museum of overbites. Still, I was surprised when an army of razor edged silver bands were cemented on each and every tooth, connected by a single wire that joined me, unwittingly, to the club of children with braces.

The monstrous dental chair faced a picture window looking out over a lake, a calming view before the tempest of tears that would follow when I got home and went directly to the mirror over the bathroom sink. My mouth was overtaken with metal, a silver smile behind swollen lips unaccustomed to the foreign objects in my mouth. My inside of my cheeks were sore. My heart dropped.

Because there was a boy, sort of a bad boy – or he soon enough would become one – and my crush on him was fierce. Just thinking about him conjured up a stirring in my 12-year-old body, a tickle that was a bit confusing and a bit intriguing. I guessed that if he would ask me to dance or possibly steal a first kiss, it could only get better. It was rumored that he might, friends had reported that he’d been glancing over at me frequently in the cafeteria.

Staring in the mirror, all hopes of his attention darkened. My first seventh grade dance would be the one where I sat alone on the wooden bleachers while my friends rocked back and forth with their boyfriends in that arduous circle otherwise known as a “slow dance.” My life was ruined.

Contrast this with Short-pants, who was thrilled about the acquisition of her braces. She marched home from the orthodontist triumphant with a blinding silver smile. She showed them off, beaming wide and proud to everyone she met, “Notice anything different?”

A few things have improved in the world of orthodontia. Instead of the wide bands wrapped around each tooth, she has but a tiny button cemented on the center of each one. You can barely see the wire that connects the teeth, there’s not as much metal in her mouth. Most important, Short-pants thinks it looks like she has diamonds on her teeth. Her smile is bejeweled.

I told Short-pants about my memory of getting braces, and the timing, and how different my response was from hers. (I left out the “stirring” part.) She listened thoughtfully.

“Did he dance with you?”
“No.”
“Mama,” she fell into her Mother Teresa voice, “if that boy didn’t dance with you just because you got braces, he wasn’t worth liking.”

Then she flashed me a beautiful, blinding grin.

At dinner that night I glanced down at my watch to see that it was nearly half-eight. That’s 8:30 in the morning home in Paris. I’d meant to call the girls during their breakfast, to catch up in general but especially to wish Short-pants well for her viola recital that evening. I leapt up from the dinner table and rushed to the meeting room, where I’d left my computer. I punched the phone number into Skype, counting each hollow ring, one after the other, until our message machine picked up. I tried the babysitter’s number, too, her phone providing the same lonely sound with no answer either. She was probably already walking them to school.

So many times had I said out loud to my colleagues I must call the girls tonight so I reach them at breakfast. How hard can it be to remember one simple promise to myself? Pretty hard, apparently, as the dinner conversation with colleagues and clients – accompanied by a glass of wine – distracted me enough to miss the thin window of opportunity to talk with them. Another example in my list of failed parenting moments.

Except it was about to be Thursday for me, Wednesday for them, the day they get out of school at noon. So I figured I had still had a chance to wish Short-pants luck before her recital if I could just stay up until half-past midnight to call and reach them at lunchtime in Paris. But my eyes were drooping shut by eleven o’clock, I surrendered to sleep fast and heavy – as one does within the wake of jet-lag – but at least I’d set my alarm, which went off shortly before 1 am.

“Mama!” Buddy-roo’s enthusiasm at hearing my voice, instant reassurance that they hadn’t forgotten me.

“Hey,” I said, yawning and groggy. “How are you sweetie?”

“Mama, when are the Fisher Price toys going to get here?”

These old toys of mine were sent with the other things from my mother’s house, a shipment that left the states in October and has not yet cleared European customs. I assured her that I’d filled out all the paperwork and I was just waiting to be given a delivery date.

Her enthusiasm disappeared for the rest of the conversation: How are you doing? Fine. How was school? Good. Did you have fun at the birthday party last weekend? Yes. I opted not to ask about homework, as much of a chore this year as last. We dog her enough about it, that there’s nothing I can do from so far away to move things along. Best not to touch upon a sore subject.

“Can I talk to your sister?”

I heard the phone clunk down on the counter and the footsteps the followed as she ran off to get her sister. I desperately wanted to speak to Short-pants before her concert to let her know I was thinking about her, so that she’d tune her viola knowing that, even from far away, I was rooting for her. Mostly that she’d know she wasn’t forgotten. It’s hard enough, I think, to have an event like this that your parents cannot attend. Worse if it goes by without a crystal clear message that being absent doesn’t mean uninterested.

Short-pants came on the phone.

“Are you ready?”

“Yes, Mama,” she said, “I’ve practiced every night. I know it by heart.”

This conversation an echo of so many exchanges from my childhood. Within it I heard my father’s carefully chosen words to acknowledge preparedness over perfection. And her response, like mine probably was, couched with the intent to please. Add this moment to all the rest – good and bad – where you catch yourself parenting as you were parented.

As a young violist, just about Shortpants’ age, I remember my father once complimented me after an orchestra concert and I told him, with some embarrassment, that I’d actually lost my place during one of the pieces.

“What did you do?” he’d asked.

I told him how I’d faked it until I could find my place in the music and rejoin the rest of the orchestra. I remember his long fingers, pushing his glasses up on the bridge of his nose to adjust them as he summoned his thoughtful response.

“It’s not the fall,” he said, nodding, “it’s the recovery.”

This advice I’ve passed on to others, but I seem to forget to apply to myself.

Despite all the self-talk about how the kids are fine, they’re better adjusted because we’re not hovering over them all the time, how seeing us go away and return is good for their self-esteem, how they’ll be more independent as a result, the truth is I feel like shit about missing this recital. It was her first one ever, and I wasn’t there. I wish I could have beamed myself home, and that it wasn’t the babysitter and her family who’d be there clapping in the audience, but me and De-facto amongst the other proud parents.

I could hear Buddy-roo crying in the background, asking to have the phone back. I reminded Short-pants how much I love her and told her to break a leg, an odd turn of phrase to use, given that her broken leg at age four had its own complications. But she knew what I meant.

“Why do you have to be gone so long?” Buddy-roo asked, through tears. I told her it was because I had to go so far away. It was hard to console her, knowing I had still another full week before I could even say I’ll be home soon.

“When you get back home,” she said, “then will the Fisher Price toys come?”

I assured her they would.

“Okay,” she said, composing herself. I may have fallen from her good graces for being gone so long, but I think I know just how to make a full recovery.

I called first. Yes, the store was open all day, until six. Yes, they had archet d’alto. The woman on the phone – I learned later that her name was Odile – asked me a question that would save us both time: what was I willing to spend? We agreed on a range, which was even a bit less than I had expected to pay. I was glad to know I could get a good viola bow without breaking the bank. I am an amateur musician, so I do not need top-of-the-line. But I was once a decent violist, and mine is a fine enough instrument to merit a bow that will make it sing.

There is a feeling that accompanies you when you carry an instrument, a kind of musical legitimacy that is not only broadcast but that is confirmed within. Walking down the street with viola case in hand, I had a kind of visceral nostalgia – not just a memory, but a replay of the feelings of that long ago time, fierce and full-bodied; I could feel exactly what it was like to be at a rehearsal. The faces of all my orchestra friends right beside me, looking up at the conductor as he scratched his beard just before raising his arms and snapping the baton. Those boys I had a crush on, the ones in the horn section, I could see them all, under that one forever-flickering fluorescent light in the back of the rehearsal hall. I was right there again, with all the harmonies and hormones of my youth orchestra experience, all this just from holding the handle of my instrument case.

It’s been almost two years since my bow broke, ironically only a few months after taking my viola in to be totally refurbished after years of not playing it. Short-pants would practice for her lesson and I’d wish I could pull out my instrument and play, too. Sometimes the pieces she’s assigned have two parts and she’d beg me to play along with her. But without a bow, I could not draw any sound from my fiddle, so I would answer to myself that I must absolutely carve out a few hours the next week to go to a luthier and remedy the situation.

Weeks and months and much more than a year went by.

Last week, Short-pants was practicing a piece for her lesson, a simplified excerpt from the 2nd movement of Beethoven’s 7th Symphony. She was having a hard time staying in tune, partially, I determined, because she didn’t know the tune. I found a recording on YouTube, and sat her down to listen to it. This particular movement is one that almost always draws tears from me, which perplexed her.

“Mama, why are you crying?”

“Because it’s too beautiful,” I told her. I didn’t know what else to say. How do you explain the way music can move things around inside you?

~ ~ ~

Rue de Rome is lined with stores featuring cellos cases and hanging violins and other stringed instruments in their windows. I’m not sure how I would have known which store to go to had I not a specific recommendation from a friend who’s a violinist. One finds this often in Paris: an entire street dedicated to the same industry, be it stringed instruments or textiles or handbags. How one purveyor differentiates himself from another amongst so many is beyond me.

Odile had laid out six bows for me to try. She vigorously rosined each one while I tuned my instrument. I was worried about playing in front of her. I hadn’t played in a long time. Not only would the instrument be cold and closed, my fingers were rusty. I’d even forgotten to cut my nails. I knew this was silly. I shouldn’t care what this woman thinks of my playing, I told myself. It didn’t help, I was still self-conscious.

I picked up the first bow and positioned my fingers around the frog. I drew the bow across the open strings, just letting them ring. Then I started an old standard, Telemann’s Concerto in G, a piece that every violist has played at more than one recital. I lacked the nimbleness I once possessed; I stumbled through the sequences of eighth notes. No matter, I told myself, just listen to the sound.

“They are all somehow different,” she said, “and you can never explain why or how. You just feel it.”

How true. One bow seemed to make a sound more metallic, and another slid too swiftly across the strings. Another harbored some invisible inertia, even with more rosin it felt heavy, sluggish. The next one was good, okay, but it still didn’t feel like it fit me. And so on. I tried each bow, pushing aside the thought of anyone in earshot, immersing myself in the technical details of each bowing experience, analyzing it – but also feeling it – until I narrowed it down to two favorites.

Odile took my instrument and played for me with each bow to give me the experience of hearing them in use, not from beneath my chin but from a distance. Then she regarded my viola and asked if I liked those strings. And did I feel that the bridge was too high? I shrugged.

“Will you permit me?” I consented to new strings and the shaving-off of my bridge and watched her carry my viola up the stairs to the mezzanine where some artisan performed a magic fix. Fifteen minutes later, she handed my instrument back, and nodded at me to try the bows again.

There is a passage in the JC Bach’s Concerto in C Minor that uses all four strings in a cascading rhythm. With this in mind, I selected one of the bows, and let it fall back and forth on all the strings in long, heavy strokes.

“Push with your finger,” she coached me. I dug the bow into the string and used its entire length. The sound bellowed and danced around me, rich, voluptuous.

“Now try the same thing with the other bow.” I did as she commanded. I forgot that anyone else might be listening, but pressed myself into the notes, bonding with them, breathing them to life. So quickly was I lost in the music, even with my scruffy, out-of-practice sound. I was playing my viola again.

It was clear that the second bow was mine. Like Harry Potter’s wand had chosen him, I too had been selected. I ran my fingers along the polished wooden stick, pressed the taught horsehair up against my nose.

“Hello,” I whispered to it.

~ ~ ~

That night, Short-pants opened her music case and I opened mine, too.

“You got your bow!” she squealed in full delight.

I suggested we play the Beethoven piece; she could play the first part and I’d play the third, so our harmonies would be distinct. We rosined our bows in tandem, and sat side-by-side with bows poised upon the D-string. I looked over at her, prepared to start, except she raised her instrument and dipped it down, the way an accomplished musician knows to lead off an ensemble. We plunged in, stalled and restarted a few times, but soon found our way to be in sync. After only a few tries, we played the half-page of music together start to finish. De-facto and Buddy-roo applauded wildly. Short-pants beamed. And for all the reasons you can surely imagine, I smiled too, keenly aware of just how music can move things around inside you.

The movers from the Second Hand Shop descended upon my mother’s house, infiltrating each room with boxes and newspapers and packing plastic. The women quickly set to picking up the little pieces of my mother’s past: the small bowls and ashtrays and decorative items that had been once carefully placed on end tables, coffee tables and the shelves of her secretary, the bookends and clocks and other decorative items stripped from the shelves of those tall rooms. My siblings and I took the things that had sentimental value to us, but we left even more behind; none of us have the room nor do our homes have the same décor to receive the bounty of my mother’s good taste.

I watched them wrap each piece in paper, all the little dishes and coasters, her translucent Belleek vases, the small ceramic plate from their trip to Greece, the leather-covered decanter we always imagined had a genie living inside it. I knew and appreciated the stories of all these objects, yet none were compelling enough to inspire putting them in my shipment to Paris. Still, I was sad to see the lovely things all taken away.

They wrapped the odd sets of china that none of us could fit on our own cabinets, and then the silver serving dishes. I had to turn away when one of the women wrapped the dome-topped silver casserole, the one that usually housed the green beans at Thanksgiving. How many holiday meals it was a fixture on her table among the other platters and bowls dedicated to the meat or the mashed potatoes or the long silver tray with its linen liner that folded up and wrapped the just-out-of-the-oven parker house rolls. I don’t set such a formal table – few people do these days – I would use this serving dish only once a year, if at all. Plus I have no place to store it. So it goes away, hopefully to add elegance to someone else’s holiday table.

In the meantime, the men grunted down the long central staircase carrying beds and bureaus and long heavy mirrors. We’d each taken a few favorite pieces of furniture, but so much was left, all that had been acquired over the years to fill the thirteen rooms. Some of it ended up in friendly homes: the dining room set is already in the house of one of my mother’s colleagues, a photograph sent to us to show its placement. That other people are gathered around that table gives me immense pleasure, though now I wish we’d thrown in the casserole server; it was so at home on that table.

The wrapping and packing and hauling was intense for several hours. In the midst of it, my movers came to collect my boxes from the basement. Nineteen years ago when I left the states to adventure in Europe, my mother supported this dream of mine by building shelves and laying cement on what had been a dirt floor in the cellar, so I could store my possessions for the few years I expected to live abroad. Though I culled those boxes down about five years ago, there were still a dozen left and some furniture I’d loved too much to sell. There were also a few things from my mother and both grandmothers that I chose to send across the ocean. And the Fisher-Price toys: for months after my mother died, Buddy-roo harangued me, “what are you going to do with all those toys?” I’ve decided what the hell, I’m shipping them. They’re on their way to France.

~ ~ ~

I embraced my brother goodbye a second time (he made it halfway to the car before turning back for another hug) and after he drove off, I stood on the porch and thought about how my mother must have felt each time we left her standing there. Did she feel as empty as I did now? Or was she happy to see us go? (Maybe a bit of both.)

Inside I toured each room of the now empty house. The echoes of everything that ever happened there filled the vacant rooms. I could picture each room in all its iterations over the years. This one once painted pale blue, with a white piano and a picture of our house, painted by my grandmother, hanging on the wall. The Christmas tree went in the corner. Later the room was painted light green and carpeted in the same color. The day that they laid that carpet, the room was empty just as it was now, and I rolled back and forth from one end of the room to the other until I was too dizzy to stand up. My mother scolded my brother and sister for writing their names, with their fingers, in the fresh pile of the carpet. My father came home and showed them a better way to do this, with a yardstick, and he, too was admonished.

There, on the floor by the front screen door, as it rained a gentle summer shower outside, I remember listening to the newly released Sgt. Pepper’s album and reading the liner notes. Or taking over the two front rooms and setting up all the Fisher Price toys and playing with them all day (and decades later, watching my children do the same thing). The card table was placed under a lamp in which my father would hide a puzzle piece before offering a prize to the person who put in the last piece. In that corner over there, the newfangled 8-track player had been placed on its custom-made stand, with Billy Joel’s The Stranger playing on it while mom and I trimmed the Christmas tree. She’d coach me to hang the bigger balls on the bottom and the smaller ornaments on top. She couldn’t help but correct my improper placement and I suffer this compulsion, too, with my own daughters.

In each room a hundred stories could be told, and in this empty condition they all screamed at me at once, or in succession: mom and dad’s cocktail parties, the Christmas mornings, the “talks” after I’d misbehaved at school, the impromptu parties when my parents were out of town, the family celebrations, the quiet Sunday afternoons. All of it: the happiest moments of my life, and probably some of the saddest, too, dancing and circling around around me in the empty rooms of my childhood home.

~ ~ ~

I walked through the airport like a zombie, shell-shocked from the emotions dispensed these last days. On that last morning, a final tour through the empty house with an out-loud thank you, heartfelt, to each room for the stories it yielded and for the protection given to me and my family for so many years. I paid special attention to my hand on the doorknob, closing the back door for the last time, locking myself out, the key inside in a box in a drawer, left for the next owners. I slid my hand down to the bottom of the door, pressing my fingers into the grooves carved there by our old woodchuck hound. For all his fourteen years, he scratched his paws against the door to let us know he wanted to come in or go out. Long after he’d died, my parents renovated the house but opted not to repair or replace the doors, leaving his nail-marks embedded there, keeping his memory in the house. I scratched at the door, just where he used to, not really wanting to go back in, but not wanting to stay out, either.

We pulled in the driveway. Rather, the driveway pulled us in, the way we have been pulled into the embrace of this old house for half a century. Driving toward it on the country road, there comes a point where the cupola is visible and then the wedding-cake layers of the house below are revealed, and a whole world of familiarity and fond memories beckon. The car slows and dips into the long curved driveway. Do we stop halfway, where dad always used to park? Or pull in all the way to the garage, at the foot of the back stairs, to mom’s place? They are both gone, but their parking spaces – and other routines of living in the house – remain our habits, too.

All the many times I have pulled into this driveway: Like a bat out of hell when that quick errand for my mother lasted three times as long as it should have. Or stealthily with the engine and lights off when I was coming home too late after my curfew. Triumphantly, returning after a first semester at college. Somberly, after the long, sad, drive with the news that my father had died. Or gingerly, the way we pulled in the driveway this time, my sister and I, honoring that this might be the last time we come home to this house.

“It looks small,” I said. She agreed. I’d not been to the house for a year and all these months that I’ve been bracing myself for its sale, I’ve been mentally walking through its rooms and committing to memory any and all things that happened in each corner and corridor. So many of these little anecdotal visual memories hail from the time in my life when I was small, giving the house much larger proportions in my memory.

We stood outside and looked up the stairs, my sister, no doubt, remembering the same thing I was: how Mama would come out the porch when she saw (or possibly heard) the car pull in the driveway, she’d push open the screen door and watch you walk up the stairs, her full anticipation of the visit entirely given away by the broad, boundless smile.

“You’re here,” she’d say.

Inside we walked through the house, wordless, side-by-side surveying each room. Last year we emptied it of her personal clutter, but the furniture, paintings, objects d’art and a few books remained, left in place so the house would show well. It was a bit like walking around a museum of our past – and we are the docents – taking a last tour to store our knowledge away before it closes. Soon the house will be emptied of the last of our family’s artifacts and filled with the belongings of another’s. As it should be; it’s a house that needs a family running around in it. It’s a house that has ample room for laughter and love and its walls have already been conditioned for both. It’s a house that we are obliged to say goodbye to; the most valuable thing inside it is already gone. Without her standing on the porch waiting to welcome us, it is a different house. Little by little, it ceases to be ours.

~ ~ ~

I don’t want her to be gone. I want her to be upstairs in that big bed, sleeping. I want to hear her slow steps down the stairs and the footfall of her path in the dining room and across the creaky floor in the kitchen. I want her to peek into this study and say hi sweety. I want her to offer to make breakfast and I want to taste her scrambled eggs and perfectly browned and buttered toast. I know which fork she would use to scramble those eggs, and I want to see it left on the counter as we carry the plates into the dining room and sit with the sun streaming in the window from the back porch, that window that used to be a door and then she could tell me the story I loved to hear, about how she and Daddy argued over whether to leave it a door or make it a window and in the end he’d told her – and he meant it – that she’d been right.

~ ~ ~

I’m finding myself pulled apart, teary at every turn, probably too sentimental for my own good. But how do you say goodbye to a house that was the one you came home to from the hospital after you were born, and then came home to from school every day, from college, from every other place I lived as an adult, where I surely felt at home, still, this house was still the original “home” to me. It’s not so much the things that are here – although the decisions about their distribution and disposal are fatiguing – it’s the end of that feeling of safety of what it meant to be here, even as a grown woman. So I am grieving again my mother’s departure, but also my father’s, and I suppose also the end of my childhood, and the swells of emotion that are part of this grief are giant waves to ride. After each crest, I wipe those tears away, pull yourself together I say under my breath and clear my throat and try to take comfort in the fact that these memories are all good ones and I get to keep them forever. But saying goodbye to the touchstone of those memories, that’s what’s in front of me now, and it’s daunting.

At least I am here with my siblings. In the mornings, we sit on the steps of the back porch, sipping coffee, looking out over the orchard beside our property, telling stories, making a plan for what’s to happen during the day. We have done this for years, when we lived here and when we visited; this porch is the place where you perch to slowly shake off the cobwebs of a heavy sleep and to ramp gently into the tasks of the day. Later, at wine-o’clock (or scotch-thirty) we gather around the kitchen counter, and despite the sadness that brings us together, we find a way to laugh and march forward, united as the orphans we’ve become, good friends always – but perhaps appreciating each other more than ever through this process. If my mother could see us, if my parents could see us, they’d be delighted. Perhaps the memory of your parents is best honored by acts of kindness toward your siblings.

Last night our cocktail hour held on the porch – though the wicker furniture is no longer set up so we were obliged to sit on the floor – we gathered around a box containing the last items that needed to be distributed among the three of us. One by one, my brother pulled out the small bundles of tissue paper, some of the paper so fragile, having been folded and wrapped so many times that it was softened like cotton. Inside each little package a Christmas ornament, some of them clever and charming, the little hand-knit mitten or a santa made of empty thread-spools. Others kitsch and retro: faded, striped balls with bent wire hangers, not necessarily that pretty but steeped in sentimental beauty. The obligatory ones, hand-made by us when our hands were little, faded and worn, but kept for decades and treated as treasures. One by one we admired each ornament, remembered where and how they used to hang on the tree and which ones were her, and our, favorites.

We have driven so many decisions this last year: who gets those chairs, who wants that painting, who’s taking the china, the silver, the demitasse collection. All of this achieved without a battle. This box was no different, though its contents evoked sighs and giggles and tears as each ornament was examined and claimed, each negotiation handled generously until all the little bundles were distributed. The separation of these sentimental items that lived for so many years in the same worn-out cardboard box just as poignant as the dismantling of this entire house: pulled apart piece by piece to be put in a new place, but in our memories they will stay here in this house, all together, the backdrop of a thousand stories we have the rest of our lives to remember.

I’d pass the tailor’s shop every day, on my way to the bus or the metro, or to school to get the girls. He’d wave at me and step out of his shop into the street, looking a bit like Burt Lancaster as the old Doc in the Field of Dreams. His greeting was always accompanied by a sparkling-eye smile and polite cheek-to-cheek kisses, softened by his long, white beard. As warm as he was, he retained an old-world formality. He always used vous and insisted upon calling me Madame, no matter how many times I begged him to use my first name instead.

This man, Monsieur Atlan, touched me in rather intimate places. Being my tailor, he was obliged to pinch and tuck at the curves and bends of my body. He always did this with care and respect, bordering that sensual territory that is often present between a man and a woman, especially when his fingers are dancing around her waist checking for a proper fit. Yet there was never a hand misplaced, never an inappropriate gesture or remark. He’d pin everything perfectly and stand back and give me a genuine compliment, “Vous êtes vraiment belle,” and while it was an admiring comment, it had no charge. I was safe in his hands.

“Comme ça?” he’d say, looking into the mirror at me, gauging the length of my pants has he folded and pinned them. Then he’d draw his fingers up the outside seam of my leg, to the waist. “Ici, ça va?” He’d pull the belt loop, revealing how much room gaped at the top, pinching it in and pinning it to show me how it would fit properly. He’d thoroughly inspect the entire garment, not satisfied to merely shorten the length to fit with my new shoes, but to be sure it fit perfectly at every seam, zipper, button or stitch.

Once I took him an old coat, a cream-colored leather-looking vinyl number, a hand-me-down from a friend who worked in the fashion industry. She’d clean out her wardrobe every season and pass some pretty fabulous things on to me. After years of loving wear, the silk lining had started to shred into strips. I wore it anyway, but not without occasional embarrassment. When I noticed a client eyeing the inside of my coat as I stretched my arms into its sleeves, I knew I had to take it to Monsieur Atlan.

He surveyed the coat carefully, taking his time to admire the workmanship of the stitching on the outside, nodding, approvingly. When he saw the inside he dropped his arms in despair at how I’d let the lining go. “Can you replace it?” I’d asked. “Mais oui,” he said, but the coat had to be cleaned first, and not just at any cleaner. “Most of them are thieves,” he said, picking up the phone and calling his preferred dry cleaner to say that I was coming and to please turn the coat around quickly and give me a fair price. Then we had a lengthy discussion about the lining, its color, pattern and the quality of material. As usual, what I’d hoped would be a 5-minute errand turned into a 25-minute in-depth discussion. But this was always the case with Monsieur Atlan. He wasn’t just a tailor, he was my tailor and he took seriously the job of taking care of my wardrobe. I think everyone who went to him felt this way.

His shop was a mess of material and thread and ancient sewing machines and an old-fashioned ironing stand. I’m sure it hadn’t been dusted or cleaned in years, you had to remember not to put your clothes over the bar that held the changing cabin’s curtain, the dust that had accumulated there would rub off on the very item you’d brought him to repair, or you’d walk out with a gray line across the front of your clothing. But as haphazard as his housekeeping may have been, his sewing was meticulous. And when you came to pick up whatever garment he’d repaired, you couldn’t just skip in quickly and grab it on the way home. He’d stop whatever he was doing to show you with pride the detail of what he’d done: the extra stitches he’d put in to reinforce it, or the care he’d taken to fix it from the inside. It was obligatory to admire his fine work. This wasn’t hard to do; he could fix even the most impossible garments and make them fit like a glove. Monsieur Atlan repaired more of my retail mistakes than I care to report.

Most of all, he loved my children. When I was pregnant, there was nobody in the neighborhood more thrilled to hear the news. He was certain of the gender, telling me each and every time I saw him that it would be a boy. When the second baby was apparent he made no further predictions, but doubled his enthusiasm. He marveled at Short-pants and Buddy-roo as they grew up walking down the street in front of his shop. He’d step out and beam at us as if we were his own family, repeating his mantra about how good health and the love of your family are what count the most. “La santé et l’amour de la famille, c’est principale.”

He was loved by everyone in the neighborhood. This must have sustained him when his health failed. Last winter he was diagnosed with cancer, what type was never revealed to me. He turned gray and hollow and though he worked as long as he could, soon he couldn’t and the occasions I would see him were only when he happened to be visiting the shop and by chance I would pass by.

“It’s a real battle,” he told me, “without your health.” He shook his head and his words trailed off. I finished the sentence for him, “but you have our love, c’est principale.”

His eyes still sparkled at that.

Last week a sign on the shop, which has been boarded up for most of the summer, announced a memorial service for him at the temple just across the street. I knew this was coming, it wasn’t a shock. Still I could not contain the tears as I stood on the street and read the words on the sign, again and again.

So much has changed in our neighborhood. Too many services and locally-run stores have moved away, forced out by high rents and the chain stores that have become, unfortunately, signature shopping in the Marais. Monsieur Atlan’s little old-fashioned shop and his thoughtful, attentive service remained steadfast as the neighborhood shifted from eclectic and ethnic to chic and trendy. His departure is another step away from the authenticity that was the hallmark of the quartier. I’m going to miss seeing him on the street. I’m going to miss his conscientious care of me and my wardrobe. I’m going to miss his warmth, his smile. But I won’t forget Monsieur Atlan, and I won’t forget his wise words: Your good health and the love of your family, c’est principale.

All week I’ve been mad at the world. Blame it on the rentrée, which each year feels more brutal than the previous. There is the onslaught of work that I should have done over the summer, let alone the full-time job that is getting the kids back-to-school, with the long lists of books and supplies that must be acquired precisely as indicated and the organizing of their extra curricular calendars for the year. Mothers all over the city nod at each other knowingly; a friend with whom I had a rushed lunch answered the obligatory question how goes the rentrée? with a long sigh and an eye-roll. She didn’t have to say a word.

It’s not only what you have to do, it’s how long it takes to do it. I want to minimize Short-pants’ weekly trips to the conservatory, so I went over in person to try to schedule her classes back-to-back on the same day. But nobody there could help me. An hour later I left with an email address and no certain solution. Buddy-roo is begging to take tap-dancing classes (thanks to Ann Miller and Kit Kittredge) so I rearranged several appointments in order to arrive at the dance school early enough to assure her a place on the list. That’s when I learned I that the tap-dance teacher doesn’t participate in the standard inscription process, I needed only to phone him to sign up. (Thanks for putting that in the flyer.) Once again, a reminder that I’m an outsider here. No matter how long I’ve lived here or how much as I’ve figured out how to System D on some fairly challenging tasks, I’m still slapped in the face, each and every year, with some shrugging French person who explains, “C’est comme ça.” That’s just how it is.

Sent home in Buddy-roo’s cahier de correspondance, a letter from her new teacher outlines in detail the punishment system within the classroom; no mention is made of the learning objectives or the educational climate. Oui, but it’s a traditional French school, I tell myself, why should I expect anything different? And why am I in France? These are the geo-existentialist questions that come to mind every year about this time.

So I grumble about town, muttering under my breath while running inefficient errands and waiting in line to discover I didn’t need to, feeling like the clock is ticking away while I manage all these angry details of what I wish was somebody else’s life.

~ ~ ~

Ten years ago, my mother was visiting us in Paris when some crazy men flew those airplanes into the big office towers. Like most everyone, I can tell you exactly where I was that day; just like my parents could for the assassination of John F. Kennedy or my grandparents for the bombing of Pearl Harbor. Short-pants was just shy of two months old, my mother had come over to meet her. She was so tickled to see and hold that little baby; I think she’d given up on me in the grandchildren department and it was a pleasant surprise to have a new little grand-daughter but also to see me with that child in my arms. I’d sworn off children in high school, after a particularly terrorizing babysitting incident. She’d begun to believe I really meant it.

That afternoon we strapped Short-pants into her stroller and ventured out to show my mother an artist’s squat on rue de Rivoli. I’m not sure that she was so curious about the squat, an old ceilings, ornate molding and marble fireplaces that had fallen into disuse and was then inhabited by artists who collectively managed the building. The city shrugged its shoulders and allowed them to stay, letting eccentric culture win over law-and-order and by-the-book. My mother was much amused by it, each room a working space of a different artist, some set up very typically as an artist’s studio, others more daring and whimsical, showing their eclectic work under black light or with rhythmic music to set a mood. The squat is still a working studio and public gallery; in those days it was open to the public only once or twice a week.

When we returned home, I went to my computer to check email, ignoring the news item that flashed on the welcome page, something about a plane crashing into one of the Twin Towers. I dismissed it as a light-craft error, and didn’t investigate further. Short-pants was still asleep from the walk home, I wanted to take maximize my time on-line. It was not until my sister, on a business trip in China, phoned and prompted me to turn on the television that we learned the severity of this “freak accident” which wasn’t a small plane and wasn’t an accident, either. It had all been done very much on purpose.

In the days that followed we sat, stupefied, around our television watching the crumbling towers, the jumpers, the ash and dust everywhere, the heroic fireman and rescue workers, the grieving families. It was all so horrible, yet I couldn’t take my eyes away, as if I had to see it repeatedly to believe it was true. While Short-pants nursed at my breast, I’d watch those two towers fall, again and again while her little paws beat against my chest. What kind of world had I brought this little child into? Listening to the new reports as events unfolded, and subsequent anthrax scares and the fear that gripped us all so fiercely, I thought to myself – and probably out loud to De-facto – that the world had gone completely mad and that this was the beginning of the end. Would we spiral down to dystopian religious wars and Short-pants won’t live to be ten years old? I remember caressing the soft flesh on her arm, touching the tip of her nose and fingers and toes and wondering what the world would be like in 2011. Would any of us survive? I really thought the world was about to implode in a series of well-timed terrorist plots. The outlook was pretty bleak.

Three years later, when Short-pants fell sick and I was desperately searching for the reason, I wondered if breastfeeding in front of that repetitive, horrible news had put the mysterious abscess in her head.

There was, on a positive note, such a tremendous amount of good will shown toward the American community by the French on 9/11. Families opened up their homes to stranded air passengers, people in the neighborhood who knew I was American would stop me and ask if I knew anyone who’d been in the towers or at the pentagon or on any of the planes, expressing their condolences to our grieving nation. Despite the horror of what happened, it produced an element of hope from that outpouring of thoughtfulness and solidarity, and I remember thinking how glad I was that we lived in France. It was probably safer here, and people were being awfully considerate.

~ ~ ~

I had the best intentions of taking the girls to the 9/11 memorial service at Place du Trocadéro. It rained steadily all day – and poured even harder at exactly the time we would have had to leave – so I opted to stay home and commemorate the somber occasion with the television news. Neither one of them could have any memory of the event and it’s not a subject we’ve talked about other than as an explanation for why it’s necessary to practically disrobe when we go through airport security. They fired questions at me as the coverage of the ceremonies droned on in the background: Why did the plane fly into the building? Why are those people covered in dust? Why are you crying, mama?

I couldn’t really explain why. I wasn’t trying to spare them any pain that might come from the knowledge of what happened that day. I simply couldn’t find any words, or enough words, or the right words to convey what was lost that day. All those lives, lost. All the potential memories that will never happen because a parent disappeared that day, lost. The dignity that accompanies liberty and privacy, the compassion for foreigners and (what I thought was) our signature religious tolerance – if not lost, is seriously diminished. I long for the optimism we knew prior to September 11, 2001. Even though life eventually returned to a normal rhythm, something I couldn’t imagine at all during those mad, panicked days immediately following the event – it’s still not the same. It never will be.

I didn’t lose anyone that day. If anything, I was given extra time with my mother, who was grounded in Paris, and with other close family friends who happened to be visiting France that week. We huddled together and comforted each other, watching the news, non-stop. With the exception of the nuissance of airport security, my day-to-day life is more or less unscathed by 9/11. Listening to the victims’ family members as they took turns reading out loud the names of those killed, one by one, I felt pretty silly. Silly for my exasperation about the rentrée and all its inconvenient errands. Silly and sorry for those harsh words I snapped at De-facto the other night or my impatience with the girls when they pick at each other. It all seems just plain silly when you think about what these families have endured. Just like Short-pants’ hospital scare put everything in perspective, so does this occasion give me pause to remember – and relish – how absolutely lucky I am, with all of my luxurious burdens, to be alive and breathing in this mad, mad world.

“Tell me a story from your childhood,” she pleads, “tell the one about the lost sandal.”

Buddy-roo is the captain of remorse, the herald of items-loved-and-lost. It is impossible to perform the seasonal clearing out of drawers with her present; shirts that no longer fit are still too precious to part with, she’s steeped in sentimental logic about why we should keep those pajamas, even though they are too tight to even fit over her shoulders. She still pines for her blue checked seersucker sundress, the one with chocolate stains down the front, which was already two sizes too small for her when I finally gave it to the good-will, at least three years ago.

The sandal: a white patent leather thong with a cherry-red flower stitched under the ball of the foot, visible only when the sandal was off, but when you were wearing it you knew you had a secret beneath your toes. The leather was thick and spongy, like walking on a mattress. I loved those sandals.

That summer, the farmhouse down the road was inhabited by a family with two children. It was my first experience with what is very common these days – a famille recomposée – but I’d never before met two siblings with different last names. The family was of very modest means, their clothes frayed and slightly soiled, their personal hygiene wanting, though I was admonished by my mother not to point it out and to treat them kindly and fairly despite how different they seemed. I was happy to play with a girl my own age – Linda was two years older – and I spent a fair amount of time down the road with her, though I was always slightly relieved when their brown rotary phone rang, summoning me to the cleaner familiarity of my own home which did not have the very-slight stench of urine that seemed to pervade theirs. I was always intrigued by their recklessness, how she disobeyed her mother without regret, how her brother Ray, two years younger than me and looking like a shoe-in for a casting of The Little Rascals, used to boast about riding his banana bike down the steep hill near our house at 80 miles-per-hour and pulling a 200-foot skid. To this day, my brother will repeat this claim, with the same I’m-a-little-tough-guy cadence, leaving my sister and me in stitches.

One evening after dinner I opted out of the activities with the boys across the street and ran down the road to play with Linda. The cows – belonging to the farmer who owned the property and rented to them – had been moved to another pasture so we were playing near a pond where they often grazed. We took turns running around the pond, timing how fast we could make a full lap. When I felt one of the sandals slip off my foot, I turned immediately to retrieve it, but I couldn’t see it anywhere.

The sandal had just come off – I’d taken maybe two more steps, because of my momentum, before I turned back – but it had already disappeared, sucked into the mud. Linda came around to help and the two of us, on our knees, pawed away at the dirty, muddy soil in search of what should have been a clearly visible bright, white shiny sandal. I heard the phone ringing in her house but ignored her mother’s shouting out that I had been beckoned home. I couldn’t leave. I had to find that sandal. Dusk was turning night; we could barely see what we were doing when my sister came down the road to fetch me.

She promised that we’d come back first thing the next day and search until we found it. It couldn’t go too far overnight, she reasoned. I could not believe that my favorite sandal had vanished into the mud and that I would have to leave without it. I hobbled home, one sandal on one foot, in tears.

The next morning, my cereal bowl half-finished, I ran down to hunt for the lost sandal. Hours of searching and digging and crying followed. It never surfaced.

This cursed event occurred forty years ago. All these years, every trip home to visit my mother or to look after the house, I pass that pond and think of my lost sandal. Linda and Ray are long gone, that rickety house has been cleaned and renovated, its lawn now mowed and manicured. But the pond remains, just as it was; often circled by cows that turn and stare at me, just like the cows before them, pretending they don’t know where my precious patent leather flowered sandal has gone.

I’ve told Buddy-roo dozens of stories about my childhood: of cherished Christmas rituals, of piles of fragrant autumn leaves, of lemonade in striped glasses sipped under the split-leaf elm, a chorus of summer crickets and fireworks viewed from our cupola. Yet this is the story she remembers most and wants to hear again and again; the one about my treasured sandal, lost forever.

“Do you still miss that sandal?” she says.

I picture the lonely sandal – I refused to discard it – gradually falling to the back of my closet, tumbled under each autumn’s new pair of Buster Brown school shoes, until years later my mother insisted, during a spring-cleaning rampage, that we throw it out. Perhaps this is why it took three years to give away that seersucker dress that was already too small for her, and why those beloved pajamas still reside in Buddy-roo’s drawer. The love of those lost, treasured items – or treasured items about to be lost – seems to run in the family.