Maternal Dementia

I have always been the documenter of our family’s history. As a child I would stack together multiple pages of paper, folding and cutting them to create pocket-sized books. I’d write about our family rituals or offer how-to advice. These books were a source of great entertainment to my family and good fodder for teasing me, still, to this day.

My most famous title, The U.D.T. Rool Book, a palm-sized field guide I wrote when I was 7-years old, described, step-by-step, our family’s summertime swim-in-the-lake ritual, as practiced by the Underwater Demolition Team (U.D.T.), a club invented by my father to get us out of bed and in the lake every July morning. Another family favorite: the handy pamphlet titled
The Key to Popularity, my very first (circa 4th grade) effort at parody, a tongue-in-cheek embellishment of my mother’s theory that if she just made sure we all learned how to ice-skate and water-ski, we’d be popular.

As happens with the artifacts of our childhood, these little books disappeared. And then, during renovations or severe spring cleanings, they re-appeared. When my mother recovered The Key to Popularity, probably in the back of some drawer, she put it in its rightful place on the kitchen counter, in that the space that is a magnet for all manner of junk – those old, chewed-on, unsharpened pencils, pens that no longer work, worn nail files, remnants of note pads, tchotchkes and campaign buttons – the miscellaneous counter in our kitchen (we all have one, don’t we?) where things just end up and somehow, stay there.

Every time I went to visit my mother, The Key to Popularity was still there, wedged in a square lucite box meant for Post-it notes that were used up over a decade ago. This little book, like many of the masterpieces I authored as a child, was a charming chapter of our family jokelore; she couldn’t bring herself to throw it out. But I cringed every time I saw it.

When my father died, at the age of 59, we assembled in shock, unprepared and unbelieving. Things we’d meant to say had gone unspoken. Nothing so dramatic that he didn’t probably know already, but still, it felt as though he was plucked away from us; his life was interrupted. The painter who made a portrait of him, later, purposefully didn’t finish the canvas, in homage to his unfinished life.

On the day we buried him, prior to the mass, there was a small private service at the funeral home, the last viewing of his body before the casket was closed. We stood around him, shedding tears – and giggling. “What are you all chuckling about?” my mother asked, mildly perturbed as she approached us at the casket. She saw the little trinkets and photographs we’d placed beside him and she smiled. When I showed her The U.D.T. Rool Book tucked in the breast pocket of his blazer, she took my hand and squeezed it. She even chuckled with us when she saw what had been slipped under my father’s lifeless arm: the previous Sunday’s New York Times crossword puzzle and a sharpened #2 pencil. “You kids,” she said.

How many times I heard her say that: You kids.

But the truth must come out: It was my mother who started the tradition of doing the Sunday Times crossword when my parents were dating in college. She was, by her own report, quite skilled at crosswords – more adept than my father. But she figured out quickly that if she didn’t answer all the clues she knew right away, it would take longer to finish the puzzle, elongating their afternoon date. This was a surprise to me; I’d always associated my Dad with the Sunday crossword. I asked her about this and she shrugged. “He got so good at working the puzzle, I let him take it over.”

My mother told us, knowing it was futile, not to put anything in her coffin with her. I teased her that I would bury her with the family carrot, but in the end I had a better idea. I tucked The Key To Popularity in beside her, next to the white satin interior of her casket, just a little helpful guidance for heavenly social interaction.

There was something else lying around on that kitchen counter: a hand-made oragami oracle that Short-pants gave to my mother last year, to “help her with important decisions.” Constructed out of intricately folded paper, this device resembles an egg carton in which you insert your thumb and index finger and move the triangled peaks this way and that way. With a ritualized guess of numbers and colors, the correct answer to all-important questions can be divined, much like the famous 8-ball, with oracle-like responses under the folded flaps: Yes, of course or Maybe not.

Though I was not present during the days that my mother made her decision to stop treatment and enter hospice care, I have this fantasy that she stood, leaning against her kitchen island, moving her fingers back and forth within the folded paper, asking the question, “Is it time to go?” and that Short-pants’ oracle gave her the response that settled it once and for all.

This folded contraption was also placed in the casket with my mother, in case she needs to make any decisions in the afterlife.

My mother’s mother, my Grammy, used to tell us that she and Grandpa had a plan to meet up after death at the entrance to Macy’s on 34th street in New York. When she died, I imagined some purgatorial dimension where their fantasy was lived out, returning to the roaring twenties that belonged to them when they were roaring, in their twenties, and finding each other again.

So I imagine my mother, holding her edition of The Key to Popularity, meeting up with my father, with the original U.D.T. Rool Book in hand, comparing notes about the memories of their happy life together. “Sure glad she wrote it all down,” they’ll say, marveling at my little handbooks, “so we’ll never forget.”

And then Daddy will pull out his copy of the New York Times Sunday crossword puzzle, and they’ll work it together, for eternity.

Why is it a man who gets all the credit for Christmas?

Santa Claus, Père Noël, Father Christmas; they’re all guys. I don’t see this as a holiday powered by men. Sure, there must be exceptions – wonderful, thoughtful, fatherly anomalies – but I would wager that in most households, it’s the mother who’s driving the Christmas train.

This is not meant to dis De-facto. He even agreed to come with me, this year, to do the Christmas shopping for Short-pants and Buddy-roo. But on the designated day, our downstairs neighbor knocked on the door complaining about a leak (endemic to this ancient part of Paris) and De-facto felt obliged to take on the task of plumbers and insurance forms. As much as I dislike shopping with throngs of people in an overheated department store, it beats waiting for a plumber and filling out French paperwork. So I plunged into the store myself, and came out, two-plus-hours later, exhausted and thirsty.

Christmas is not a holiday for mothers. We’re working. Up to the event, and all through the day.

There’s a lot to do: the wrapping – and hiding – of all the presents, the baking of cut-out cookies in all the Christmas shapes, frosting them when
they’ve cooled and decorating them with colored sugar. The tree has to be trimmed. Okay, maybe we find some strapping guy to carry it in and string up a few lights, but it’s usually the chicks who are hanging ornaments and recounting childhood Christmas memories. Meals to be planned, food to be ordered, good wine and champagne to be selected – the day has to be at least a little bit choreographed if it’s going to come off.

And I have it easy compared to my mother. She managed a much more complicated production than the modest holiday traditions we have. She pulled out the good china, silver and crystal for every meal, preparing gourmet menus for Christmas day brunch and dinner, all this while making beds for out of town guests and shuttling people to and from the airport.

With all due respect to my father – a fine man and a great dad – his contribution to the preparation of Christmas was, as most men of that generation, minimal. My mother was the engine behind the holiday. Most of the gift tags “from mom and dad” were written in her elegant handwriting. There’d be at least one present that you knew my father had selected himself, labeled with his distinctive signature, but it was always one of the last gifts to be placed under the tree. He was the king of Christmas Eve shopping and its end result, what he proudly called the hot wrap; gifts wrapped so close to the moment they’re opened that the paper hasn’t had time to cool.

Well, that’s one tradition that my li’l nuclear family here has taken on with aplomb. This year is no exception.

Another tradition that’s made the cut: the Christmas morning Bloody Mary break. With a fresh stick of celery, it’s a festive red and green holiday cocktail that quenches your thirst throughout a long morning of gift opening. This was also my father’s idea. So I guess he did contribute to Christmas, in his own way.

I remember my mother getting stressed out about Christmas, and I’d think to myself, “what’s the big deal? We’re all together aren’t we? We could eat peanut butter and be happy!” But when it was my turn to host a few elaborate holidays with out of town visitors, festive menus and thoughtful gifts for everyone, I finally got it. If you want the holidays to be special – the kind that makes memories your family will cherish – it takes work. And maybe a little vodka.

There’s an old Irish custom – I don’t know how much it’s practiced any longer – to celebrate Women’s Christmas on January 6th, the day of the Epiphany. Legend tells that on this day, the men take on the household tasks and give the women a day off. Now that’s a Christmas present.

So guys, give the moms in your life a break. And please don’t wait until January 6th to do it. Christmas is a beautiful day, but it’s hard work being Mère Noël. Lend a hand, and let her put her feet up.

“I can’t figure out why you were at Fifth Avenue,” my mother said. This would explain her rather lukewarm response to my post about finding her childhood home. “Your aunt didn’t think that was the house, either. We lived two houses in from Third Avenue.”

What?

Hmm. I’m pretty sure I read her email correctly. I remember going back to it again and again and again to check, before plotting out on the map where to go to trace her housing history. And what about that woman I met, at the
brownish house? She’d recognized the names of my mother and her sisters and pointed to a house, down the road. Was she just being polite? Had she really known the maid who’d told her stories about a family with three daughters who lived down the street – only it wasn’t two doors away, but one full block down the street?

There I was penning flowery connecting-with-my-mother’s-roots posts about my trip like as though I was writing for some (ahem) Condé Nast travel blog, all the while standing in front of the wrong damn house. Let us just remember, for the record, what this blog is about. This is exactly what happens when the act of having children has extracted all your brain capacity. Before giving birth I used to be mentally sharp, but now my mind is sieve-like and feeble. And oh my, isn’t this a quintessential example?

Just as quickly as I realized that I might have misread the address, my mother acknowledged that she’s gotten a few details wrong in the last months so maybe it was her error. In the end, we agreed not to dig into our email archives to check the message. There’s nothing to win for being right.

It’s not like it’s a catastrophe. I was close enough, crossing back and forth over Third Avenue when I wandered the streets of her old neighborhood. I probably walked right by the house. I went to a restaurant just a few streets away, twice. If I ever go back, um, at least I’ll know where to go.

This morning over coffee, my mother and I looked at photographs. Clicking through my digital albums on iPhoto, I told her the story, day-by-day, of my trip to Havana. She fetched her vintage photo albums from the back of the cupboard in the living room. Square black and white photos with borders,
mounted on pages of heavy black paper, told a long-ago story of her early years in Cuba. A picture of her friends sitting on the railing of the balcony of her old school matched a shot I’d taken of it when I was there. Her graduating class, a chaperon seated behind each girl, posed on a set of stairs where I, too, stood for a picture in the interior of the schoolyard.

“That’s on First Avenue, by the ocean,” she said, tapping her finger on a picture of a three story building, “the house that’s no longer there.”

Except it was there. I’d seen it.

She’d been so certain that this house had been torn down; when she was in Havana eight years ago, the driver of her tour bus had (allegedly) taken her to it only to show her an empty lot. She assumed that any house on this corner would be a new one – and so did I.

I rushed to open my computer, and called up several photographs. We put the before and after shots side-by-side, comparing them, window by window, detail by detail – everything matched:

The current version is slightly altered by an addition on the back, and it has a more elaborate wall around the outside of the property than it used to. But it’s undeniably the same house.

So in the end, the house that I thought I saw, I didn’t see. The house that I thought I couldn’t see, I did see. Between the two of us, my mother and I read it wrong, wrote it wrong, or remembered it wrong. But somehow, the two wrongs make a right. I’m thrilled to have seen this house first-hand. Now I have a picture – in my mind as well as my camera – of at least one of her childhood homes.

One last Cuba moment that seems worth the telling:

On the last night of the conference in Havana, there was a gala reception featuring the Tropicana Cabaret dancers on a stage constructed in the courtyard of the Museo Nacional de Bellas Artes. Everyone got all dolled up. Papaya-champagne cocktails we placed in our hands as we entered the museum. A swarm of servers in black-vested uniforms hounded us with trays of hors d’oeuvres.

The music was live and loud, the spotlights were hot and blinding, the dancers were costumed in wild colored giant plumes (and that’s about it). I’m glad I got to see a few numbers; it seemed appropriate to sample this part of Havana’s decadent history. But my colleagues and I all agreed, we’d rather go to a club where we could dance, too. And we were hungry, because the hors d’oeuvres, though annoyingly abundant, left us wanting, um, something else.

We left the museum and walked down the street hoping to make our way to a restaurant, a paladar that I’d been to earlier in the week. We happened by the entrance to the Bacardi Building, an historic art-deco skyscraper. I remembered my mother telling me that her father’s office had been in this building, so I stopped to take a photograph. The door was open and it was light in the lobby, so I crossed the street to peek inside. A guard stood beside the curved reception desk, which was marked with an ornate capital letter B. He gave his permission for me to take pictures, and beckoned me inside.

While I was framing shots of the elegant old post box and the decorated elevator doors, he asked if I’d like to go up to the top of the tower of the building. By now my three colleagues had found me in the lobby and they, too, were admiring the marble interior. Of course we wanted to see the tower. Another guard went to fetch a key, and motioned us toward the elevator. We rode all the way to the top floor and then climbed four more flights of narrow, jangling, metal, spiral staircases until we got the uppermost balcony of the building.

There it was, the view: the nightscape of Havana. The wind was a warm blanket on my bare shoulders, and the rows of dull streetlamps blurred as they webbed out to the edge of the city, beyond my view. It was one of those moments, where you stop to consider where you are and why. I knew I was privileged to be able to visit Havana, but I was also aware of the privilege my mother’s family enjoyed when they lived there. They were expatriates, I suppose much like we are expatriates here in France, borrowing someone else’s culture to live out a dream.

Returning to the street level, I thought about Grandpa, and how he must have stood in that elevator hundreds of times. Of course the building has been renovated since he worked there six decades ago, yet it appears as though nothing significant had been changed, just a fresh coat of paint. It probably looks much the same as it did then. He must have come through that lobby every morning and every night. He walked on these floors, long ago, ages before he even knew me as the little impish grandchild who begged him always to “itch my back.”

It made me think of going to my father’s office when I was a little. It was such an other world place. I felt important when I was there, even if I was just sitting on the polished wooden chairs in his waiting room looking at the rows of leather law books lining the shelves. It smelled like cigarettes and serious business.

Later I wrote to my mother, to tell her about my impromptu visit to her father’s office building. She emailed back:

When I was little and my father worked sometimes on a weekend, I would go to the office with him. I loved having so many pencils at my disposal and a pad of paper that said Old Time Molasses Company on it. I felt so important, like a secretary! And also when I went to the dentist on another floor of the building, I would always go up to his office and say hello.

What is it about being little and going to your father’s or mother’s office that makes you feel important? Short-pants and Buddy-roo don’t know that pleasure. The only office De-facto and I go to is a virtual one, meeting our colleagues around a digital conference table, video-shots of our heads bobbing up and down on bright-colored avatars. But that’s another post.

It reminds me how many memories that we keep are associated with where they took place. When I’m in my childhood home – and I’m lucky enough to still go home to that house – I’m haunted by the stories of my past. But even if you can’t go in to the house or dorm or school or office that used to be
yours, just being in close proximity can conjure up a cascade of feelings and facts that are otherwise forgotten. But what if you can’t go back to touch those places again? My mother’s family left Cuba in 1948, not unaware of the political unrest in the country, but still, a decade before the revolution. They never expected that they wouldn’t be able to easily return to see the touchstones of their life there. How many memories, I wonder, are locked up in all those unvisited places?

His name was Javier. His business card had a picture of a taxi on it – a shiny new cab that looked nothing at all like the one he actually drove. I suppose I could have taken any cab, but I wanted him, the grumpy cab driver who’d slowly been drawn into my little pilgrimage. By the time he’d returned me to the hotel after visiting my mother’s old school, we were chatting away about her life in Cuba in the 1930s and 40s. He’d volunteered to drive me again, if I wanted to go back to the school, or anywhere else.

On my first day in Havana I spent hours walking around my mother’s old neighborhood. She’d given me the coordinates of two houses her family had lived in, both within blocks of each other. One of them, a house that looked out over the ocean on la primera avenida, had been torn down and replaced. I took several pictures of the view from the corner where the house would have been, imagining a younger version of my mother, standing there herself, watching the wild waves and the windy palm trees.

The other house they’d lived in was a few blocks inland and a few blocks over, just south of Avenida Quinta, the main avenue for traffic into the center of Havana. It must have been a posh address way back when – maybe it still is. Some houses are in various states of disrepair, but many of the homes are truly grand. Among them, embassies or residences belonging to consulates of the countries that have diplomatic ties with Cuba. This was something I saw all over Havana, the contrast of things abandoned and things restored, out of step but strangely at ease with each other, side by side.

She’d described this house as “the second one in from the southwest corner, with a patio and an iron gate.” I found what was technically the second house from the corner; it was mammoth, almost Soviet in construction. But it had what might have once been a patio (now filled with shrubbery) and an old iron gate.

Connected to it was a one-story, modern structure that seemed to be well trafficked, with a café and a small boutique. I walked in and found a friendly-looking black-vested waiter. I explained, in my faltering Spanish, that I was looking for the house my mother had lived in more than 60 years ago and how she’d told me it was the second house in from the big avenue. “Es aqui?”

He took me by the hand and walked out to the street. (This happened often, if I asked a local for directions, they’d drop what they were doing and offer sincere assistance; I encountered many acts of kindness in Cuba.) He explained that the parcel of land on which this cluster of buildings was constructed was once a garden. He escorted me down the street, pointing out three older, more traditional houses. One of those, he said, was probably the house I was looking for.

Well of course this made sense. It didn’t seem right that my mother’s old house would have been such a fortress, a cold cement building that now housed the offices of a government agency. As I walked down the block, it occurred to me that any one of the refurbished, newer-looking homes might have been raised on what had once been someone else’s garden, so that that my mother’s house could be further down the street than I’d expected.

Which is why I’d taken pictures of every house on that side of the street and sent them to my mother, via a Picasa link. The Internet was surprisingly accessible from my hotel, with a only a few exceptions: the emails I sent to a some select people, including her, mysteriously disappeared into the ether. My sister somehow could receive my messages without hindrance, so she acted as the go-between, forwarding the link. After studying the pictures, my mother wasn’t completely certain, but she thought one of them might be the house: an old dirtyish brown one with a balcony across the front.

Armed with that information, I called my taxi driver on the morning of my last day in Havana, and asked him if he’d be willing to do some driving and waiting while I went to explore what might have been my mothers childhood home.

By now the street where she’d lived was familiar to me, I’d passed by it dozens of times going to and from the center of Havana during the last week. Javier drove up in front of the brown house and stopped the car. “Buena suerte,” he said, out the window, as I was crossing the street. He was wishing me luck.

I started by taking more photographs, which attracted a bit of attention. When people came out of the house to see what I was up to; I asked their permission to continue. Nobody objected. One man with a friendly, round face introduced himself to me, his name was Miguel, and offered to take me inside the house. Three small children stood on the porch stoop. I knelt down and asked if it was okay to take their picture. They were unafraid, and very polite. I told them that I thought my mother may have grown up in this house, in their house, many years ago. “¿Se duerme en mi cama?” No, I don’t think she slept in your bed, I answered. We all giggled.

The house had surely been the home of one family many years ago, but now it was partitioned into many tiny apartments. I was moved by the poverty of one apartment; then another beside it was comfortably appointed. The common walls in the hallway were chipped and aged, the paint had come off unevenly, leaving a mosaic of colors. Miguel ushered me up the stairs and into an apartment that smelled of onions cooking. An older man, caramel skinned with gray hair, was hunched over on a single burner on the front balcony. He invited me to stay for lunch. I declined by pointing down to the street and waving at Javier, who was waiting for me in the car. He waved back.

Miguel told me the name of a family who had lived in the house, long ago, but it didn’t match my mother’s first or maiden names. I still couldn’t be certain that she’d lived here. But just in case, I snapped as many pictures as I could. I moved around to the side of the house, where a long driveway led to a screened-in porch with two dogs inside. I walked down the driveway to see what the back yard might have looked like, and a young woman came out and greeted me. Again, I was invited inside. Her mother sat on a couch and patted the chair beside her, motioning for me to sit. She’d known someone who lived in the house before, but the names she rattled off were nothing like my mother’s. I wasn’t getting a confirmation from anyone; I couldn’t be sure that this was the house.

When I explained that my mother was one of three daughters, and I named the three girls, the older woman got very animated. “¡Sí, sí, sí!” Yes, she remembered hearing about a family with three sisters. They lived two doors down the street, in the house that was now painted blue. I felt like a detective! At last, the clues were coming together. This house wasn’t my mother’s, but now I knew which one she had lived in.

I chatted with the women a while longer. They tried to tell me stories, I did my best to understand their clipped, Cuban accents. I took more photos. I said gracias no less than one hundred times. When I left, we embraced.

I nearly ran down the street to the blue house, which is now an office-storefront for a cellular phone company. This would have been the second house on the street. The big cement fortress had probably replaced what had once been the first house on the street, with its ample garden extending all the way to Avenida Quinta.

I had a picture of the house from an earlier visit, but it had been taken at sunset. It was hard to see. I wanted to at least get a shot of the outside with full daylight. A uniformed security guard eyed me as I raised my camera. He put his hands up to block me from taking a picture. Javier got out of the taxi and came over to help me, to explain. The guard was adamant. No photos.

But it didn’t matter, really. At least I knew which house was hers; now I had a visual bookmark for all the stories my mother has told me about her childhood.

“¿Y ahora?” Javier wanted to know where to go next. I told him the address of the other house she’d live in, the one on la primera avenida. I wanted to go back one more time.

We pulled up to the corner and parked. Instead of staying in the car, as was his custom, Javier got out and followed me across the street. We stood on the sidewalk, looking out at the water. I took out my camera. He asked if I wanted him to take a picture of me.

“No, gracias,“ I said.

I’d just wanted to take one more photograph, one last shot of that short stretch of beachfront, looking out at the ocean, so I could show Short-pants and Buddy-roo a view that their grandmother might have had while growing up on the beautiful, haunting, island of Cuba.

He was aloof, my taxi driver. I’d negotiated with him before we left, ¿quánto cuesta? to go to an address that wasn’t exactly specific – someplace near the corner of two numbered streets, somewhere in the district called Marianao, the address that my mother had given me after writing to an old friend who would remember it, of her school when she was growing up in Cuba. He seemed bothered by my task: that I wasn’t sure exactly where I was going, that I’d be needing him to wait.

I’d had so many nice cabbies – highly spirited drivers who gabbed away during the drive from our hotel to the city center, pointing out landmarks or making jokes about passing through a time machine to be in their country. But this guy was dour, humorless. Instead of making small talk, I stared out the window, scanning the rows of faded pastel houses and dusty buildings. I hoped we would be able to find the school, and wondered if it still was a school, if it even existed anymore.

We took another route. Not the high road, the habitual drive along the big avenue by the ocean and into the old quarter of the city that we so often followed, but the low road, plunging into the grid of streets of a part of the city most taxi drivers assumed we did not want to see. At the designated crossroads, I asked the driver to wait. He agreed by a grunt, and I got out to hunt for the hallowed building that might be a school. I aimed my camera at a small square stone on the corner of the crumbling sidewalk, registering the intersection where I stood, to use as a marker later when I would review the photographs.

A man on the street watched me, with curiosity, as I snapped pictures of the sidewalk. He wore a careful smile and a pressed plaid shirt. He didn’t look like he was on the make, so I took the risk, in my simple Spanish, to ask him if he knew where to find the Colegio Buenavista.

He surveyed the corner to get his bearings. He pointed his long brown finger up the street. He told me he knew where it was because his brother had gone to that school, long ago. I decided to tell him that it was also the escuela de mi madre. I made a waving hand motion to the side of my head – it might be the universal signal for “a long time ago” – a visual to reinforce that I was speaking of many decades in the past. I asked him to describe the school to my taxi driver, and hoped the transmission from one local to another would be more efficient. He agreed and followed me to the car, a beat-up squared vehicle that reeked of gasoline. I heard him describe the building, and its placement further up the street. My driver shrugged his shoulders, agreeing to take me there but with a complete absence of enthusiasm.

A few blocks later, the driver stopped the car and pointed. I stepped out of the cab before a grand edifice, colonial and ornate with a stately gate. The building looked like what an old school should look like, with a symmetrical stairway like dignified crossed arms in the front of the building, a grand gaping balcony on the second floor smiling down. The paint was fatigued and chipped, but at one time would have been a brilliant turquoise blue. It looked like a sad, old, aristocratic lady, dressed in her worn, out-of-fashion finery just to walk around the block, elegant in a faded, nostalgic way.

I climbed the staircase. At the landing on the second floor, and old couple sat in unmatched chairs. I meekly greeted them, not wanting to impose, but oh so curious to even peek inside. I explained my pilgrimage, and they responded in rapid-fire Spanish in what was clearly affirmative. “Despacio, slowly,” I begged. Yes, it was the school, though now it was divided into apartments. But it had been the Colegio Buenavista, along with the building just beside it, which remains a school to this day.

They opened a door, motioning for me to go in. I entered a wide school-like hallway with a vaulted ceiling, painted nearly the same blue as the building’s exterior. The colors of the tiled-floor were slightly dulled by time, but otherwise in perfect condition. Looking down a stairwell that was once filled with young students scrambling up the stairs, I saw someone’s laundry hanging in a ventilation passage. The faint smell of garlic taunted from the back of the building.

I pictured my mother standing in this hallway, holding her books, laughing with her classmates. I imagined the rushing about of young uniformed schoolgirls, and her among them. I thought about Short-pants and Buddy-roo, and how they disappear each day into the private mystery of their at-school lives, coming into their own, just as my mother made her way here, in this very place, years ago.

They suggested I visit the building next door. After lots of nodding and smiling and many muchas gracias, I made my way to the driver and motioned where I was going. There, a concierge of sorts listened to my explanation without compassion. The man I’d seen earlier – in the plaid shirt, the one who’d directed me here – appeared on the sidewalk behind me. No doubt his curiosity had kicked in, so he’d turned up to see what was unfolding. With his intervention, the woman cautiously opened the door for me. It was late afternoon and school had let out, but a few children remained and the women there – teachers, cleaners, administrators, helpers – gathered around me. Once they heard I had come from France, another woman appeared, a French teacher, and we were able to converse with full comprehension. Yes,
this had been the Colegio Buenavista. Now it operates under a different name and is a state-run school. Another woman appeared and offered to escort me around the school, a one-story building laid out like a motel, with a wide open courtyard between the long rows of doors and the covered walkway. Aqui, she pointed down an alley on the side, these were the main classrooms.

I lingered as long as I could, in broken Spanish and in better French conversing with them about the school and its students. Mindful of my waiting driver and also wanting my local visits to be discreet – for my own safety as well as theirs – I thanked them all and left, even though I wanted to stay. You can come back tomorrow, they told me, when school is in session. Yes, maybe I will, I’d said. I wanted to, really.

In the taxi I turned and watched out the rear window as the two buildings shrunk from view. I didn’t expect it to be emotional, making this little side trip to visit my mother’s old school. I saw it as a quick errand, just going to visit an old building so I could surprise her with a few photos of her past. Not until I was standing in these buildings did I feel the sense of a history – not just a general history of a place from another era, but a specific touch point in the history of someone so near to me. I didn’t expect to be so moved. I didn’t expect to be overwhelmed. I didn’t expect my eyes to fill up with such wet, heavy tears.

“Hotel?” the taxi driver asked. His dark eyes in the rear view mirror softened when he saw that I was crying. By now my mouth was surely a grimace, the one that accompanies tears we try to withhold. He turned to look at me directly. He smiled, and then, in his broken English, “Where you want to go?”

Home is what I wanted to say. Home, now and fast to my mother and to her arms and her stories. Home to her to hear everything I possibly can hear while she’s still here to tell it. Home to appreciate who she was and who she became. That’s what I wanted to say. Instead I said, “Sí, to my hotel.”

It’s not easy, maintaining the myth of the tooth fairy.

I’m not sure why I feel compelled to perpetuate this little legend. It’s a lie.
I suppose it’s an automatic reflex: The tooth fairy comes to take away our children’s teeth because our parents told us she (it is a she, right?) came to take away ours. Just like Santa Claus lives at the North Pole and rides behind his preternatural reindeer on Christmas Eve because that’s what our parents told us, so we tell our kids. Say all you want about how Santa exists in our hearts and in the spirit of Christmas, but no matter how you dress it up: it’s a big fat lie.

Last summer, Short-pants expelled a baby tooth that had been hanging on for over a month. She was so excited that she put herself to bed early, the tiny piece of enamel centered under her pillow, waiting to be magically traded for a coin, overnight. The next morning she galloped down the stairs in tears.

“The tooth fairy didn’t take my tooth!”
Oh Shit, I said. (Not out loud, though.)
“That can’t be,” I said, audibly.
“It’s true,” she said, lifting her cupped palm up toward me. There it was, that little tooth, the same one that had fallen out of her mouth the afternoon before.
“Wait a minute,” I said, “What’s today’s date? Are we in…is it August?”
“Yes?” she said, verging on hysteria.
“Well of course, the tooth fairy must be on vacation!”
“Really? On vacation?” she said, reining in her sobs, hope in her little voice.
“Everyone in France goes on vacation in August. It’s the same for the tooth fairy.”

De-facto quietly shut the door to his office.

“We just have to try again,” I assured her. We agreed to put the tooth under her pillow the next night, and again the next night – every night in August if necessary – until the tooth fairy returned from her holiday. (That tooth garnered 2 euros, btw, double the usual booty.)

Should I have told her the truth? “Mama was supposed to sneak upstairs and take the tooth from under your pillow and replace it with a one euro coin, but as a result of a 10-hour brunch in the courtyard with Ricky and Lucy, she fell asleep before you did.” (And why does mama speak about herself in the third person on occasions like this?)

Or more brutally: “I forgot.”

Two weeks ago, Buddy-roo’s front bottom tooth was wiggling; this would be her first tooth to come out. I was about to leave for a 10-day trip, De-facto would follow several days later to join me for a work assignment. I worried, what if the tooth fell out while we were gone? I wrote a note to our babysitter – she’s loyal and reliable but from another culture that doesn’t have a tooth fairy – explaining this ritual. She heeded my request but because Buddy-roo wanted us to see the tooth before it was relinquished to the fairy, it was put away for safekeeping. When we returned, the babysitter
went to get it from the basket on top of the microwave oven, where she’d put it, but looked back at me in a panic. She uttered one word, the name of our cleaning guy, and the whole story was clear.

“Wait,” I said to Buddy-roo, who was impatient for me to examine the lone tooth. “I really want to see it, but I have to do one thing first.” I nodded at our babysitter to let her know I had a plan. I ran to my bedroom closet, dug into those precious jewelry cases stashed in the back, and pulled out one of Short-pant’s little lost teeth – probably the same one from last August. Returning to the scene of the crime, “Now, let me see that tooth,” I rummaged around the top of the microwave, pretending to find the tooth that had been left there. Buddy-roo even inspected it herself and couldn’t tell the difference. Crisis averted.

Essayist Paul Graham suggests that adults lie constantly to their kids for a number of possibly legitimate reasons: to protect them, to preserve their innocence, to maintain our authority – or sometimes simply to keep the peace.

We arrive at adulthood with a kind of truth debt. We were told a lot of lies to get us (and our parents) through our childhood. Some may have been necessary. Some probably weren’t. But we all arrive at adulthood with heads full of lies.

Will my daughters resent me when they discover this? I never held it against my parents. Why? Why didn’t I resent being lied to? Will my girls forgive me when they find out the truth about Santa? The Easter bunny? The tooth fairy? And anything else I might have to make up just to help them make sense of this world?

I asked De-facto if he was uncomfortable with the ruse of the tooth fairy. He said losing a tooth could be pretty traumatic for a little kid. Maybe knowing the tooth fairy sees value in this small spare part makes up for the shock of having it fall out of your mouth.

So I lie to my kids. Sometimes for their own good. Sometimes for my own sanity.

Like the time we let the girls watch Sophia Coppola’s film Marie Antoinette. It’s one of those films made for an adult audience, but it’s nuanced enough that the girls can watch it. At the end of the film, there’s a scene in which Marie Antoinette is being taken away in her carriage and she looks out the window at the Petit Trianon for the last time.

“Where is she going?” Buddy-roo asked.
“They’re taking her to prison.” I said.

Then there’s a shot – maybe the last one in the film – very slowly panning the boudoir of Marie Antoinette and Louis the XVI, which has been totally
trashed by the angry mobs of protesters that made their way to Versailles.

“But why did she go to jail?” Buddy-roo asked.
“Because she didn’t clean her room.” I said, nodding at the screen, “Look.”
“Oh,” she said, “She really went to jail because she didn’t clean her room?”
“That’s right.”

When I was her age, I don’t think I believed in my own opinion anywhere
near as much as she owns hers. At six – not even, she’s still a few weeks shy – she has an abundance of self-esteem. She stands, solidly planted, unquestioning in her dominance. At the park she reigns. She barks out orders and her friends comply without complaint. They seem happy to do her bidding. Nobody messes with Buddy-roo.

Yesterday an argument between sisters came to blows and resulted in two girls in tears. Buddy-roo, frustrated at her sister’s unwillingness to follow orders. Short-pants, annoyed at the repeated, relentless, nagging request that would not accept a polite, or even an impolite, no. It was one of those situations where a brief separation was the best solution.

Buddy-roo sulked beside me in one room, refusing to discuss or debrief the angry encounter with her sister. “I’m not talking to anyone,” she said, “even you.” Sometimes when I’m mad, I just need to be mad, so I understood. I read my book while she curled into a ball beside me. She wanted me close, but quiet, which is just as well because I don’t know what I could have said that wouldn’t have just made things worse. I could equally query one about being relentless and the other about being inflexible. Three sides to every story.

I overheard De-facto in the other room telling Short-pants about his grandmother, how when she was 2-years old – or so the story goes – her grandfather, a man with a friendly Irish name but a gruff Irish disposition admonished her for climbing up a bookcase. Much to the surprise of the rest of her assembled family, all of whom trembled before the overbearing man, she glared back at him over her shoulder from the third shelf and retorted, “You don’t own me.”

De-facto always has a good story, and knows exactly when to share it; this one perfectly timed to strengthen Short-pant’s intended resolve against her bossy little sister.

Short-pants returned and stood in the doorway. “You don’t own me,” she pronounced. Buddy-roo regarded her, unimpressed.

A little while later, I heard the two of them playing together upstairs. They fell into their imaginary world of pet-shops, fairies and princesses, as though nothing had ever come between them.

I have a childhood memory – it can’t be exactly true and yet it resides in my visual recall – of playing with a ball of mercury. Maybe it was in a science class? Or else a thermometer had broken and maybe it was my brother showing me but not letting me touch? I can’t remember, except for an image that is engraved in my mind. The wild silver ball slipping around the ring of a porcelain saucer, the force of its motion breaking it apart into dozens of little balls and then easily fitting itself back together in one seamless piece. How immediately it could fracture. How permanent it looked once re-bonded.

Sometimes my experience of mothering two daughters is like looking in one of those three-paneled mirrors in a department store fitting room. I see myself straight ahead in the center. Flanking me, one on each side, I see the girls, turned slightly toward me, surrounding me, reflecting at me their actions and dramas, reminiscent of some part of me. Oh, there I am, part defiant, stubborn and bossy – as a young child I confidently wrote letters to my teachers pointing out their errors, and there are abundant teenage tales about how I head-ached my parents. Oh, there I am, the sensitive, uncertain one, eager to please – I was always compliant about things like homework and helping with the dishes, and I excelled at making polite conversation while serving hors d’œuvres at my parents’ cocktail parties.

Oh, here we all are.

I suppose it’s natural, but it’s downright creepy sometimes, how these two girls produce this reflection of me. I’m not sure if I want to encourage them heartily or apologize profusely. But I need only turn the other direction to observe my own mother, and to see – stunningly – how much of her they must see reflected in me. How much of her – I finally understand, now that I’m mothering – is now so much part of me.

It’s like we’re all part of that ball of mercury, temporarily split apart but within view and shouting distance, so clearly made of the same shiny silver substance, and yet separated from each other – except in those rare, complex, and rather profound moments when we can all see each other for who we really are.